Larry Lieber

Giant-Size Avengers #4 (Jun., 1975)

Posted on by Alan Stewart

Back in August, 1974, after laying the necessary narrative groundwork for many months, Avengers writer Steve Englehart had inaugurated his “Celestial Madonna” story arc with a pair of issues that came out within a couple of weeks of each other: Avengers #129 and Giant-Size Avengers #2.  Half a year later, in February, 1975, the saga would reach its conclusion in a parallel fashion, with the final chapters appearing in that month’s issues of both the regular monthly Avengers title and its giant-sized quarterly companion.  Read More

Defenders #21 (March, 1975)

Posted on by Alan Stewart

Fifty years ago this month, the Gil Kane-Klaus Janson cover of Defenders #21 heralded the beginning of a new storyline.  But as soon as we readers of the time turned to the comic’s opening splash page — not to mention the double-page spread that followed immediately thereafter — it was clear that although the “A”-plot of the recent three-parter that had wound through two issues of Marvel Two-in-One before concluding in Defenders #20 might indeed have reached its end, the series’ new regular writer, Steve Gerber, was in no way ready to drop the plot element that had driven much of the action of that arc — the mystery behind the past life of the superheroine we knew as Valkyrie…  Read More

Wulf the Barbarian #1 (February, 1975)

Posted on by Alan Stewart

A week ago, writing about the advent of the short-lived comics publisher Atlas/Seaboard, I touched briefly on one of the company’s first color comic-book releases — the barbarian-themed Ironjaw #1 — which, as you may recall, I didn’t rate very highly.  At the time, I promised you we’d be taking a look at the other sword-and-sorcery comic Atlas put out in November, 1974 — a book which was perhaps somewhat more generic than its immediate predecessor, at least on the surface level, but one which ultimately proved a more satisfying entertainment experience overall, simply by virtue of being so very well drawn… well, that, and not being poisonously misogynistic, as the Michael Fleisher-written Ironjaw unquestionably was.  And now, here we are.  Read More

Giant-Size Man-Thing #3 (February, 1975)

Posted on by Alan Stewart

OK, let’s get this out of the way first:  Back in the mid-1970s, Marvel Comics actually published five issues of a series called Giant-Size Man-Thing.

Hahahahahahahahah!

Everyone good now?

As I mentioned in my post about Man-Thing #8 a few months back, there’s really no reason why “Giant-Size Man-Thing” should be exponentially funnier than “Man-Thing” is by itself.  I mean, any double meaning you want to read into the phrase is right there in the regular-sized version, right?  Yet, put those two hyphenates together, in that order, and hilarity — or at least an extended period of snickering — inevitably ensues. Read More

Tales of the Zombie #8 (November, 1974)

Posted on by Alan Stewart

Cover art by Boris Vallejo.

Back in April, 2023, towards the end of my post on Tales of the Zombie #1, I wrote that while I fully expected to cover another issue of the series — more specifically, an issue within writer Steve Gerber and artist Pablo Marcos’ run on the titular lead feature — it was “likely to be a minute or two” before that would happen.

Well, in the end it took 745,000 minutes (give or take a couple of thousand), but we’re here at last.  And just in time, too, as TotZ #8 features the last story of Simon Garth, Zombie, produced by the Gerber-Marcos team.

Over the seventeen-month stretch between the first and eighth issues of this black-and-white magazine (which, as you may remember, was one of four such horror-oriented titles launched by Marvel Comics over an equal number of months in the first half of ’73), the format had been tweaked somewhat — old stories reprinted from 1950s Atlas horror comics had been pretty much phased out, for one thing — but the mix between comics stories and illustrated text features remained about the same, with the continuing, 20-plus-pages-long exploits (for lack of a better word) of the Zombie consistently dominating the proceedings.  Read More

Hero for Hire #9 (May, 1973)

Posted on by Alan Stewart

In March, 1972, Marvel Comics published the first issue of Hero for Hire.  The new comic’s titular star, Luke Cage, wasn’t Marvel’s first Black superhero (that distinction belonged to the Black Panther, who debuted in 1966), or even its first Black American superhero (that would be the Falcon, whose first appearance came in 1969).  But he was the first Black superhero to star in his very own comics title — not just from Marvel, but from any major American company — and that made the release of Hero for Hire #1 a milestone.

