Based on this note from editor Murray Boltinoff that appeared on the issue’s letters page, Brave and the Bold #93’s “Red Water Crimson Death” by Denny O’Neil (writer) and Neal Adams (artist) had been in the works for a while:
“…one of the most distinguished and inspired examples of comic mag art”? That’s some pretty high praise from Mr. Boltinoff. But my thirteen-year-old self wouldn’t have argued with him back in 1970; and it still sounds just about right to sixty-three-year-old me, here and now in 2020.
In any event, regardless of how and why the production of this story might have been delayed, its ultimate release could hardly have been more opportunely timed — October 27, just four days before Halloween. What better time for Batman to dare enter the House of Mystery? Read More
Fifty years ago, whenever I picked up an issue of one of DC Comics’ “mystery” (i.e., Comics Code-approved horror) anthology titles, I knew I would see work from multiple creators. Any given issue would feature a mix of talents, most likely including some that I’d been a fan of for quite a while, others who were somewhat less well-known to me (but whom I was becoming more familiar with all the time, due mostly to their frequent appearances in these very titles), and probably at least one or two I’d never heard of before.
This was definitely the case with the comic that’s the subject of today’s post, House of Mystery #188, which started things off with another spooky cover by the very familiar (and always dependable) Neal Adams, and then launched into a story drawn by an artist whose work was altogether new to me (and probably new to most of this issue’s other original readers, as well), though I wouldn’t know this for sure until I got to the credits box on the story’s second page: Read More