Marvel Super Action #1 (January, 1976)

As was discussed in detail in our post about Marvel Preview #4 several weeks ago, by 1975 all four of the black-and-white comics magazines with which Marvel Comics had made a big push into that market just two years before were winding down.  But Marvel was far from throwing in the towel on the B&W format itself.  Accepting that the early-’70s horror boom that had inspired the launches of Dracula Lives and its ilk was pretty much over, Marvel now looked to other genres for new titles that could replace those that had made up the “Marvel Monster Group”.  Read More

X-Men #94 (August, 1975)

As you may recall from our post about Giant-Size X-Men #1 back in April, that landmark comic book concluded with one of the mutant superhero team’s original members, the Angel, posing the query: “What are we going to do with thirteen X-Men?”  That question was reflective of the fact that while Marvel Comics had just introduced seven new members to the team (the majority of whom were also brand-new characters), there were still six veteran heroes of the old guard to be dealt with in one way or another.  It seemed unlikely that even a giant-sized version of the freshly-revived “X-Men” feature could easily accommodate such a large number of costumed crusaders in every issue — and once Marvel decided to use the existing regular-sized X-Men title (which since 1969 had only presented reprints of old X-stories) as the relaunched series’ primary vehicle instead, that question became even more acute.  Read More

Avengers #105 (November, 1972)

Writing about Avengers #100 back in March of this year, I referred to the four issues that immediately followed that milestone as a “victory lap” for Roy Thomas, whose nearly-six-year tenure as the title’s writer was about to come to an end.   In characterizing Avengers #101-104 in such a fashion, I don’t mean to denigrate them; they’re not bad comics, by any means.  But coming directly upon the heels of the three-part “Olympus Trilogy” crafted by Thomas with Barry Windsor-Smith — and, right before that, the “Kree-Skrull War” epic by Thomas, Neal Adams, and Sal and John Buscema — these comics can’t help but seem somewhat anticlimactic by comparison.  I suppose there’s always been a part of me that kind of wishes that Thomas had just quit while he was ahead.  Read More

Conan the Barbarian #15 (May, 1972)

When we last left Conan back in December, he and his two companions — Zephra (daughter of Conan’s old foe, the wizard Zukala), and Elric (ruler of an otherworldly realm called Melniboné) had just fended off an attack by Prince Gaynor the Damned and his Chaos Pack of beast-men.  We now pick up the tale where Conan the Barbarian #14 left off, as presented by the same storytellers — plotters Michael Moorcock (creator of Elric) and James Cawthorn, scripter Roy Thomas, artist Barry Windsor-Smith, and co-inker (with Windsor-Smith) Sal Buscema:  Read More