Fantastic Four #141 (December, 1973)

Hard times at the Baxter Building.  Bleak House.  Heartbreak Hotel.  Is life not ironic?  If nothing else?  As Annihilus remarked back in issue #140.  Love and work had come between the Fantastic Four, America’s greatest superheroes.  For almost a year — a year in real time, a year in Paul Hood’s whirlpool teens, but a few days, no more, in the motionless, imperceptible time of Marvel comics — Sue Richards, née Storm, the Invisible Girl, had been estranged from her husband, Reed Richards.  With Franklin, their mysteriously equipped son, she was in seclusion in the country.  She would return only when Reed learned to understand the obligations of family, those paramount bonds that lay beneath the surface of his work.  In her stead, the Medusa had joined the Fantastic Four.  Medusa: Tibetan-born Inhuman and cousin of Johnny Storm’s paramour, Crystal, the Elemental…

The mood in the Baxter Building was grim.  Besides the Richards’s marital problems, Crystal had recently chosen to marry Quicksilver instead of Johnny Storm.  Sue was worried about Franklin’s trances; Reed was worried about Sue; Johnny was worried about Crystal; Ben Grimm was worried about himself.

It was a good period for readers of the F.F….

— from Rick Moody’s 1994 novel The Ice Storm.

Read More

Fear #15 (August, 1973)

Back in September of last year we took a look at Fear #11 (Dec., 1972), featuring writer Steve Gerber’s debut outing on the “Man-Thing” feature (as well as the fifth appearance overall of that feature’s titular star).  As you may remember, that story introduced two siblings, Jennifer and Andy Kale, who lived with their grandfather in a small Florida town; the pair’s ill-advised experimentation with a book of magic spells “borrowed” from Grandpa inadvertently summoned a demon, the Nether-Spawn, who was only prevented from ravaging the town by the intervention of the Man-Thing, within whose swampy habitat the young people had conducted their spell-casting.  At the tale’s end, the Nether-Spawn had been banished back to his hellish dimension by the expedient of burning the spell-book, and the Kale kids had declared their gratitude and everlasting friendship for their shambling, semi-sentient savior.  There was no indication whether Gerber would return to these characters — or to the intriguing question of what Grandpa Kale was doing with such a powerful grimoire in the first place — but the conclusion certainly left the door open for a sequel.  Read More

Daredevil #100 (June, 1973)

It’s been a while — sixteen months, to be precise — since this blog checked in with Marvel Comics’ Man Without Fear.  Granted, our last Daredevil-themed post was something of a marathon, seeing as how it attempted to cover writer Gerry Conway’s entire “Mister Kline” saga — a complicated (and ultimately unsuccessful) continuity that encompassed not only a whopping eight issues of DD’s own series, but also five installments of Iron Man, and even one random Sub-Mariner — in a single go.  It was a long post, in other words; one in which no one could seriously claim we hadn’t given Matt Murdock and his alter ego a lot of quality time.  Still — it has been a while.  So, before we get on with the business of marking the milestone of ol’ Hornhead’s first hundred issues, we have some catching up to do in regards to what our Scarlet Swashbuckler been up to for the last 1 1/3 years.  Read More

Dracula Lives #1 (May, 1973)

In February, 1973, Marvel Comics published 42 individual comic books — a 75% percent increase in production from the previous year, when the second month of 1972 had seen the company release a mere 24 new issues.  And notwithstanding such a prodigious expansion in production, the company (which had recently surpassed arch-rival DC Comics in sales numbers for the first time ever) wasn’t nearly done.  But Marvel’s next major phase of growth — which in fact began in that very month of February, 1973 — was to be in a different area than the full-color comics line in which it had made its mark.  Read More

Fantastic Four #131 (February, 1973)

