This post wasn’t originally supposed to be a postmortem on Mad. In fact, I’d originally planned to run it on July 1st — which, if I’d followed through, would have seen it beat the news of Mad‘s impending demise (at least as a purveyor of new material) by a couple of days. That would have made for a timely, even prescient post, rather than one that may seem like it’s bringing up the rear, commentary-wise — and at some distance, at that. Read More
“Batmania” may have dominated the pop culture landscape in 1966, but it was by no means the only thing going on at the time — not even within the smaller sphere of pop-cultural activity that was of special interest to nine-year-old boys such as myself. For one thing, there was also The Man from U.N.C.L.E.
The Man from U.N.C.L.E. (that’s the United Network Command for Law and Enforcement, for those of you who don’t already know, and yet might actually care for some reason), in addition to being something of a mini-phenomenon of its own, was of course also part of the larger wave of popularity of the “super-spy” genre in the early-to-mid-Sixties. The wellspring of this popularity was author Ian Fleming’s James Bond, the hero of a series of espionage thrillers who’d debuted in 1953, but who’d really taken off (especially in the United States), when it was revealed that President John F. Kennedy was a fan. By 1966, the enormous success of Agent 007 had yielded a crop of imitators as well as variations on the “spy-fi” concept, including TV’s spoof Get Smart and Western-spy-fi genre hybrid The Wild Wild West, not to mention comics’ Nick Fury, Agent of S.H.I.E.L.D. and T.H.U.N.D.E.R. Agents series. Read More