Doctor Strange #13 (April, 1976)

As regular readers of this blog will recall from our November, 2025 post about Doctor Strange #12, that particular installment of the adventures of Marvel Comics’ Master of the Mystic Arts ended not with a whimper, but a bang.  Actually, a series of bangs, by the end of which the planet Earth (the “real” one, writer Steve Englehart’s script assured us) had been completely and utterly destroyed, along with all living things thereon.  “But then,” Englehart’s omniscient narrator pointedly asked us readers, “how is it you remain?”  How, indeed?  The answer to that poser was promised for the next bimonthly issue… which, of course, brings us to the subject of today’s post.  Read More

Strange Tales #181 (August, 1975)

When we last left Adam Warlock at the end of Strange Tales #180, he’d just been driven into unconsciousness by his guilt over his Soul Gem’s stealing the soul of Kray-Tor — the judge who’d been presiding over our hero’s show trial prior to his breaking loose and fighting back.  But, as we learned in the story’s closing panels, the woman behind Adam’s ordeal — the Matriarch of the Universal Church of Truth — had actually planned the whole thing as a way to safely subdue Warlock without hurting him, so that she could subject him to being brainwashed by her underlings in a facility she called “the Pit”.  Read More

Giant-Size Man-Thing #4 (May, 1975)

If aging memory serves, it wasn’t long after the subject of today’s post first went on sale that it started to rapidly climb in value on the collector’s market — a phenomenon that was surely almost wholly attributable to the comic’s nine-page backup story, which presented the long-awaited first solo adventure of Howard the Duck.  But as epochal as Howard’s ascent to feature-starring status undoubtedly was half a century ago, the story which occupied the issue’s first thirty pages — “The Kid’s Night Out!”, starring the title’s muck-encrusted headliner, the Man-Thing — could hardly be called an inconsequential piece of work.  Rather, it’s one of the most memorable episodes of the lead feature’s entire original run… and it’s where we’ll begin our coverage of this seminal fifty-year-old comic book today.  Read More

Doctor Strange #7 (April, 1975)

Fifty years ago this month, this issue of Doctor Strange (second series) continued the storyline begun one issue earlier by the book’s ongoing regular writer Steve Englehart and “new” (actually returning, from the Doc’s first series) regular artist Gene Colan — a storyline that on first glance seemed to center on our hero’s old foe Umar the Unrelenting, but which by the end of its first episode had pulled back the curtain on an even older (as well as rather more famous) enemy of Doc’s: the Dread Dormammu.  Read More

Giant-Size Man-Thing #3 (February, 1975)

OK, let’s get this out of the way first:  Back in the mid-1970s, Marvel Comics actually published five issues of a series called Giant-Size Man-Thing.

Hahahahahahahahah!

Everyone good now?

As I mentioned in my post about Man-Thing #8 a few months back, there’s really no reason why “Giant-Size Man-Thing” should be exponentially funnier than “Man-Thing” is by itself.  I mean, any double meaning you want to read into the phrase is right there in the regular-sized version, right?  Yet, put those two hyphenates together, in that order, and hilarity — or at least an extended period of snickering — inevitably ensues. Read More

Giant-Size Defenders #3 (January, 1975)

As we’ve discussed in this space previously, Marvel Comics seems to have been in an almighty rush to get as many “Giant-Size” comics to market as possible in the first half of 1974.  Along with a multitude of title, frequency, price, and format changes, most seemingly made on the fly, one likely result of this haste was the release of Giant-Size Defenders #1 in April, 1974 as a mostly-reprint package, its only new content (not counting the Gil Kane-John Romita-Frank Giacoia cover) being a 9-page framing sequence.  Written by Tony Isabella and illustrated by Jim Starlin and Al Milgrom, that strip unquestionably looked great, and it read just fine; there simply wasn’t enough of it. Read More

Captain America #164 (August, 1973)

Fifty years ago, John Romita’s cover for the topic of today’s blog post promised a certain degree of novelty; not only did it nod to the then-hot horror genre via presenting the superheroic Falcon as a werewolf, but it also heralded the debut of a new supervillain — and a Black female one at that.  (Nightshade may not have been the first such character to appear in American comics, but her particular race-gender combo made her stand out in this era, nevertheless… actually, as far as your humble blogger can tell, it still does.)

But we readers of May, 1973 couldn’t guess the full scope of the novelty awaiting us until we turned to this issue’s first page:  Read More

Marvel Premiere #9 (July, 1973)

For artist Frank Brunner and Marvel Comics’ Doctor Strange, the third time around would prove to be the proverbial charm.

As we’ve covered in previous posts, Brunner first brush with the Dr. Strange feature came with Marvel Premiere #4, for which he supplied finishes to pencilled art (mostly just layouts) by Barry Windsor-Smith.  He returned four months later with Marvel Premiere #6, where his complete pencils were inked by Sal Buscema.  But unhappy with writer Gardner Fox’s scripts, as well as with the overall H.P. Lovecraft-by-way-of-Robert E. Howard “cosmic horror” direction of the series (a direction we should note had been inaugurated by plotter-editor Roy Thomas in issue #4, and then continued by Fox), the young artist left again after only a single issue.  Read More

Dracula Lives #2 (July, 1973)

As was noted in last Saturday’s blog post, the date of April 17, 1973 saw Marvel Comics release not just one, but two different periodical issues devoted to the exploits of the world’s most famous vampire.  But while the color-comics format Tomb of Dracula #10, featuring the debut of Blade, is probably much better known to contemporary comics fans, I’m pretty sure that, back in the day, my fifteen-year-old self was at least as jazzed by the arrival of its black-and-white companion publication, Dracula Lives #2… and probably more so.  Read More