Astonishing Tales #36 (July, 1976)

Rich Buckler’s cover for this issue of Astonishing Tales is one of the most striking ones he ever did for his “Deathlock the Demolisher” series, featuring a design-forward approach that clearly displays the influence of Jim Steranko (though without being a direct “lift” from any of that artist’s individual works, to the best of my knowledge).  Interestingly, although the cover’s copy announces “a new beginning” for the feature, its imagery comes almost entirely from previous episodes (among other elements, it prominently features two characters — Deathlok’s arch-foe, Major Simon Ryker, and his one-time friend, Mike Travers — who don’t appear in this issue at all).  But perhaps Buckler’s choice to look back is appropriate, as, fifty years ago this month, the 36th issue of Astonishing Tales turned out to be the last one for the title — a fact which, intentionally or not, retrospectively allows its cover to serve as a sort of commemorative piece for the entire “Deathlok” series.  Read More

Astonishing Tales #33 (January, 1976)

Back in May of this year, we took a look at Astonishing Tales #31, which featured Deathlok the Demolisher… although only for its first ten pages.  As regular readers of this blog may recall, the ongoing series plotted and (mostly) drawn by Deathlok’s primary creator, Rich Buckler, had in the spring of 1975 recently been having scheduling problems, leading Marvel Comics to make the bi-monthly title full reprint for one issue (#29), bring in additional pencilling help for the next (#30), and then, having only enough new content to fill half of the last (#31), pad out the rest of that book with yet another reprint.  Still, we found cause for cautious optimism in what Deathlok material we did get in AT #31, per the coming-on-board of new (hopefully to become regular) inker Klaus Janson, as well as some welcome progression in the feature’s meandering plotlines.

How well-founded was our optimism?  Well, let’s start with the fact that this post, which is mostly about issue #33, is appearing in October… meaning that, fifty years ago, it took Marvel five months to bring out two issues of this book, rather than the expected four.  Not exactly what you’d call a good sign.  Read More

Thor #240 (October, 1975)

As I’ve mentioned numerous times before on this blog, Thor was my favorite Marvel superhero back in the 1970s.  (Just for the record, he still is.)  That didn’t mean that Thor was my favorite Marvel superhero comic book for most of that decade, however — at least, not so far as the new issues coming out then were concerned.  The reason for that disparity stems from the fact that, while my enthusiasm for the Son of Odin might have originally been inspired by a general affinity for myth and legend (and for modern heroic fantasy fiction derived from them), it was based at least as much on my admiration for the work that Stan Lee and Jack Kirby had done on the feature in the mid-to-late 1960s.  Thor/Journey into Mystery was the one major Marvel title I endeavored to acquire a complete run of back in my collecting heyday (I eventually made it back as far as JiM #96, if you’re curious).  So I had those Lee-Kirby classics — which I was picking up sporadically, just a few at a time — to compare the current issues to.  And despite regularly featuring a high quality of artwork (usually by John Buscema, working with a variety of mostly sympathetic inkers), the new stories (which for most of the first half of the 1970s were written by Gerry Conway) just didn’t measure up in my eyes… neither to those great old Thor/JiM comics, nor to the best of what Marvel was offering elsewhere in the superhero genre in those days.  Read More

Astonishing Tales #31 (August, 1975)

The last time we checked in with Marvel Comics’ cyborg antihero, Deathlok the Demolisher, it was September, 2024.  (Or, if you prefer, September, 1974).  That’s been a good long while in comics periodical publishing terms, even taking into account the bi-monthly publication schedule of Astonishing Tales back then; so you might figure we have a lot of catching up to do before digging in to the character’s “latest” adventure.  But, as it turns out, the eight-month gap between issues #27 and #31 of the Astonishing Tales brought just two new Deathlok stories rather than three, as issue #29 was a fill-in featuring an unplanned reprint of the first Guardians of the Galaxy story, which (as we discussed in last week’s Defenders #26 post) had originally appeared in Marvel Super-Heroes #18 back in 1968.  Read More

Thor #228 (October, 1974)

The primary subject of today’s blog post is the advent of artist Rich Buckler as the regular artist on Marvel Comics’ Thor (and despite the post’s title, we’ll be spending at least as much time on issue #227 — Buckler’s actual debut on the series — as we will on #228).  But as it’s been a while since we last checked in on the God of Thunder (at least in his own book), it’s probably advisable that we take a few moments here at the top to orient ourselves to the current lay of the land in Thor, in terms both of its ongoing storyline and of its creative team.  Read More

Amazing Spider-Man #85 (June, 1970)

In July, 1969, Marvel Comics editor-in-chief Stan Lee announced in his “Stan’s Soapbox” column that the company was instituting a new “no continued stories” policy for all its titles.  Today, that policy (which remained in place for about a year and a half, at least officially) is widely considered to have been not Lee’s own idea, but rather one that was imposed on him by his then-boss, publisher Martin Goodman.  Assuming that’s true, it’s interesting to consider how much Lee flouted the policy in one of the relatively few books he still wrote himself, The Amazing Spider-Man — which, as it happens, was also the company’s best-selling title, and thus probably the one most likely to be noticed by Goodman.  Read More