Conan the Barbarian #37 (April, 1974)

At the time the topic of today’s blog post was originally published, January, 1974, new interior comic book art by Neal Adams wasn’t yet as rare as hen’s teeth — not quite.  Still, it was a good bit rarer than it had been just a year or so earlier, and thus it was a treat to see a second full-length story illustrated by the star artist come out just one month after the last one, which had appeared in DC Comics’ Batman #255.  (For the record, there was another story by Adams that came out in December, 1973, as well — a 10-page “Green Lantern” back-up in Flash #226, which my younger self managed to miss.)  Adding to the fun was the fact that Adams did all the art in the issue, pencilling and inking the issue’s cover as well as the whole 19-page story within.  (Or, at least, that’s what the credits said; per the Grand Comics Database, Joe Rubinstein assisted Adams in the inking of backgrounds.)  Read More

Fear #17 (October, 1973)

By the time Steve Gerber sat down to write the story that we’ll be looking at today, he was pretty well established at Marvel Comics.  While it’s true that an early stint working on staff as a proofreader didn’t turn out all that great, due to the twenty-five-year-old former advertising copywriter’s propensity for falling asleep at his desk (many years later, Gerber would be diagnosed with sleep apnea), his freelance writing gig was going very well, thank you.  As of late spring, 1973, Gerber was the regular writer for Daredevil, Sub-Mariner, the Zombie (in Tales of the Zombie), and — last but not least — the gig with which he’d started out, almost a year before: the Man-Thing series in Fear.  Not only that, but in just two months, that latter assignment would provide the launchpad for the character for which he’d ultimately be best remembered, Howard the Duck.

But it all almost came crashing down in the middle of ’73, thanks to Gerber’s introduction of another, less well-remembered character in the pages of that same series — a character whose unmistakable similarity to the flagship superhero of Marvel’s number one competitor, though intended as parody, wasn’t at all well received by that competitor — resulting in the young writer coming very, very close to being fired.  Read More