Captain America #173 (May, 1974)

In February, 1974, the X-Men hadn’t appeared in a new story in their own title in over four years — but while gone, they were hardly forgotten.  (Actually, they weren’t even gone, since their book had been resurrected as a reprint title by Marvel’s then-publisher, Martin Goodman, eight months after he’d cancelled the series with issue #66.  But you know what I mean.)  That’s because a number of people working for Marvel just plain liked the characters, regardless of their allegedly limited commercial viability; and, as writer Steve Englehart puts it in his 2009 preface to Marvel Masterworks — The X-Men, Vol. 8, “the Marvel Universe was a coherent entity, so the X-Men continued to exist in it even if they had no comic to call their own.”  Read More

Amazing Spider-Man #102 (November, 1971)

Today, we continue this blog’s commemoration of Giant-Size Marvel Month (aka August, 1971) with a look at a comic book that does both of our previous subjects, Thor #193 and Avengers #93, one better — literally — by way of a story that checks in at a whopping 35 pages,  compared to those other two worthies’ 34-page yarns.  How did scripter Roy Thomas, penciller Gil Kane, and inker Frank Giacoia pull off this trick?  I’m not sure, but it seems they may have nicked a page from Hulk #145, the only Marvel comic published that month whose extra-length story ran a mere 33 pages.

In any event, Amazing Spider-Man #102’s “Vampire at Large” kicks off precisely where the previous issue‘s installment, “A Monster Called… Morbius!” left off (the opening splash even recycles the dialogue from that tale’s final page):  Read More

Amazing Spider-Man #101 (October, 1971)

As we’ve discussed in previous posts on this blog, the year 1971 brought the first significant revisions to the American comic book industry’s self-regulating mechanism, the Comics Code Authority, since its establishment in 1954.  Among the most important changes made to the Code in that year was the relaxing of restrictions on the depiction of certain sorts of imaginary creatures; or, as a newly added statement read: “Vampires, ghouls and werewolves shall be permitted to be used when handled in the classic tradition such as Frankenstein, Dracula, and other high calibre literary works…”  Read More