Silver Surfer

Tomb of Dracula #50 (November, 1976)

Posted on by Alan Stewart

The main subject of today’s post — the fiftieth issue of the first Marvel title launched as part of the horror comics boom of the early 1970s to reach that fairly impressive number — doesn’t make much of the milestone so far as the book’s cover copy is concerned.  Nor, as we’ll see soon enough, is there any mention about the book’s hitting the Big Five-O on the opening splash page.  Still, your humble blogger feels fairly sure that the decision of writer/editor Marv Wolfman to feature a very special, if highly unlikely, guest appearance by the Silver Surfer in Tomb of Dracula #50 indicates a sense of occasion on his part, if no one else’s.  And, certainly, the book felt special to me when my then nineteen-year-old self first picked it up, back in August, 1976.  Read More

Astonishing Tales #31 (August, 1975)

Posted on by Alan Stewart

The last time we checked in with Marvel Comics’ cyborg antihero, Deathlok the Demolisher, it was September, 2024.  (Or, if you prefer, September, 1974).  That’s been a good long while in comics periodical publishing terms, even taking into account the bi-monthly publication schedule of Astonishing Tales back then; so you might figure we have a lot of catching up to do before digging in to the character’s “latest” adventure.  But, as it turns out, the eight-month gap between issues #27 and #31 of the Astonishing Tales brought just two new Deathlok stories rather than three, as issue #29 was a fill-in featuring an unplanned reprint of the first Guardians of the Galaxy story, which (as we discussed in last week’s Defenders #26 post) had originally appeared in Marvel Super-Heroes #18 back in 1968.  Read More

Defenders #26 (August, 1975)

Posted on by Alan Stewart

The subject of today’s post is the first of four regular issues of Defenders that guest-starred the original Guardians of the Galaxy.  But the storyline actually kicked off in the fifth (and last) issue of the non-team’s other vehicle, Giant-Size Defenders, so you can probably guess what that means — yep, we’ll be taking a look at that one first.

Although, considering that we’ve never really discussed the OG Guardians on the blog prior to this post, and given that GSD #5 represented only their third non-reprint appearance overall at the time it was released, maybe we should look at least briefly at the prior history of the team?  Sure, let’s do that. Read More

Defenders #24 (June, 1975)

Posted on by Alan Stewart

Last month, we took a look at the first half of Steve Gerber and Sal Buscema’s “Sons of the Serpent” storyline with a single blog post covering Defenders #22 and #23.  Today, we’ll be wrapping things up in a similar fashion, with one post serving for our survey of both the third and fourth chapters of this half-century old graphic narrative.

Before we get into the story itself, however, I invite you to take a closer look at Defenders #24’s excellent (if just a bit crowded) cover by Gil Kane and Klaus Janson (and also by John Romita, per the Grand Comics Database).  Specifically, at the blurb trumpeting the presence within of “5 fearsome Defenders and 3 startling guest stars“.  Five Defenders?  I guess that means that Yellowjacket’s been bumped up to full membership status, huh?  That’s certainly what the anonymous Marvel Comics bullpenner who wrote that copy appears to have thought, at any rate.  (Of course, if you accept the notion of the Defenders being a “non-team”, as your humble blogger has always chosen to do, it’s basically a moot point, since any superhero who shows up in any issue may reasonably be called a member.  Or a non-member.  You know what I mean.)

And now, on with the show…  Read More

Doctor Strange #2 (August, 1974)

Posted on by Alan Stewart

Behind a very nice (if somewhat misleading — we’ll get to why a bit later) cover pencilled, inked, and colored by Frank Brunner, the second issue of the newly revived Doctor Strange title picks up where the first one left off.  In other words, Earth’s Sorcerer Supreme is still dead.

Oh, all right.  Nearly dead.  Having been stabbed in the back with a silver dagger wielded by a brand-new villain named, um, Silver Dagger, our mortally wounded hero has postponed his otherwise inevitable demise by entering the Orb of Agamotto.  Unable to return the way he came, he’s presently on a journey to the center of the Orb, in hopes of finding an exit from its mystical confines before his body and soul succumb to its native unreality; of course, even if he succeeds, he’s still got the whole “mortally wounded” thing to deal with.  Yes, it’s quite the sticky wicket.  Read More

Defenders #11 (December, 1973)

Posted on by Alan Stewart

The primary subject of today’s post, Defenders #11, is the official conclusion of Marvel’s Avengers/Defenders War crossover event of summer, 1973 — though you’d be hard-pressed to find any evidence of that fact on the book’s otherwise very fine Sal Buscema cover.

Still, as the opening splash page clearly tells us, this is indeed “The 12th and final chapter of the greatest super-epic ever told!”  And surely writer Steve Englehart must know whereof he speaks.  Mustn’t he?  Read More

Avengers #118 (December, 1973)

Posted on by Alan Stewart

It’s September, and we’ve finally arrived at the climax of Marvel Comics’ pioneering crossover event of the summer of 1973, the Avengers/Defenders War.  Having realized at last that they share a common enemy, the superheroes of the two feuding teams have united to save the world.

