As I’ve discussed in a previous post, when Marvel Comics brought back their mid-Sixties double-feature format with two titles in 1970, my younger self promptly jumped on one of them — Amazing Adventures, co-starring the Inhumans and Black Widow — picking up both the first and second issues. For some reason, however, I put off sampling the companion title — Astonishing Tales, headlined by Ka-Zar and Doctor Doom — for several months, so my first issue was the series’ third. Yes, reader; that does indeed mean that I turned up my nose at new work from not just one, but two giants of comic book art — Jack Kirby (who already had one foot out the door at Marvel) and Wally Wood (who was just putting a foot back in). What can I say? I was a callow youth, who pretty much took Kirby for granted (he put a couple of new books out every month, after all; if you missed one, there’d be another one along in a couple of weeks) — and, truth to tell, I didn’t yet know who Wood even was, or why I should care. Read More
With the 94th issue of Fantastic Four, Marvel Comics’ new single-issue story policy, first announced by editor-in-chief Stan Lee in a “Stan’s Soapbox” editorial three months earlier, finally caught up with the publisher’s flagship title — its implementation there having been delayed for a couple of issues while Lee and his collaborator Jack Kirby wrapped up their “Skrull gangster planet” multi-parter. Prior to that storyline, the book had featured another serialized tale, involving the Mole Man, that filled up two issues and spilled over into a third; that story had in turn followed a Dr. Doom epic that ran four issues; and so on. In fact, the last real “done-in-one” story to appear in Fantastic Four had been “Where Treads the Living Totem!” in #80 (Nov., 1968) — an issue which happened to be not only the second-ever FF comic I’d ever bought, but also my least favorite issue to date. Outside of reprints, prior to October, 1969 that was likely the only single-issue, non-continued Fantastic Four story my twelve-year-old self had ever read. Read More
As I’ve related in previous posts on this blog, my introduction to Marvel Comics’ Inhumans came not by way of their usual stomping grounds in Fantastic Four, but rather via an issue of Amazing Spider-Man that featured Medusa. Soon afterwards, I encountered Medusa’s little sister Crystal as a supporting character in FF — but all I knew about her at first was that she was the Human Torch’s girlfriend, and that she had a weird pattern in her hair. It wasn’t until issue #81, in which Crys suited up in blue to become the Invisible Girl’s temporary replacement on the team, that I even learned that she had superpowers, let alone that she was a member of the mysterious Inhumans’ royal house.
And then, just one month later, it was at last time to meet the rest of the family… Read More
By September, 1968, when the subject of today’s post came out, I was buying The Avengers semi-regularly. Of course, “semi” literally means “half” (at least in the original Latin) — which is my way of saying that though I’d bought issues #53, #56, and the 1968 Annual, I’d skipped, or at least missed, issues #54, #55, and #57. So, not only did my eleven-year-old self miss out on the debut of the Vision (in #57), but I was also completely in the dark about the malevolent robot who’d allegedly created him, Ultron-5, introduced in issues #54 and #55 as the mysterious leader of the “new” Masters of Evil.
Thus, when I came across Avengers #58 in the spinner rack, I may have been momentarily daunted. Even if I had no obvious way of knowing that this issue tied into the Masters of Evil storyline from several months back, it was clear from the cover that the story was a direct follow-up to the previous issue’s Vision tale.
But the cover also made it crystal clear that the book featured appearances by Captain America, Iron Man, and Thor — the Avengers’ “Big Three”, whom series writer Roy Thomas wasn’t allowed to use as regular team members by the fiat of editor Stan Lee, but whom he nevertheless shoehorned into the book every chance he got — and I had been conditioned by now to recognize this as being something of a special event (if not necessarily a rare one). And, in the end, that must have sold me. I’d buy the book, and trust that the creative team — which included penciler John Buscema and inker George Klein, in addition to Thomas — would catch me up. Read More
Fifty years after the fact, it seems a little strange to me that my first exposure to the Inhumans — one of the most memorable creations of Stan Lee and Jack Kirby to appear in the latter half of the 1960s — didn’t come by way of Fantastic Four, or from any other Marvel title drawn by Jack Kirby, but rather from an issue of Amazing Spider-Man, as illustrated by John Romita and Don Heck. But, hey, at least it was written by Stan, right? Read More