Red Sonja

Conan the Barbarian #66 (September, 1976)

Posted on by Alan Stewart

A week ago, we took a look at Marvel Feature #6, the first installment of what will eventually turn out to be a five-part crossover between that title and Conan the Barbarian.  Today, we’ll be dealing with the second chapter of this event — although, in fact, Conan #66 can just as easily (and perhaps more accurately) be described as the second prologue to the crossover “proper”, which won’t really get going until the next month’s Conan #67.  That’s because this comic, like Marvel Feature #6, is entirely concerned with getting the storyline’s three principal characters — i.e., Conan, his lover and partner-in-piracy Bêlit, and Marvel Feature headliner Red Sonja — all on the same page.  And I mean literally the same page, in more ways than one; since, as regular readers will recall, MF #6 ended with a full-page splash panel depicting Red Sonja facing down Conan and Bêlit over a priceless magical artifact: a single page from the Iron-Bound Book of Skelos.  Our story’s first prologue told us how Sonja got herself into that situation; now it’s time for us to check out the second, the better to learn what path Conan and Bêlit have followed to arrive at the very same place as Big Red.  Read More

Marvel Feature #6 (September, 1976)

Posted on by Alan Stewart

Cover to Savage Sword of Conan #1 (Aug., 1974). Art by Boris Valejo.

It’s been a while since we discussed Red Sonja on this blog — since the 50th anniversary of the publication of Savage Sword of Conan #1, to be precise, and that was back in June, 2024, a full two years ago — so before we jump into the main topic of today’s post, it’ll behoove us to spend just a little bit of time tracking what the She-Devil with a Sword had been up to between her appearance(s) in that black-and-white comic magazine and her sixth solo outing as a headliner in the second volume of the color “showcase” comic title Marvel Feature.  Beyond that, a brief recap of the heroine’s earlier history may also be useful, both as a primer for anyone out there not already thoroughly familiar with Big Red, and as a refresher for those who are.  (Though if you do already know all this background material backwards and forwards and choose to skip the next couple of paragraphs, that’s fine.  After all, how will the rest of us ever know?)  Read More

Savage Sword of Conan #1 (August, 1974)

Posted on by Alan Stewart

In June, 1974, the Hyborian Age was clearly in full flower at Marvel Comics.  Along with the latest installment of the publisher’s successful ongoing Conan the Barbarian series (issue #42, for the record), the month also brought the fans of Robert E. Howard’s famous sword-and-sorcery hero the first issue of a brand-new quarterly companion title, Giant-Size Conan.  This new series got off to a spectacular start, featuring the first chapter of a multi-part adaptation of Howard’s one and only Conan novel, “The Hour of the Dragon”, as written by Roy Thomas and drawn by Gil Kane and Tom Sutton.

And that wasn’t even the biggest news in Conan comics this month; rather, that distinction went to the main topic of today’s blog post, The Savage Sword of Conan #1 — the first issue of a brand-new black-and-white bi-monthly magazine devoted to the barbarian adventurer and his fellow Howardian heroes.  It was, in some ways, Conan’s third coming as far as the b&w comics market went, following as it did both the initial release of Savage Tales in January, 1971, and the subsequent relaunch of that title with its long-delayed second issue in June, 1973.  It was also the biggest black-and-white comic Marvel had yet published — a square-bound number that weighed in at 80 pages (as compared to the then standard 64), and cost a whole buck (as compared to Marvel’s other b&w offerings’ going price of 75 cents).  Read More

Savage Tales #3 (February, 1974)

Posted on by Alan Stewart

As we covered in our discussion of Savage Tales #2 back in June, the promise made on that magazine’s last page — that the following issue would be on “on sale September 25 A.D. 1973 in this the Marvel age of swords and sorcery” — turned out to be off by almost exactly one month.  Savage Tales #3 would in fact not come out until October 23rd — its delay being a result, according to editor Roy Thomas, of business-based concerns over the title’s overall commercial viability.  And even now, the book’s future was far from secure — though we’ll wait and let Mr. Thomas deliver that fifty-year-old bad news himself per his ST #3 editorial, coming up later in this post.

For the moment, however, we’ll move right into the main event of the issue — the reason that my younger self would have continued to wait for ST #3 as long as required back in the day, and still considered the result to have been worth it: the conclusion of Thomas and artist Barry Windsor-Smith’s adaptation of Robert E. Howard’s final story of Conan the Barbarian, “Red Nails”. Read More

Conan the Barbarian #24 (March, 1973)

Posted on by Alan Stewart

In December, 1972, Marvel Comics published the final issue of Conan the Barbarian drawn by Barry Windsor-Smith.  Again.

The young British artist’s first departure from the book had come just ten months earlier, with Conan #15.  But after a mere three issues away (the first of which in fact reprinted earlier work by Windsor-Smith), he was back on the book. reuniting with writer Roy Thomas on Conan #19 to launch an ambitious new multi-issue storyline, the “Hyrkanian War” epic.  Read More

Conan the Barbarian #15 (May, 1972)

Posted on by Alan Stewart

When we last left Conan back in December, he and his two companions — Zephra (daughter of Conan’s old foe, the wizard Zukala), and Elric (ruler of an otherworldly realm called Melniboné) had just fended off an attack by Prince Gaynor the Damned and his Chaos Pack of beast-men.  We now pick up the tale where Conan the Barbarian #14 left off, as presented by the same storytellers — plotters Michael Moorcock (creator of Elric) and James Cawthorn, scripter Roy Thomas, artist Barry Windsor-Smith, and co-inker (with Windsor-Smith) Sal Buscema:  Read More