Tom Orzechowski

Warlock #10 (December, 1975)

Posted on by Alan Stewart

Fifty years and two months ago, the ninth issue of Warlock ended with a shocking revelation — Thanos, the Mad Titan, who’d been missing and presumed dead since the climax of Captain Marvel #33 (Jul., 1974), was alive — and had shown up to offer Adam Warlock his personal assistance in the latter’s battle against his evil future self, the Magus.  Could it be true?  Going by the cover of Warlock #10, which boldly promised us readers of September, 1975 “Thanos versus the Magus”, both in its blurb copy and in its spectacular illustration by Jim Starlin and Alan Weiss, it sure seemed like the return of the villain of Starlin’s last great cosmic epic was indeed back, and ready to throw down with the villain of Starlin’s current great cosmic epic.  But, of course, if we wanted to know for sure, we were going to have to turn past the cover and dig into the comic’s contents, beginning with its opening splash page…  Read More

Warlock #9 (October, 1975)

Posted on by Alan Stewart

The banner that’s emblazoned above the title logo on the cover of Warlock #9 — “Pulse-Pounding PREMIERE Issue” — can fairly be called misleading, if not outright dishonest.  After all, “premiere” means “first” (in this context, anyway), and the issue of a periodical that numerically follows its eighth can hardly be its first, now can it?  In fact, this isn’t even the premiere issue of the “Warlock” feature’s revival, which would of course have been Strange Tales #178, published back in November, 1974.  But I suppose we can forgive Marvel Comics for wanting to trumpet the return of Adam Warlock in “his own senses-shattering mag” (to quote from the cover’s other blurb) with language a little less clunky that “Pulse-Pounding Fifth Issue of Relaunch” or even “Pulse-Pounding First Issue Under This Title Since 1973”.  It was a special occasion, after all. Read More

Strange Tales #179 (April, 1975)

Posted on by Alan Stewart

Last November, we took a look at Strange Tales #178, featuring the premiere installment of Marvel Comics’ revived “Warlock” feature, now written and drawn by Jim Starlin.  In the first episode of a new multi-part storyline, the one-time savior of Counter-Earth learned for the first time of the galactic-level threat represented by the Universal Church of Truth — a militant religious organization determined to bring the entire universe under its tyrannical control, led by an entity called the Magus; an entity who, somehow, was the very same being as Adam Warlock himself.

But while I’m sure we’re all eager to proceed with this issue’s continuation of Starlin’s saga, your humble blogger feels he would be remiss not to first encourage you all to take a closer look at the book’s cover — more specifically, at the upper right-hand corner of said cover, where we would normally expect to see the Comics Code Authority’s seal of approval on the contents of this comic book — because in this particular case, approval has evidently been granted by the Cosmic Code Authority.  Read More

Captain Marvel #34 (September, 1974)

Posted on by Alan Stewart

So, how do you follow up a grand, multi-issue crossover superhero epic in which your protagonist and his allies have just barely managed to eke out a win against an insane god in time to save the universe?

If you’re Captain Marvel plotter, penciller, and colorist (maybe we should just go with auteur?) Jim Starlin, you opt for moving straight into a new multi-issue storyline.  Though surely no one will begrudge you taking a few pages at the top of the new narrative’s premiere installment to wrap up a few loose ends, and otherwise provide a nice coda for the tale you’ve been telling for the past nineteen months or so…  Read More

Captain Marvel #30 (January, 1974)

Posted on by Alan Stewart

By the time Captain Marvel #30 came out in October, 1973, Marvel Comics readers had already had a couple of opportunities to see the newly-enhanced (as of issue #29) “Most Cosmic Superhero of All” in action — namely, in Marvel Team-Up #16 and Daredevil #107.  But the subject of our discussion today was the first time that writer-artist Jim Starlin, the creator who was actually responsible for the big changes to Mar-Vell’s status quo, had himself had a chance to show just what those changes meant for the hero, and for his fans, going forward; and the creator obligingly responded with a story that, if it didn’t quite deliver on its cover blurb’s promise of “pure action — from cover to cover!”, still managed to come pretty damn close to living up to that claim.  Read More