Avengers #144 (February, 1976)

As regular readers of this blog may have noticed, I tend not to talk very much about the covers of the half-century-old comics we discuss here; unless they’re really strikingly good, my tendency is simply to note who drew them — to the extent that that’s known, anyway — and then move on.  (And just this week, in writing about Defenders #32, I forgot to do even that much; my thanks to reader Ben Herman for stepping into the breach.)  But I’m going to make an exception this time, simply to express my disappointment with this particular job by Gil Kane and Frank Giacoia.  While there are aspects of the composition that work well, the central figure of Hellcat — a significant new character (OK, technically a new combination of two pre-existing characters) whom readers are seeing here for the very first time — is almost painfully awkward, at least to my eyes.  Kane was a great talent, but among the very many (probably too many) covers he cranked out for Marvel in the 1970s, it stands to reason that there’d be at least a few clunkers; and for me, this is one of them.  (Naturally, your mileage may vary.)  Read More

Thor #240 (October, 1975)

As I’ve mentioned numerous times before on this blog, Thor was my favorite Marvel superhero back in the 1970s.  (Just for the record, he still is.)  That didn’t mean that Thor was my favorite Marvel superhero comic book for most of that decade, however — at least, not so far as the new issues coming out then were concerned.  The reason for that disparity stems from the fact that, while my enthusiasm for the Son of Odin might have originally been inspired by a general affinity for myth and legend (and for modern heroic fantasy fiction derived from them), it was based at least as much on my admiration for the work that Stan Lee and Jack Kirby had done on the feature in the mid-to-late 1960s.  Thor/Journey into Mystery was the one major Marvel title I endeavored to acquire a complete run of back in my collecting heyday (I eventually made it back as far as JiM #96, if you’re curious).  So I had those Lee-Kirby classics — which I was picking up sporadically, just a few at a time — to compare the current issues to.  And despite regularly featuring a high quality of artwork (usually by John Buscema, working with a variety of mostly sympathetic inkers), the new stories (which for most of the first half of the 1970s were written by Gerry Conway) just didn’t measure up in my eyes… neither to those great old Thor/JiM comics, nor to the best of what Marvel was offering elsewhere in the superhero genre in those days.  Read More

Defenders #26 (August, 1975)

The subject of today’s post is the first of four regular issues of Defenders that guest-starred the original Guardians of the Galaxy.  But the storyline actually kicked off in the fifth (and last) issue of the non-team’s other vehicle, Giant-Size Defenders, so you can probably guess what that means — yep, we’ll be taking a look at that one first.

Although, considering that we’ve never really discussed the OG Guardians on the blog prior to this post, and given that GSD #5 represented only their third non-reprint appearance overall at the time it was released, maybe we should look at least briefly at the prior history of the team?  Sure, let’s do that. Read More

Giant-Size Man-Thing #4 (May, 1975)

If aging memory serves, it wasn’t long after the subject of today’s post first went on sale that it started to rapidly climb in value on the collector’s market — a phenomenon that was surely almost wholly attributable to the comic’s nine-page backup story, which presented the long-awaited first solo adventure of Howard the Duck.  But as epochal as Howard’s ascent to feature-starring status undoubtedly was half a century ago, the story which occupied the issue’s first thirty pages — “The Kid’s Night Out!”, starring the title’s muck-encrusted headliner, the Man-Thing — could hardly be called an inconsequential piece of work.  Rather, it’s one of the most memorable episodes of the lead feature’s entire original run… and it’s where we’ll begin our coverage of this seminal fifty-year-old comic book today.  Read More

Captain Marvel #37 (March, 1975)

Cover art by Jim Starlin.

Cover art by Ron Wilson and Frank Giacoia.

Back in June, we took a look at Captain Marvel #34 — the last issue produced by auteur Jim Starlin, who would soon be moving on to “Warlock” in Strange Tales.  As you may recall, Starlin’s swan song ended on a cliffhanger, with Mar-Vell lying unconscious after having been exposed to a deadly nerve toxin.