Readers of our Avengers #105 post back in July may recall how that issue’s plot — the first from the title’s brand new writer, Steve Englehart — concerned the team’s search for their missing member Quicksilver, who’d disappeared towards the end of the previous issue.  Following the inconclusive resolution to their efforts in that tale, Earth’s Mightiest Heroes would continue their quest for the mutant speedster for months to come.  But, surprisingly — well, it surprised me, back in November, 1972 — when Pietro Maximoff was finally “found”, it didn’t happen in the pages of Avengers; instead, Quicksilver resurfaced in, of all things, an issue of Fantastic Four — which, as it happened, was the new super-team scripting gig of Roy Thomas, the man who’d written Avengers for the last five-plus years prior to Englehart taking over, and thus the guy who’d launched the whole “where is Pietro?” mystery in the first place.  From a creative standpoint, it made a certain kind of sense that Thomas would be the one to ultimately wrap things up; but in terms of the ongoing mega-story of the Marvel Universe, it seemed to come out of nowhere.  How did Quicksilver ever manage to end up in the Himalayan homeland of the Inhumans, the Great Refuge?  And why the heck was he fighting the Fantastic Four’s Human Torch, Johnny Storm? Read More

Vampirella #21 (December, 1972)

If you read my post about Vampirella #18 back in June, you may recall that I promised at that time that I would eventually let you know how things ultimately turned out for Count Dracula, who’d begun a quest for redemption that was just getting started when that issue’s installment of the magazine’s titular lead feature reached its end.  Well, faithful readers, the time has come at last.  But please be advised that in order to do so properly, I’m first going to need to fill you in on the key events of the storyline’s chapters from Vampirella #19 and #20, so that what transpires in issue #21’s “Slitherers of the Sand!” will land, dramatically speaking, in the way its creators intended.  Also, as it turns out, this issue doesn’t really fully resolve the Dracula arc either, so we’re also going to be taking a quick look at some later appearances of the Count in Eerie as well as in Vampirella, just so we can say we’ve wrapped things up properly.

Oh, and of course we’ll also be covering the other three stories published in Vampirella #21 — the ones that don’t have anything to do with the lead feature or with Dracula.  After all, I wouldn’t want to shortchange you on that material, would I?  Read More

Fear #11 (December, 1972)

Last month, in our epic Swamp Thing #1 post, we covered at some length the parallel creation and development of Man-Thing and Swamp Thing, two swamp monsters who were both introduced to the comic-book-reading world in early 1971 by the two largest American comics companies, Marvel and DC.  As noted in that post, while both characters received their own ongoing color-comics series in the summer of 1972 — well over a year after their respective introductions in Savage Tales #1 and House of Secrets #92 — Man-Thing managed to make it out of the gate a month before his distinguished competition, with the July release of Fear #10.  Read More

Avengers #105 (November, 1972)

Writing about Avengers #100 back in March of this year, I referred to the four issues that immediately followed that milestone as a “victory lap” for Roy Thomas, whose nearly-six-year tenure as the title’s writer was about to come to an end.   In characterizing Avengers #101-104 in such a fashion, I don’t mean to denigrate them; they’re not bad comics, by any means.  But coming directly upon the heels of the three-part “Olympus Trilogy” crafted by Thomas with Barry Windsor-Smith — and, right before that, the “Kree-Skrull War” epic by Thomas, Neal Adams, and Sal and John Buscema — these comics can’t help but seem somewhat anticlimactic by comparison.  I suppose there’s always been a part of me that kind of wishes that Thomas had just quit while he was ahead.  Read More

Batman #242 (June, 1972)

In addition to being a fine piece of artwork by Michael W. Kaluta, the cover of Batman #242 represents a minor milestone of sorts; outside of those for a small handful of giant-sized all-reprint issues, it was the first cover since October, 1969 for either Batman or its companion title, Detective Comics, not to have been drawn by Neal Adams.  (That particular month, not so coincidentally, was the same one in which those titles’ editor at DC Comics, Julius Schwartz, introduced the Caped Crusader’s “Big Change” — a return to a moodier, more grounded approach to the hero that was largely inspired by what Adams had been doing over in Brave and the Bold for the last year or so.) Read More

Astonishing Tales #12 (June, 1972)

Any of you out there who aren’t already familiar with this particular comic book may be taking a look at its John Buscema-Joe Sinnott cover right now and thinking, “Nice, but what’s so special about Ka-Zar rasslin’ a big alligator, even underwater, that Astonishing Tales #12 should rate its own blog post?”  The fact of the matter, however, is that this issue (along with its immediate follow-up, Astonishing Tales #13) represents a significant chapter in the histories of not one, but two, semi-major Marvel Comics characters — neither one of whom happens to be the self-styled Lord of the Savage Land.  Read More