Savage Sword of Conan #2 (October, 1974)

In 1974, star comics artist Neal Adams had largely turned away from pencilling comic book stories.  But he did keep his hand in in the field in various ways, such as by turning out painted covers for Marvel Comics’ black-and-white magazine line on a fairly regular basis.  The second issue of Marvel’s new Savage Sword of Conan title is graced by one such; like most of the covers produced for the b&w line, by whichever artist, it doesn’t have a whole lot to do with the magazine’s specific contents.  But I’m sure I didn’t complain when I first picked this book up half a century ago, and I doubt many other readers did, either.

Turning past that cover to the issue’s double-page frontispiece/table of contents, we’re greeted by the first published professional work of a young artist who was as unknown in August, 1974 as Adams was famous:

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Doctor Strange #4 (October, 1974)

As we previously noted in our post about Doctor Strange #2 back in May, in June, 1974, Marvel Comics provided fans of the Master of the Mystic Arts’ normally bimonthly series with the release of an extra issue.  But Doctor Strange #3 didn’t feature the third chapter of the continuing story begun by scripter/co-plotter Steve Englehart and penciller/co-plotter Frank Brunner back in the premiere issue of their hero’s newly revived solo title; rather, behind a new cover by Brunner (and also wrapped within a new 1 1/2-page framing sequence by Englehart, Brunner, and inker Alan Weiss), the comic offered an edited presentation of an old story that had originally run in Strange Tales #126 (Nov., 1964) and #127 (Dec., 1964).  That tale by Stan Lee and Steve Ditko was indisputably a stone classic, and as a latecomer who’d only arrived at the Doc Strange party in 1969, my younger self was happy to have it; still, even I was impatient to see the continuation of the Sorcerer Supreme’s current quest to escape the Orb of Agamotto, and rescue his beloved Clea from the sinister but self-righteous Silver Dagger, by the time Doctor Strange #4 finally showed up in the spinner rack.  Read More

Giant-Size Master of Kung Fu #1 (September, 1974)

While this blog has briefly touched on the matter of Marvel’s 1974-75 line of “Giant-Size” comics in a few previous discussions, this is the first time we’ve devoted a post to a book in that fairly short-lived format.  So, I hope you all won’t mind if we take a little time here at the top of the page, before we flip past Giant-Size Master of Kung Fu #1’s Ron Wilson-Mike Esposito cover to take a look at this issue’s specific contents, to get into a little background on the introduction and early days of the “Giant-Size” format in general.  It’s an interesting story (at least in my opinion) that seems to indicate a certain degree of disorder in the Marvel offices around this time — disorder which might rise to the level of full-on chaos, but then again might not, depending on your point of view.  Read More

Fantastic Four #150 (September, 1974)

A week ago, we took a look at Avengers #127 (Sep., 1974), the first half of a two-part crossover story set to conclude in the comic book that’s the main subject of the present post.  But while Fantastic Four #150 does in fact pick up immediately from the cliffhanger ending that closed out its predecessor, we’re going to be taking a somewhat circuitous route today to get to the splash page of “Ultron-7:He’ll Rule the World!”.  Why?  Well, as regular readers of this blog will surely recall, our Avengers #127 post promised that this follow-up would provide an explanation for that issue’s depiction of a happily reunited Reed and Sue Richards, who’d been very much on the outs the last time we’d encountered them in this space.  So that’s where we’ll begin.  Read More

Adventure Comics #435 (Sep.-Oct., 1974)

About a year ago, in a post about Plop #1, we spent some time musing about the flourishing of the word “Weird” in the titles of various DC Comics series of the early-to-mid-1970s.  As Joe Orlando — who was the editor of the majority of these titles — would later put it in a 1998 interview for Comic Book Artist #1:  “I started using the word and [publisher] Carmine [Infantino] decided that ‘Weird’ sold anything. Weird War, Weird Western, Weird Worlds, Weird Mystery.”  Read More

Savage Sword of Conan #1 (August, 1974)

In June, 1974, the Hyborian Age was clearly in full flower at Marvel Comics.  Along with the latest installment of the publisher’s successful ongoing Conan the Barbarian series (issue #42, for the record), the month also brought the fans of Robert E. Howard’s famous sword-and-sorcery hero the first issue of a brand-new quarterly companion title, Giant-Size Conan.  This new series got off to a spectacular start, featuring the first chapter of a multi-part adaptation of Howard’s one and only Conan novel, “The Hour of the Dragon”, as written by Roy Thomas and drawn by Gil Kane and Tom Sutton.

And that wasn’t even the biggest news in Conan comics this month; rather, that distinction went to the main topic of today’s blog post, The Savage Sword of Conan #1 — the first issue of a brand-new black-and-white bi-monthly magazine devoted to the barbarian adventurer and his fellow Howardian heroes.  It was, in some ways, Conan’s third coming as far as the b&w comics market went, following as it did both the initial release of Savage Tales in January, 1971, and the subsequent relaunch of that title with its long-delayed second issue in June, 1973.  It was also the biggest black-and-white comic Marvel had yet published — a square-bound number that weighed in at 80 pages (as compared to the then standard 64), and cost a whole buck (as compared to Marvel’s other b&w offerings’ going price of 75 cents).  Read More

Astonishing Tales #25 (August, 1974)

Marvel Comics’ first official mention of the feature that would eventually become known as “Deathlok the Demolisher” seems to have been a brief blurb in the fourth issue of the company’s self-produced fanzine FOOM (cover-dated “Winter, 1973”, but bearing a date of “Winter, 1974” in its indicia; Mike’s Amazing World of Comics offers an “approximate on-sale date” of January 1, 1974).  After hyping a 2-part adaptation of the movie The Golden Voyage of Sinbad that would be coming up soon in Worlds Unknown, FOOM‘s anonymous news columnist went on to add:  Read More

Hulk #178 (August, 1974)

As regular readers of this blog may recall, I was never a regular buyer of The Incredible Hulk, back in the day.  While I always enjoyed the character when he appeared as a guest star, or in a team setting à la the Defenders, for whatever reason his Jekyll & Hyde-cum-Frankenstein premise never had much appeal to me as the basis for a lead character.  Or maybe I simply preferred my superheroes to have a little more going on upstairs.  In any case, after dipping my toe in the water one time back in 1969, I had since refrained from picking up Hulk except on those occasions when it crossed over with another series I was currently buying, or when it tied up leftover plotlines from a canceled series I had been buyingRead More

Savage Tales #4 (May, 1974)

As we previously discussed in our post about Savage Tales #3 last October, back in the fall of 1973 it seemed that Marvel’s one-and-only sword-and-sorcery-centric black-and-white comics magazine was about to be cancelled — for the second time.  The first incarnation of Savage Tales had seen but one issue published in January, 1971 before Marvel’s then-publisher Martin Goodman pulled the plug; then, the second iteration, launched in June, 1972 following Goodman’s departure from the company he’d founded, had come under the scrutiny of an auditor for the conglomerate (Cadence Industries) that now owned Marvel.  According to a rather downbeat editorial by Roy Thomas that ran in ST #3, a go-ahead for producing further issues wouldn’t be given until sales numbers had been received for the relaunch; and if you read between the lines, the signs didn’t seem very encouraging. Read More