Avengers #141 (November, 1975)

The main topic of today’s post is Avengers #141, which kicked off the last major story arc of one of the series’ defining writers, Steve Englehart — and also featured the debut on the series of one of its most celebrated artists, George Pérez.  But given that the last issue of the title we looked at on this blog was #137, back in April — and that that one ended on a fairly large cliffhanger, with the Wasp having just been seriously injured by the enigmatic alien known as the Stranger — we’ll have some catching up to do in regards to the three intervening issues before we can move on to the latest doings of Earth’s Mightiest Heroes, circa August, 1975.  Read More

Hercules Unbound #1 (Oct.-Nov., 1975)

Fifty-plus years ago, the spring of 1975 brought news of personnel changes to the major American comic book companies that might not have made it into any major metropolitan newspapers, but were guaranteed to garner headlines in the comics fanzines of the time.  Without doubt, the most dramatic such development was the return of artist/writer/editor Jack Kirby to Marvel Comics following a five-year tenure at rival DC; but another change that happened more or less simultaneously with Kirby’s move — and was essentially the reverse mirror image of it — was also significant enough to get a fair amount of ink in The Comics Reader and its ilk: the return of Gerry Conway to DC Comics as both a writer and an editor after having spent the better part of the past half-decade writing for Marvel, where he’d ultimately been responsible for such high-profile titles as Thor, Fantastic Four, and Amazing-Spider-Man. Read More

Man-Thing #22 (October, 1975)

When we last checked in with the Man-Thing back in March, at the end of his 18th issue, it was for the finale of the three-part “Mad Viking” trilogy — one of the most intense and memorable storylines to have yet appeared in the feature, perhaps matched only by “The Kid’s Night Out!” (which had in fact been published concurrently with it, in the Man-Thing’s quarterly Giant-Size vehicle).  As you may recall, Man-Thing #18 concluded with Manny, his human friend Richard Rory, and a distressed teenager named Carol Selby abandoning the small Florida town of Citrusville in the wake of a book burning incident at the town’s high school in which people as well as pages had perished.  That downbeat ending presaged a significant change in direction for the series — one which writer Steve Gerber and artist Jim Mooney would manage to explore in depth for only three issues before having to abruptly wrap up everything as best they could in the title’s terminal release, Man-Thing #22. Read More

Thor #240 (October, 1975)

As I’ve mentioned numerous times before on this blog, Thor was my favorite Marvel superhero back in the 1970s.  (Just for the record, he still is.)  That didn’t mean that Thor was my favorite Marvel superhero comic book for most of that decade, however — at least, not so far as the new issues coming out then were concerned.  The reason for that disparity stems from the fact that, while my enthusiasm for the Son of Odin might have originally been inspired by a general affinity for myth and legend (and for modern heroic fantasy fiction derived from them), it was based at least as much on my admiration for the work that Stan Lee and Jack Kirby had done on the feature in the mid-to-late 1960s.  Thor/Journey into Mystery was the one major Marvel title I endeavored to acquire a complete run of back in my collecting heyday (I eventually made it back as far as JiM #96, if you’re curious).  So I had those Lee-Kirby classics — which I was picking up sporadically, just a few at a time — to compare the current issues to.  And despite regularly featuring a high quality of artwork (usually by John Buscema, working with a variety of mostly sympathetic inkers), the new stories (which for most of the first half of the 1970s were written by Gerry Conway) just didn’t measure up in my eyes… neither to those great old Thor/JiM comics, nor to the best of what Marvel was offering elsewhere in the superhero genre in those days.  Read More

Avengers #137 (July, 1975)

As we discussed in our Giant-Size Avengers #4 post back in February, that comic had marked the end of a long sequence of stories by writer Steve Englehart and his various artistic collaborators — the “Celestial Madonna” saga — that had brought significant changes to the team.  Perhaps the most of critical of these were the exits of the Swordsman (who’d actually perished in Giant-Size Avengers #2, but had been kinda-sorta brought back since then) and Mantis (who’d only “officially” become an Avenger in the final pages of GSA #4, but had been such a regular part of their adventures since issue #114 that she really might as well have been a member all along).  Whatever else might be in store for Earth’s Mightiest Heroes, it certainly made sense that one or more additions to the team’s roster — whether in the form or returning veterans, fresh new recruits, or a mix of both — lay in the near future.  Read More

Giant-Size X-Men #1 (May, 1975)

Cover layout by Gil Kane, featuring only the new X-Men team lineup.

The completed original art for the cover, with the new team pencilled by Kane and the old team pencilled by Dave Cockrum; all inks by Cockrum.

