José Luis García-López

World’s Finest Comics #199 (December, 1970)

Posted on by Alan Stewart

Ah, here we are again, pondering the eternal question:  Who’s faster, Superman or the Flash?  Let’s see if I can recall where we’ve already been, and how we got where we are “now”, in October, 1970…

Oh, yeah, I remember.  Way back in the June of 1967, when your humble blogger had not yet reached the tender age of ten years, his DC superhero-besotted self thrilled to the first ever race between the Man of Steel and the Scarlet Speedster, as chronicled by the team of Jim Shooter, Curt Swan, and George Klein in Superman #199.  Thrilled, that is, up until the story’s last page, when the Flash was robbed — robbed, I say! — of his rightful victory, when the race ended in a tie.  (Why was I rooting for the Flash?  Essentially, because super-speed was his one and only thing, while Superman had a dozen other super-abilities he could be “best” at.)  Shooter’s story might have framed this as a necessary move by the heroes to thwart two gambling syndicates that were illegally betting on the race — but my younger self knew a rip-off when he saw one:  Read More

Justice League of America #53 (May, 1967)

Posted on by Alan Stewart

I’ve written before on this blog — several times — about my admiration for comics writer Gardner Fox’s reference library — a library I don’t really know anything about, but the existence of which can (or must, even) be inferred from the assortment of off-the-wall factoids (mostly, but not exclusively, related to mythology and folklore) to be found scattered throughout his Sixties ouevre.  The Justice League of America story featured in today’s post — “Secret Behind the Stolen Super-Weapons!” — is another sterling example of this penchant of the prolific scripter’s; but before we jump right into the story, let’s take a moment for a look at the cover.  (It’ll be brief, I promise.)     Read More

World’s Finest Comics #162 (November, 1966)

Posted on by Alan Stewart

People who’ve known me for a while are likely to know that as much as I love comic books, they’re not the only thing I geek out over.  Another of my abiding passions, going back more than forty years, is the legend of King Arthur and the Knights of the Round Table, in all its cultural manifestations — classic literature, modern prose fiction, art, films, music, and — of course — comics.  Over the last few decades I’ve been fortunate enough to have had several opportunities to combine my interests in Arthuriana and comics in ways I can share with others — beginning with an article in the late, lamented fanzine Amazing Heroes in 1984, continuing with contributions to academic (!) works such as The New Arthurian Encyclopedia, and more-or-less culminating in my web site, “Camelot in Four Colors:  A Survey of the Arthurian Legend in Comics” — est. 2000, and looking every day of its age (still, you should check it out, OK?).

I got the Arthurian bug in a big way around 1973 or thereabouts.  It was sparked by a number of factors, among the most significant being T. H. White’s novel The Once and Future King (as well as its stage and movie musical adaptation, Camelot), Mary Stewart’s Merlin novels, and C. S. Lewis’ contemporary science fantasy That Hideous Strength.  Those were all manifestations of the Arthurian legend that I encountered as an adolescent in the early Seventies — but, of course, like many if not most other English-speaking people of the modern world, I was first exposed to King Arthur and his mythos during the earlier period of my childhood.  And what was probably one of the first truly significant exposures came along in September, 1966, in the form of World’s Finest #162 — in which the ranks of the Round Table knights were joined by none other than my two favorite heroes, Superman and Batman.     Read More