So it’s fitting that, for the first time since the storyline began, the cover of this chapter gives us a group shot of multiple members from both teams — although artists Ron Wilson and John Romita have probably chosen wisely in not trying to cram all fourteen heroes, plus supervillains Dormammu and Loki, into a single shot.  Rather, they’ve opted to go with just nine, and it’s interesting to take note of who’s been included.  Unsurprisingly, every character starring in their own series — that’s Thor, Iron Man, Captain America, and Black Panther (in Jungle Action) from the Avengers, plus Sub-Mariner, Hulk, and Doctor Strange (in Marvel Premiere) from the Defenders — makes the cut.  But that still leaves two slots, and they’ve both gone to female characters — the Avengers’ Scarlet Witch and the Defenders’ Valkyrie — which serves to make the cover at least slightly less of a sausage fest.  Better luck next time, Silver Surfer, Vision, Hawkeye, Swordsman, and Mantis (the only shero who didn’t make the cover).

Still, if you’re hankering for a big group shot featuring all the heroes from both teams, no exceptions, then have no worries; Marvel’s got you covered on the book’s opening splash page:  Read More

Defenders #10 (November, 1973)

Posted on by Alan Stewart

Today we continue our coverage of Marvel Comics’ groundbreaking crossover event of summer, 1973, the Avengers/Defenders War.  As you’ll recall from our post about Avengers #117 two weeks ago, the latest battle in the ongoing conflict between the super-teams ended without a clear winner or loser, as Captain America and the Sub-Mariner called a time-out to investigate their suspicions that the heroes were being played against each other by a malevolent third party (which was indeed absolutely the case).

But, as had been promised in no uncertain terms by Avengers #117’s end-of-issue “coming next” blurb — and which was proclaimed even more forcefully by Defenders #10’s John Romita cover — whatever “Breakthrough!” might be imminent wouldn’t arrive in time the stop the Mighty Thor and the Incredible Hulk from throwing down.  And that was a good thing, since if that match-up hadn’t come to fruition, sixteen-year-old me would have asked for my money back.  (Well, not really, since I was well aware the guy working the counter at the Tote-Sum would simply have looked at me like I was crazy if I pulled something like that.  But you know what I mean.)  As it was, however, I could just kick back and wait for writer Steve Englenart and artists Sal Buscema and Frank Bolle to bring on the brawlers…  Read More

Avengers #117 (November, 1973)

Posted on by Alan Stewart

Before we leap right into the latest installment of Marvel Comics’ crossover event of summer, 1973 , the Avengers/Defenders War, let’s pause to note how its cover represents yet a third approach to representing the event in the context of a single 20-cent comic book — a comic which Marvel would have been keen to have a prospective buyer pick up, even if they hadn’t bought the ongoing storyline’s two previous episodes.  To wit: while the cover of Avengers #116 had spotlighted only the three heroes actively engaging in battle within its pages (i.e., Vision, Scarlet Witch, and Silver Surfer), and that of Defenders #9 “symbolically” shoehorned the three original Defenders (i.e., Dr. Strange, Hulk, and Sub-Mariner) into a scene of Iron Man vs. former Avenger/current Defender Hawkeye, this John Romita-Mike Esposito number puts the focus on the two marquee combatants (i.e., Captain America and Sub-Mariner) while giving us a selection of other Avengers in the form of floating heads, as well as teasing us with a partially-seen guest star… while never using the words “Defender” or “Defenders” at all.  It certainly makes for a marked contrast with the covers of most later multi-title crossover events at both Marvel and its rival DC Comics, where the emphasis is on making sure that a prospective buyer knows that a particular issue is part of the event, and so a “must-buy” for anyone following/collecting it… versus trying to downplay the possibility of someone not buying the comic because they don’t have all the previous chapters.  Times sure have changed, amirite?  Read More

Marvel Spotlight #12 (October, 1973)

Posted on by Alan Stewart

In several previous blog posts (most extensively in this one), I’ve described the early 1970s horror boom in American comics as part of a larger wave of interest in monsters (especially among young people) that can be traced back to the arrival of the classic old Universal monster movies on television in the late 1950s, and that flourished in the following decade and beyond, ultimately giving us such enduring cultural artifacts as Bobby “Boris” Pickett’s hit 1962 single “Monster Mash”, the Gothic TV soap opera Dark Shadows (which premiered in 1966, but didn’t really didn’t take off until the arrival of the vampire Barnabas Collins in ’67), and, lest we forget, Count Chocula and Franken Berry breakfast cereals, which first crept onto grocery shelves in 1971.  It was a legitimate popular phenomenon, but one that had largely passed American color comics by — at least until the early 1971 revisions to the Comics Code, which allowed for vampires, werewolves, and ghouls to be used “when handled in the classic tradition such as Frankenstein, Dracula, and other high calibre literary works” for the first time since the Code’s adoption in 1954.  Before too many months had passed, spinner racks were filling up with titles like Tomb of Dracula, Werewolf by Night, Frankenstein, and Swamp Thing — and fifty years ago, in the summer of 1973, new ones were continuing to arrive.  Read More