Half a century after its original release, there’s little doubt that the subject of today’s post was the most historically significant mainstream American comic book released in 1975; indeed, it’s arguably in the very top tier for the entire decade of the Seventies.  But in April, 1975, it arrived with very little fanfare — at least in the relatively isolated comics-reading world of your humble blogger, who at age seventeen still wasn’t tuned in to what little fan press there was at the time.  I don’t recall seeing any house ads for Giant-Size X-Men #1 ahead of its release, and the only promotion of the book I’ve been able to locate in any Marvel Bullpen Bulletins page published around then is a brief mention in the column that ran in the company’s March-shipping issues, reporting how artist Dave Cockrum’s being chosen to illustrate the project represented the realization of the “fan dream of a lifetime”.  That may well have been the only heads-up I had that this book was coming out at all, prior to seeing its soon-to-be-iconic cover by Cockrum and Gil Kane staring out at me from the spinner rack. Read More

Defenders #24 (June, 1975)

Last month, we took a look at the first half of Steve Gerber and Sal Buscema’s “Sons of the Serpent” storyline with a single blog post covering Defenders #22 and #23.  Today, we’ll be wrapping things up in a similar fashion, with one post serving for our survey of both the third and fourth chapters of this half-century old graphic narrative.

Before we get into the story itself, however, I invite you to take a closer look at Defenders #24’s excellent (if just a bit crowded) cover by Gil Kane and Klaus Janson (and also by John Romita, per the Grand Comics Database).  Specifically, at the blurb trumpeting the presence within of “5 fearsome Defenders and 3 startling guest stars“.  Five Defenders?  I guess that means that Yellowjacket’s been bumped up to full membership status, huh?  That’s certainly what the anonymous Marvel Comics bullpenner who wrote that copy appears to have thought, at any rate.  (Of course, if you accept the notion of the Defenders being a “non-team”, as your humble blogger has always chosen to do, it’s basically a moot point, since any superhero who shows up in any issue may reasonably be called a member.  Or a non-member.  You know what I mean.)

And now, on with the show…  Read More

Captain America #186 (June, 1975)

Art by Gil Kane and Joe Sinnott.

The last issue of Captain America we discussed in this space, was, as I’m sure you’ll remember, a highly significant one for the series, featuring as it did not only the tragic death of Roscoe, the young man who’d attempted to replace Steve Rogers in the titular role, but also Steve’s inevitable response to that tragedy: the abandonment of his briefly-held “Nomad” identity to once again take up the shield of Captain America, as he prepared to deal with the return of his greatest arch-enemy (and the man who’d brutally murdered Roscoe) — the Red Skull.

Interestingly, however, issue #183’s letters column devoted at least as much attention to the hero who shared the series’ title logo with Cap (even if the book’s “official” title, per the indicia, had been, and would remain, simply Captain America) — namely, the Falcon.  In response to a missive from reader Bob Stenson that included a brief, vaguely critical remark about the Falcon’s decision not to come to the aid of his erstwhile partner Steve Rogers against the Golden Archer back in CA #179, the book’s anonymous letters-page answerer (identified by the Grand Comics Database as series scribe Steve Englehart) took the opportunity to preview some upcoming — and ominous-sounding — developments in regards to Marvel Comics’ first Black American superhero:  Read More

Giant-Size Avengers #4 (Jun., 1975)

Back in August, 1974, after laying the necessary narrative groundwork for many months, Avengers writer Steve Englehart had inaugurated his “Celestial Madonna” story arc with a pair of issues that came out within a couple of weeks of each other: Avengers #129 and Giant-Size Avengers #2.  Half a year later, in February, 1975, the saga would reach its conclusion in a parallel fashion, with the final chapters appearing in that month’s issues of both the regular monthly Avengers title and its giant-sized quarterly companion.  Read More

Avengers #134 (April, 1975)

While it may say “Avengers #134 (April, 1975)” on the title line above — and, yes, that is that very issue’s cover (pencilled by Gil Kane, inked by Joe Sinnott, and probably touched up by John Romita) that’s displayed right above that — we’ll actually be beginning this post by looking at the preceding issue, Avengers #133 (whose cover by Kane, Dave Cockrum, and Frank Giacoia is shown at left).  That’s because the last time we checked in with Earth’s Mightiest Heroes was in November’s post about Giant-Size Avengers #3, which, as you may remember, ended right in the middle of the extended storyline that today is generally known as the “Celestial Madonna Saga”.  And while covering more than one comic in a single blog post is hardly anything new around these parts, your humble blogger feels moved to point out that, even more than with most continued stories of this era, this one happens to be so information-dense, particularly at this juncture, that a brief synopsis could never, ever cut it.  Read More