In March, 1972, the format change that DC Comics editor Joe Orlando had brought to the company’s House of Mystery title at the beginning of his tenure had been in place for four years. This format — which emulated the approach of the horror anthology comics of the early 1950s to the extent possible under the strictures of the Comics Code Authority — had proven very successful, leading to similar revamps of other DC titles (House of Secrets and Tales of the Unexpected) as well as the launch of brand new titles cut from the same rotting gravecloth (Witching Hour and Ghosts). Even DC’s arch-rival Marvel had been moved to try its hand at the “mystery” anthology comics game (though so far without much success).
Through it all, House of Mystery had kept to the course charted by Orlando in 1968, centered on a mix of short stories of supernatural horror (generally featuring twist endings), interspersed with a page or two of macabre cartoons, all “hosted” by Cain the Caretaker. To the extent that anything had changed in the last four years, it was largely in the makeup of the talent roster that produced the title’s content. Even so, it was still possible to pick up an issue and be completely surprised — as was the case with the very comic we’re looking at today. Read More
Fifty years ago, whenever I picked up an issue of one of DC Comics’ “mystery” (i.e., Comics Code-approved horror) anthology titles, I knew I would see work from multiple creators. Any given issue would feature a mix of talents, most likely including some that I’d been a fan of for quite a while, others who were somewhat less well-known to me (but whom I was becoming more familiar with all the time, due mostly to their frequent appearances in these very titles), and probably at least one or two I’d never heard of before.
This was definitely the case with the comic that’s the subject of today’s post, House of Mystery #188, which started things off with another spooky cover by the very familiar (and always dependable) Neal Adams, and then launched into a story drawn by an artist whose work was altogether new to me (and probably new to most of this issue’s other original readers, as well), though I wouldn’t know this for sure until I got to the credits box on the story’s second page: Read More
When I picked up this issue of Brave and the Bold fifty years ago (give or take a couple of weeks), Batman’s co-star in the book, Plastic Man, had been around for over twenty-six years — almost as long as the Caped Crusader himself. But he’d only been a DC Comics hero for a little over one year — which is about as long as my ten-year-old self had been aware of him. Read More