On one level, this cliffhanger wouldn’t be fully resolved until 1982, when Starlin’s graphic novel, The Death of Captain Marvel, revealed that the hero had contracted cancer as a result of the nerve gas — a cancer which did indeed ultimately prove fatal.  But in 1974, Mar-Vell wasn’t going anywhere, and so it would be up to the creators who picked up the ongoing storyline in Captain Marvel #35 to get him out of the fix Starlin had left him in — even if it ultimately turned out to be only a temporary reprieve, seen in retrospect.  Read More

Giant-Size Avengers #3 (February, 1975)

Last month we took a look at Avengers #131, which ended with Earth’s Mightiest Heroes being transported against their wills to the realm of Limbo, where they were set to face off against a Legion of the Unliving assembled by their long-time foe, Kang the Conqueror.  This month, we’ll be discussing the “two-part triple-length triumph” which that comic’s final page promised as a follow-up… a story which, following a pattern that had been set the last time that an issue of the quarterly Giant-Size Avengers rolled around, doesn’t actually begin in the book whose Gil Kane-Frank Giacoia cover graces the top of this post; but, rather, in the one whose cover by Ron Wilson and Giacoia is shown at right: the latest (as of fifty years ago) issue of our assembled heroes’ regular monthly title, Avengers #132 (Feb., 1975).  Read More

Captain America #182 (February, 1975)

The cover of Captain America #182 — drawn by Ron Wilson and Frank Giacoia (with probable touch-ups by John Romita) — offered few, if any, hints of major surprises to be found within its pages.  Here’s Steve Rogers in his new heroic identity of Nomad, continuing his ongoing battle against the Serpent Squad, with a symbolic (and huge) representation of his former (and, of course, much better-known) costumed alter ego looming in the background.  Pretty much what anyone who’d been following this title for the past several months would expect.

But upon turning to the issue’s opening splash page, we readers of November, 1974, learned that changes had indeed come to Captain America…  Read More

Tales of the Zombie #8 (November, 1974)

Cover art by Boris Vallejo.

Back in April, 2023, towards the end of my post on Tales of the Zombie #1, I wrote that while I fully expected to cover another issue of the series — more specifically, an issue within writer Steve Gerber and artist Pablo Marcos’ run on the titular lead feature — it was “likely to be a minute or two” before that would happen.

Well, in the end it took 745,000 minutes (give or take a couple of thousand), but we’re here at last.  And just in time, too, as TotZ #8 features the last story of Simon Garth, Zombie, produced by the Gerber-Marcos team.

Over the seventeen-month stretch between the first and eighth issues of this black-and-white magazine (which, as you may remember, was one of four such horror-oriented titles launched by Marvel Comics over an equal number of months in the first half of ’73), the format had been tweaked somewhat — old stories reprinted from 1950s Atlas horror comics had been pretty much phased out, for one thing — but the mix between comics stories and illustrated text features remained about the same, with the continuing, 20-plus-pages-long exploits (for lack of a better word) of the Zombie consistently dominating the proceedings.  Read More

Giant-Size Avengers #2 (November, 1974)

For the most part, the comics that came out as part of Marvel’s “Giant-Size” line in 1974 and 1975 featured stories that, while generally understood to be in continuity with those in the regular-size titles, didn’t directly lead into and/or out of those books.  Such had been the case with Giant-Size Avengers #1 (Aug., 1974), a standalone that was written by Marvel’s editor-in-chief (and former Avengers scribe) Roy Thomas, rather than by the man who’d been authoring the monthly adventures of Earth’s Mightiest Heroes since August, 1972, Steve Englehart.  But with the second issue of the Avengers’ new quarterly vehicle, Englehart was given the reins — and he decided to treat the book as an extra, if plus-sized, issue of the monthly title.

Of course, that didn’t mean that the contents of the “Giant-Size” version of the series shouldn’t be special.  And with Giant-Size Avengers #2, Englehart and his artistic collaborators definitely delivered on that idea, giving readers a twenty-nine page epic that stands to this day as one of the all-time Avengers classics — perhaps even, as writer Kurt Busiek (author of more than a few great Avengers yarns of his own) said in 2014, “the uncontested, anyone-who-says-otherwise-is-sadly-mistaken best single issue of AVENGERS”.  Read More

Avengers #129 (November, 1974)

When we last saw the Avengers, it was at the end of Fantastic Four #150 — the second half of a crossover with Avengers #127 in which both of Marvel’s premiere super-teams came together in the Great Refuge of the Inhumans to celebrate the wedding of the one-time FFer Crystal to the inactive Avenger Quicksilver.

The next issue of Avengers, #128, picked up directly from that two-parter’s events, as behind a cover by Gil Kane and John Romita, writer Steve Englehart and artists Sal Buscema and Joe Staton opened with a scene of the Avengers and Fantastic Four arriving together back in New York, via Avengers quintet.  (Just why the two groups were now traveling together, when Avengers #127 had clearly established that they’d made the journey to Attilan separately, was never explained.  Maybe the FF lent their own ship to the newlyweds for their honeymoon?) Read More