Doctor Strange Annual #1 (1976)

Back in June, I closed out my post about Doctor Strange #18 — the last issue of the series written by Steve Englehart — with the observation that while there would be great Dr. Strange comics following that author’s departure, they’d mostly achieve that status more on the basis of their artwork than of their writing.  I also noted that the first such book, Doctor Strange Annual #1, would be coming up for discussion as early as October.

But now that this story’s moment has actually come, I feel the need to qualify my previous assertion, at least a little bit.  That’s because as magnificent as the pictures produced for it by artist P. Craig Russell undeniably are, their impact is virtually impossible to separate from what Russell also brought to the project as its conceptual originator and primary plotter; in other words, as a writer.  Ultimately, this comic is a remarkable work of the literary as well as the artistic imagination.  Read More

Conan the Barbarian #20 (November, 1972)

As we discussed on the blog last month, the 19th issue of Conan the Barbarian saw not only the beginning of the title’s most ambitious multi-issue storyline to date, but also the return of artist Barry Windsor-Smith after a hiatus of several months.  That return was marked by a noticeable improvement in the artist’s already impressive skills in the time he’d been away; but it was also marred somewhat by deadline problems that resulted in only the first nine pages of the story being fully inked (by Dan Adkins), the remaining eleven having to be reproduced from Windsor-Smith’s pencils; an intriguing, but not altogether successful experiment, given the limits of comic-book printing technology of the time.  Read More

Jimmy Olsen #134 (December, 1970)

In August, 1970, when DC Comics released Jimmy Olsen #133 — the first new comic book produced for the publisher by Jack Kirby to make it to print — they marked the occasion with a “Kirby Is Here!” banner headline (a consummation of the “Kirby Is Coming!” promotional campaign they’d been running the last couple of months), topping a cover drawn (mostly) by Kirby himself.

Two months later, when the publisher brought out their second Kirby comic, they continued to use his name as a selling point, with the cover’s banner headline now proclaiming “A King-Size Kirby Blockbuster!”  (“King-Sized” was in fact not an entirely accurate description, since both the physical comic itself and the featured story within were of standard length; perhaps DC was trying to evoke the “King” nickname that Kirby had acquired at his former employer, Marvel Comics.)  But the cover illustration itself wasn’t by Kirby, this time; rather, it was the work of Neal Adams. Read More

Jimmy Olsen #133 (October, 1970)

By August, 1970, I’d been buying and reading comic books for a full five years.  Somehow, however, in all that time, I hadn’t yet sampled an issue of Jimmy Olsen.

I’m not really sure why that was.  My very first comic book had been an issue of Superman, after all, and I’d picked up a couple of Lois Lanes pretty early on, as well.  And I don’t recall having anything particularly against the red-headed cub reporter (in comics, anyway — I think I always considered the version played by Jack Larson on the live-action TV show to be kind of a doofus).  Indeed, as best as I can remember, I actually kind of enjoyed Jimbo’s appearances in World’s Finest, where he basically functioned as the Robin to Superman’s Batman, as well as having his own team-up thing going with the genuine Boy Wonder on the side (the Olsen-Robin team even had their own secret HQ, the Eyrie).  Read More