Joe Kubert

1st Issue Special #9 (December, 1975)

Posted on by Alan Stewart

My first encounter with Doctor Fate dates back to 1966, when I met him as a member of the Justice Society of America in Justice League of America #46 — the opening half of that year’s annual summer JLA-JSA meet-up event, which, as it happened, was the first such event I experienced as a young comics fan.  As I wrote in my post about that issue nine years ago, he very quickly became one of my very favorite JSAers, probably due as much to his look (that golden, whole-head-covering helmet was so cool) as to his power set (I developed a predilection for the supernaturally-based superfolks pretty early on, for whatever reason).  That opinion hadn’t changed by September, 1975, so when the sorcerer from Salem was granted a solo showcase in the ninth issue of 1st Issue Special (his first such since 1944!), it was pretty much a given that I would show up for the occasion.  Read More

Limited Collectors’ Edition #C-36 (Jun.-Jul., 1975)

Posted on by Alan Stewart

By March, 1975, DC Comics had been utilizing its innovative 10″ x 14″ tabloid format for over two years.  Thus far, most of the content for the company’s publications in this format had been reprinted from its extensive archives, although some new material had appeared here and there.  Still, it seemed inevitable that we readers of the time would eventually see DC bring out a tabloid with exclusively new content — though I doubt many of us were expecting that the very first to do so would be an adaptation of the first nineteen chapters of Genesis, the first book of the Bible. Read More

The Shadow #6 (Aug.-Sep., 1974)

Posted on by Alan Stewart

Last November, we took a look at the third issue of DC Comics’ The Shadow — the first issue by the team of writer/editor Denny O’Neil and artist Michael W. Kaluta to carry a credit for another creative talent.  In this case, it was Kaluta’s friend and fellow artist, Bernie Wrightson, who stepped in to help out his pal when the former artist ran behind on his bi-monthly deadline.

Kaluta ended up having some uncredited help on issue #4, as well — this time from Howard Chaykin and Stephen Hickman as well as Wrightson — although this seems to have been a case of the other artists just wanting to pitch in for the fun of it, rather than a matter of necessity.  Kaluta drew the cover solo, however, just as he had the previous three; like them, it was enhanced by the special washtone process utilized by colorist Jack Adler.  (For the record, this issue also featured an additional writing credit for the first time, as Len Wein co-scripted the story with O’Neil.)

Then, in March, 1974, The Shadow #5 brought the largest creative shakeup yet, as Kaluta was entirely absent from the issue; instead, both the cover and story were illustrated by an artist with a diametrically different style, i.e., Frank Robbins.  Read More

Detective Comics #439 (Feb.-Mar., 1974)

Posted on by Alan Stewart

As of November, 1973, it had been twenty-seven months since the last time I bought an issue of Detective Comics.  (For the record, that issue was #416, featuring the fourth appearance of Man-Bat.)  There hadn’t been any conscious “drop” decision involved in this long dry spell between purchases; like a lot of other titles, Detective was simply one of those books I made an individual buy-or-not-buy choice about every time I saw a new issue on the stands.  I’d check out the cover, glance at the credits for the Batman story, note who Bats was fighting this go-around — maybe even see who was starring in the backup feature (there was always a backup feature back then) — and if one or more of those aspects grabbed me (or, if the spinner-rack pickings were really slim that week, even just mildly interested me), I bought the comic book.  Read More

Korak, Son of Tarzan #46 (May-Jun., 1972)

Posted on by Alan Stewart

As I wrote last month in my post about Tarzan #207, I firmly believe that it would have been all but impossible for an American child of my generation to grow up not knowing who Tarzan was.  Korak, son of Tarzan, on the other hand… well, maybe not so much.  Sure, the scion of the Lord of the Jungle had been around since 1914, when he appeared as the infant Jack Clayton in Edgar Rice Burroughs’ novel The Eternal Lover.  But he’d made a much smaller imprint on popular culture, at least as a solo adventurer, only appearing in a single film, the 1920 serial The Son of Tarzan; as far as most moviegoers (or movies-on-TV viewers) were concerned, the Ape Man’s kid was a boy named, er, “Boy”.  Seriously, unless you were a reader of the novels, about the only way you’d know the name “Korak” was from comics — and even there, the poor guy had to work to stake his claim. Read More

Tarzan #207 (April, 1972)

Posted on by Alan Stewart

I’m not sure if it would have been possible for an American kid of my generation to grow up not knowing who Tarzan was.  Even if you never once heard the name “Edgar Rice Burroughs”, you’d inevitably learn to recognize that author’s most famous hero by sight, as his loincloth-clad form swung by on a vine — or by sound, per his distinctive, (literally) trademarked yell.

Your humble blogger was no exception in this regard.  Still, I may have been in a minority among my peers in at least one Tarzan-related area: I never saw a single Tarzan movie in my formative years, despite their showing up regularly on television.  How come?  I’m not 100% sure, but I figure it was probably because of my dad.  Read More

Justice League of America #84 (November, 1970)

Posted on by Alan Stewart

According to the Mike’s Amazing World of Comics web site, Robert Kanigher scripted 2,707 comic book stories in his five-decade career, the vast majority of them for DC Comics.  But despite the fact that I’ve been reading DC comics myself for over five decades — three of which overlap with those during which Kanigher was working — I’ve never really felt like I had a handle on the guy.  Read More

Justice League of America #73 (August, 1969)

Posted on by Alan Stewart

Justice League of America was the first comic book title that you could say I “collected”, though I wouldn’t have used (or understood) that term at the time.  I bought my first issue, #40 (Nov., 1965) at the age of eight, just a month or so after buying my first comic book, period, and didn’t miss a single issue out of the next twenty-eight — a run of a little over three years.  Of course, it helped that I sent “National Comics” (i.e., DC) a dollar in the mail for a year’s subscription early on (and was then obliged to live with the legendary, dreaded folded-in-half crease for the next ten issues); but even after that ran out, I was able keep the run going without a break up through #68.  If you’re old enough to remember how unreliable standard newsstand distribution was in the latter half of the 1960s (or if you just happen to be a regular reader of this blog) you’ll realize that was something of a feat — especially for a kid who had to rely on his parents for transportation to the convenience stores where he bought his comics, and couldn’t be certain of getting to the spinner rack every single week.  Read More

Atom #36 (Apr.-May, 1968)

Posted on by Alan Stewart

What defines a comic book superhero as a unique character?  Is it a name, or a costume, or a power set?  What about a hero’s “secret identity”?  Does it even matter who’s wearing the costume?

For what it’s worth, I suspect that the majority of people reading this post have a general conception of “Superman” as a single, unique character, albeit one with multiple versions — “pre-Crisis”, “New 52”, “Golden Age”, and so on.  It’s probably the same with Batman, or Wonder Woman — or with Captain America, Iron Man, or the Mighty Thor, for that matter.  Even if these heroes undergo occasional costume modifications or power fluctuations — and even if someone else steps into their heroic role for a time in the service of a storyline — there’s still a sense of a core character underneath it all — an “ur-Superman”, an “ur-Batman”, and so forth.  Read More