According to Roy Thomas, the initiative to create Luke Cage came from Stan Lee, who was then on the verge of ascending from his longtime role as Marvel’s editor-in-chief to become its publisher — and who was determined to diversify Marvel’s line on a number of levels, one of which was race.  Taking obvious inspiration from the “blaxpoitation” trend in early 1970s American cinema, Lee and Thomas worked with writer Archie Goodwin and artist John Romita to conceptualize and design the new hero, before bringing two more artists on board — George Tuska and Billy Graham. (the latter being the only Black person among this assortment of talents) — to craft the first issue’s story with Goodwin.  Read More

Tomb of Dracula #7 (March, 1973)

Posted on by Alan Stewart

Calendar-specific note for anyone reading this blog post on or soon after its original date of publication:  No, your humble blogger hasn’t gotten his holidays mixed up.  But I’m at the mercy not only of what comics were published a half century ago this month, but also of which comics my younger self actually bought… and my December, 1972 haul was decidedly light on seasonally appropriate fare.  On the other hand, Tomb of Dracula #7 does at least have snow in it, so maybe that counts for something.  And now, on to our regularly scheduled fifty year old comic book…

In December, 1972, a little over a year since its debut, Marvel Comics’ Tomb of Dracula had seen six issues delivered to stands — a run of stories which, despite having been drawn by a single artist, had been written by three different authors (five, if you count plotting contributions made to the first issue by Stan Lee and Roy Thomas).  That sort of creative churn generally didn’t bode well for the long-term health of an ongoing series; but for ToD, the fourth attempt at finding a regular writer for the book would prove to be the charm, as Marv Wolfman came on board with issue #7 — and then remained at the helm for the next sixty-three issues, or (to put it another way) the next six-and-a-half years.  Read More

Monsters on the Prowl #16 (April, 1972)

Posted on by Alan Stewart

You know, Marvel may have never quite licked the horror/mystery/fantasy/science fiction/what-have-you anthology format during the Bronze Age of Comics — at least not in the color comics arena — but you’ve got to give them points for trying.  From 1969 to 1975, the publisher launched at least sixteen titles that can be grouped within that admittedly broad category (more, if you include all the title changes).  It’s quite the bewildering array of funnybooks to try to get a handle on half a century later, even if you were buying and reading Marvels all through the era (as your humble blogger indeed was).  Trying to account for all those Loose Creatures and Dwelling Monsters, not to mention the Shadowy Towers and Crypts and the Chambers offering you a choice of either Darkness or Chills, can feel like a real Journey into Mystery at times; honestly, it can be hard to know if you’re coming or going.  Or Prowling or Roaming, if you catch my drift.

But never Fear, faithful reader — Attack of the 50 Year Old Comic Books is here to help.  While I can’t promise you’ll possess a comprehensive understanding of all the varied aspects of this little chapter in comics history by the time you finish reading this post, I believe that I can at least relieve you of feeling like you’re trapped within a Tomb of Darkness, informationally speaking.  Something like that, anyway.  At least for the first couple of years of the phenomenon.  Read More

Astonishing Tales #3 (December, 1970)

Posted on by Alan Stewart

As I’ve discussed in a previous post, when Marvel Comics brought back their mid-Sixties double-feature format with two titles in 1970, my younger self promptly jumped on one of them — Amazing Adventures, co-starring the Inhumans and Black Widow — picking up both the first and second issues.  For some reason, however, I put off sampling the companion title — Astonishing Tales, headlined by Ka-Zar and Doctor Doom — for several months, so my first issue was the series’ third.  Yes, reader; that does indeed mean that I turned up my nose at new work from not just one, but two giants of comic book art — Jack Kirby (who already had one foot out the door at Marvel) and Wally Wood (who was just putting a foot back in).  What can I say?  I was a callow youth, who pretty much took Kirby for granted (he put a couple of new books out every month, after all; if you missed one, there’d be another one along in a couple of weeks) — and, truth to tell, I didn’t yet know who Wood even was, or why I should care.  Read More

Captain America #116 (August, 1969)

Posted on by Alan Stewart

After having bought Captain America for five months straight (or almost straight, as I somehow managed to miss issue #111), in early 1969 I took a couple of months off from reading the Star-Spangled Avenger’s adventures.  Five decades later, I can’t quite remember why I did so.  Obviously, beginning with #114 there was a considerable stylistic shift in the look of the book, which had just seen the end of Jim Steranko’s brief but epochal run as the series’ artist — but it seems unlikely that I would have turned up my nose at the work of either John Romita (who drew both the cover and interiors of #114) or John Buscema (who contributed the interior art for #115, behind a Marie Severin cover), considering how much I enjoyed their work on other titles.  Admittedly, the Romita cover is a little dull, at least in comparison to the Steranko (and Jack Kirby) jobs that immediately preceded it, but it’s hard for me to believe I would have passed on Severin’s dramatic rendition of a shrunk-down Cap being held prisoner within a transparent cube by the Red Skull, while Sharon Carter looks on helplessly.  Perhaps I never actually saw that issue on the stands (or the one preceding it, for that matter).  Read More