Son of Satan

Defenders #32 (February, 1976)

Posted on by Alan Stewart

Last month, we looked at Defenders #31 — the proper beginning to the multi-part “Headmen/Nebulon” saga which would ultimately prove both the apex and the climax to writer Steve Gerber’s memorable run on this title.  As regular readers of this blog will recall, that issue ended with our favorite non-team faced with a major mystery — namely, that the sinister sorcerer who’d just ambushed them in the guise of their teammate Nighthawk had, once handily defeated by Dr. Strange and then unmasked, turned out to actually be Nighthawk.

Of course, we fans knew one important fact still hidden from our heroes, which was that the brain of Nighthawk (aka Kyle Richmond) had been removed and replaced with that of one of the Headmen, Chondu the Mystic.  But since brain transplants aren’t something you see every day, even in the Marvel Universe, you can’t blame Nighthawk’s fellow Defenders for looking to more mundane solutions first… like, say, demonic possession.  And if that should indeed be the cause for Kyle’s condition, who ya gonna call?  Read More

Defenders #24 (June, 1975)

Posted on by Alan Stewart

Last month, we took a look at the first half of Steve Gerber and Sal Buscema’s “Sons of the Serpent” storyline with a single blog post covering Defenders #22 and #23.  Today, we’ll be wrapping things up in a similar fashion, with one post serving for our survey of both the third and fourth chapters of this half-century old graphic narrative.

Before we get into the story itself, however, I invite you to take a closer look at Defenders #24’s excellent (if just a bit crowded) cover by Gil Kane and Klaus Janson (and also by John Romita, per the Grand Comics Database).  Specifically, at the blurb trumpeting the presence within of “5 fearsome Defenders and 3 startling guest stars“.  Five Defenders?  I guess that means that Yellowjacket’s been bumped up to full membership status, huh?  That’s certainly what the anonymous Marvel Comics bullpenner who wrote that copy appears to have thought, at any rate.  (Of course, if you accept the notion of the Defenders being a “non-team”, as your humble blogger has always chosen to do, it’s basically a moot point, since any superhero who shows up in any issue may reasonably be called a member.  Or a non-member.  You know what I mean.)

And now, on with the show…  Read More

Giant-Size Defenders #3 (January, 1975)

Posted on by Alan Stewart

As we’ve discussed in this space previously, Marvel Comics seems to have been in an almighty rush to get as many “Giant-Size” comics to market as possible in the first half of 1974.  Along with a multitude of title, frequency, price, and format changes, most seemingly made on the fly, one likely result of this haste was the release of Giant-Size Defenders #1 in April, 1974 as a mostly-reprint package, its only new content (not counting the Gil Kane-John Romita-Frank Giacoia cover) being a 9-page framing sequence.  Written by Tony Isabella and illustrated by Jim Starlin and Al Milgrom, that strip unquestionably looked great, and it read just fine; there simply wasn’t enough of it. Read More

Marvel Spotlight #17 (September, 1974)

Posted on by Alan Stewart

If you were to take a deep dive into the credits page for writer Steve Gerber at the Mike’s Amazing World of Comics web site, you’d be forgiven if you ultimately concluded that, in the summer of 1974, he must have been scripting half of Marvel Comics’ entire line.  He wasn’t — not quite — but given that he was at that time responsible for six ongoing features, while also continuing to contribute the odd one-off short piece for anthology titles like Vampire Tales and Crazy, he was turning out at least as much verbiage for the House of Ideas as any other one writer, and arguably more. Read More

Marvel Spotlight #12 (October, 1973)

Posted on by Alan Stewart

In several previous blog posts (most extensively in this one), I’ve described the early 1970s horror boom in American comics as part of a larger wave of interest in monsters (especially among young people) that can be traced back to the arrival of the classic old Universal monster movies on television in the late 1950s, and that flourished in the following decade and beyond, ultimately giving us such enduring cultural artifacts as Bobby “Boris” Pickett’s hit 1962 single “Monster Mash”, the Gothic TV soap opera Dark Shadows (which premiered in 1966, but didn’t really didn’t take off until the arrival of the vampire Barnabas Collins in ’67), and, lest we forget, Count Chocula and Franken Berry breakfast cereals, which first crept onto grocery shelves in 1971.  It was a legitimate popular phenomenon, but one that had largely passed American color comics by — at least until the early 1971 revisions to the Comics Code, which allowed for vampires, werewolves, and ghouls to be used “when handled in the classic tradition such as Frankenstein, Dracula, and other high calibre literary works” for the first time since the Code’s adoption in 1954.  Before too many months had passed, spinner racks were filling up with titles like Tomb of Dracula, Werewolf by Night, Frankenstein, and Swamp Thing — and fifty years ago, in the summer of 1973, new ones were continuing to arrive.  Read More