Daredevil #47 (December, 1968)

When we last checked in on Matt Murdock for this blog, he was engaging in an unnecessary (but still entertaining) slugfest with Captain America, while also moping over having been (sort of) dumped by his (kinda) girlfriend, Karen Page.  All that, of course, went down in Daredevil #43, published in June, 1968.  The three issues that followed that one told a single story, in which Daredevil was framed for murder by his newest arch-foe, the Jester, who’d been introduced in #42.  I bought those issues when they came out, and the story was a pretty good one, as I recall.  Nevertheless, I’ve opted not to blog about them here — mainly because the Jester’s not all that interesting to me as a villain, and I’ve already made most of the general comments I could make about scripter Stan Lee and penciler Gene Colan’s late-Sixties DD work in earlier posts.

Daredevil #47 is something different, however.   “Brother, Take My Hand!” (for which Lee and Colan are joined by inker George Klein) is a standalone story without any flashy costumed super-villains, which deals meaningfully with some fairly unusual topics for a 1968 comic book — the Vietnam War, physical disabilities, and racial equality — without actually being “about” any of them.  Read More

Thor #158 (November, 1968)

By the time September, 1968 rolled around, I’d been interested in Thor for a while.  I’d been intrigued by the couple of appearances he’d made in in Avengers issues I’d bought, and I was fascinated by the idea that this Marvel Comics superhero was apparently the same guy as the Thunder God from the Norse myths I’d studied in school (even if the Marvel version was blonde and clean-shaven, rather than red-haired and bearded, like in the myths).  I have a distinct memory of gazing at a copy of Thor #152 sitting in the spinner rack at the Short-Stop, and wondering not only who the big ugly bruiser Thor was fighting with was, but all those other strangely garbed characters in the background, as well.  But in February of ’68, when that book came out , I was still feeling my way as a new Marvel reader, and wasn’t quite ready to take the plunge.  I was feeling a lot more comfortable with Marvel by September, though.  And, in fact, I might have sampled Thor even earlier, if I hadn’t been able to tell from the Mighty Marvel Checklist’s monthly issue descriptions that the series was then in the midst of an ongoing storyline, featuring the Mangog, that lasted through the summer.  Read More

Batman #194 (August, 1967)

Recalling my early comics-reading years, I can’t think of another comic book that I looked forward to with as much breathless anticipation, simply based on the house ads, as I did Batman #194.  And I can’t think of another comic book that I considered as huge of a letdown once I finally got hold of it and read it, as I did Batman #194.

It was the cover that grabbed me in those ads, of course.  That amazing Carmine Infantino-Murphy Anderson cover, with its impeccably rendered figures of Batman and Blockbuster, its dynamic action, and, most of all, its imaginative (and, for the time, daring) incorporation of the book’s title within the illustration.  My nine-year-old self had never seen anything like it.  Read More