As this post goes out on April 30, 2022, we’re a little less than a week away from the premiere of the second multi-million dollar motion picture from Marvel Studios starring Doctor Strange, Master of the Mystic Arts.
But fifty years ago, in the last week of April, 1972, Marvel Comics was just hoping that maybe the good Doctor might be able to sustain his own solo comic book series again, his last such having been canceled in 1969. Although they were hedging their bets a little by bringing him back not in his own title — not yet, anyway — but in the tryout book Marvel Premiere. Read More
You know, Marvel may have never quite licked the horror/mystery/fantasy/science fiction/what-have-you anthology format during the Bronze Age of Comics — at least not in the color comics arena — but you’ve got to give them points for trying. From 1969 to 1975, the publisher launched at least sixteen series that can be grouped within that admittedly broad category (more, if you include all the title changes). It’s quite the bewildering array of funnybooks to try to get a handle on half a century later, even if you were buying and reading Marvels all through the era (as your humble blogger indeed was). Trying to account for all those Loose Creatures and Dwelling Monsters, not to mention the Shadowy Towers and Crypts and the Chambers offering you a choice of either Darkness or Chills, can feel like a real Journey into Mystery at times; honestly, it can be hard to know if you’re coming or going. Or Prowling or Roaming, if you catch my drift.
But never Fear, faithful reader — Attack of the 50 Year Old Comic Books is here to help. While I can’t promise you’ll possess a comprehensive understanding of all the varied aspects of this little chapter in comics history by the time you finish reading this post, I believe that I can at least relieve you of feeling like you’re trapped within a Tomb of Darkness, informationally speaking. Something like that, anyway. At least for the first couple of years of the phenomenon. Read More
As regular readers will recall, we’ve begun the last two Marvel-focused posts on this blog with excerpts from the Bulletin Bulletins page that ran in the company’s comics published in July, 1971 — and we see no reason to break that run with this installment. Especially since the very next Bulletin following those we’ve already shared is specifically about the subject of today’s post.
Coming after a Roy Thomas editorial and “ITEM!” that dealt with Lee’s decision to take a brief sabbatical from comics writing (and what that meant for the series he usually scripted, such as Amazing Spider-Man) — and directly preceded by another item announcing the move of several Marvel titles (including Conan the Barbarian) to a larger, 25-cent format — this Bulletin caught the attention of readers (well, this particular fourteen-year-old reader, at any rate) with a graphic by Gene Colan and Tom Palmer from Doctor Strange #180, featuring that book’s titular star — a hero who, in the wake of the cancellation of his series with issue #183, had been conspicuous by his absence from the Marvel Universe ever since a late-1969 guest appearance in Incredible Hulk which had effectively retired the character: Read More
You know, I could have had the whole run of Jim Steranko’s Nick Fury, Agent of S.H.I.E.L.D. — all four issues of it! (seven if you include the three he only did covers for) — bought new off the stands, back in 1968. If only I’d had the smarts, or the good taste, or the foresight to buy ’em at the time. Alas, for the road not taken…
Just to clarify — I’m referring here to the titular Nick Fury comic book series that premiered in February, 1968, and not to the whole run of the legendary artist’s work on the “Nick Fury” feature, which began with his providing finished art over Jack Kirby’s pencil layouts in Strange Tales #151. Although, come to think about it, I could have started buying Steranko’s work even as far back as then, if I’d wanted; that issue came out in September, 1966, after all, and by that date I’d already been buying comic books for a little over a year. But Strange Tales was a Marvel comic, and in 1966 I was only buying DC’s books (with the odd Gold Key thrown in here and there). By early 1968, however, things had changed. I had started buying a couple of Marvel comics (Amazing Spider-Man and Daredevil) regularly, and was considering sampling some others. And, as veteran Marvel readers and comics historians well know, 1968 was the year that Marvel Comics finally got out from under the thumb of their distributor (who also happened to be their primary competitor, DC Comics) and significantly expanded their line. Over the first three months of that year, Marvel took their three “double feature” titles — Tales of Suspense, Tales to Astonish, and the aforementioned Strange Tales — and split them up, resulting in six “new” titles — Captain America, Incredible Hulk, Iron Man, Sub-Mariner, Doctor Strange, and Nick Fury, Agent of S.H.I.E.L.D. Three of the books continued the numbering of the titles they’d been spun off from, while the other three (including Nick Fury) started with brand new issue #1’s. What a great opportunity for a young comics fan to get in on the ground floor of some exciting new series, right? Read More