Sub-Mariner #62 (June, 1973)

In our post last October regarding Sub-Mariner #57, we discussed how Subby’s creator Bill Everett, who’d returned to write and draw the series in 1972 with issue #50, began to have trouble keeping up with the book’s monthly schedule due to chronic health issues; this situation eventually led to occasional fill-ins by other creators, as well as to ongoing help for Everett on both the writing and artistic ends of things.

During this period, the continuing uncertainty over Everett’s status month-to-month was evidenced in the title’s letters pages, where the anonymous Marvel Bullpener(s) responsible for answering reader correspondence would be telling fans in one issue (#55) that Everett probably wouldn’t be handling every story going forward, as “getting back into the swing of a monthly deadline is harder than you might imagine”; then, a few months later (in issue #58), explaining that “due to deadline problems, Bill will now be doing final art over the layouts of Irv Wesley [i.e., Sam Kweskin, who occasionally used the Wesley pen name], while Steve Gerber, working closely with the ebullient Mr. Everett, who will continue to plot the yarns, handles the scripting chores”; and then, finally, acknowledging (in #59) that “Bouncin’ Bill Everett has, indeed, moved on to other projects for Mighty Marvel (the monthly deadline on Subby’s book, sadly, proved too much for the compulsively conscientious Mr. Everett to handle)”.  Read More

Fantastic Four #131 (February, 1973)

Readers of our Avengers #105 post back in July may recall how that issue’s plot — the first from the title’s brand new writer, Steve Englehart — concerned the team’s search for their missing member Quicksilver, who’d disappeared towards the end of the previous issue.  Following the inconclusive resolution to their efforts in that tale, Earth’s Mightiest Heroes would continue their quest for the mutant speedster for months to come.  But, surprisingly — well, it surprised me, back in November, 1972 — when Pietro Maximoff was finally “found”, it didn’t happen in the pages of Avengers; instead, Quicksilver resurfaced in, of all things, an issue of Fantastic Four — which, as it happened, was the new super-team scripting gig of Roy Thomas, the man who’d written Avengers for the last five-plus years prior to Englehart taking over, and thus the guy who’d launched the whole “where is Pietro?” mystery in the first place.  From a creative standpoint, it made a certain kind of sense that Thomas would be the one to ultimately wrap things up; but in terms of the ongoing mega-story of the Marvel Universe, it seemed to come out of nowhere.  How did Quicksilver ever manage to end up in the Himalayan homeland of the Inhumans, the Great Refuge?  And why the heck was he fighting the Fantastic Four’s Human Torch, Johnny Storm? Read More

Fantastic Four #81 (December, 1968)

Sometimes, it can seem like most of the introductory paragraphs I write for these blog posts are explanations (or apologies) for the posts I’m not writing — i.e., the posts about the classic comic books I can’t write about here (at least not directly), because I didn’t buy them new off the stands fifty years ago.  That’s been especially true for the comics of 1968 — a year seemingly chock full of milestones, of which I seem to have missed at least as many as I caught.  The latest example came just last week, when I had to explain in the introduction to my Avengers #58 post how I’d missed the three issues that led up to that landmark story.  And this week, we have yet another one.

  • If you’re a regular reader, you may recall that my first issue of FF was #78, which featured the first half of a two-part story in which Ben Grimm was cured (again) of being the Thing; unfortunately, I missed the next month’s issue, and by the time I got back on board, with #80,  Ben was all orange ‘n’ rocky again, and he and the other guys were having a brief adventure way out West prior to the birth of Sue and Reed Richards’ child.  But hey, at least I got to witness the return of one-time regular supporting character Wyatt Wingfoot, along with the awesome debut of a brand-new villain, Tomazooma!  Still, that would soon prove small consolation for my missing the next issue of Fantastic Four to hit the stands — namely, the 1968 Annual, which featured not only the debut of a considerably more impressive (and durable) villain, Annihilus, but also the introduction of a brand-new supporting character: none other than Reed and Sue’s bouncing baby boy, Franklin Benjamin Richards.

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