Tomb of Dracula #45 (June, 1976)

Before we dive into the individual comic book that’s the main topic of today’s post, your humble blogger would like to call your attention to a more general aspect of comics history, one that’s making its debut on this site with the Gene Colan-Tom Palmer cover shown above.  Yes, it’s the Uniform Product Code — which, as best as I can tell, actually first started appearing on DC Comics’ publications in February, 1976, but, as we didn’t cover any DC books last month, had to wait for March to show up here, in conjunction with the fiftieth anniversary of its adoption by Marvel.  I don’t really have anything else to say about the UPC, except that we’d all best get used to it (again), because it’s not going away anytime soon.  (Yeah, sure, around the turn of the next decade the big publishers will begin using a different graphic in its place on their direct-sales editions.  But the real estate consumed by that rectangular box won’t be coming back for a long, long time.)  Read More

Savage Sword of Conan #6 (June, 1975)

We’ve discussed the so-called “Filipino Invasion” of the American comic book industry during the 1970s in several previous posts.  As regular readers may recall, this development began with the arrival of artist Tony DeZuñiga at DC Comics around the middle of 1970, but really picked up steam in 1972 following a business trip to the Philippines taken by DeZuñiga, his editor Joe Orlando, and DC publisher Carmine Infantino.  That visit resulted in a deal by which DeZuñiga and his wife would act as a sort of broker between DC and his fellow Filipino illustrators, most of whom continued to live and work in the islands.  Within a number of months, DC’s mystery anthologies (along with related titles such as Weird War Tales and Weird Western Tales) were all but dominated by the art of such talents as DeZuñiga, Alfredo Alcala, Nestor Redondo, and a number of others. Read More