If you read my post about Vampirella #18 back in June, you may recall that I promised at that time that I would eventually let you know how things ultimately turned out for Count Dracula, who’d begun a quest for redemption that was just getting started when that issue’s installment of the magazine’s titular lead feature reached its end. Well, faithful readers, the time has come at last. But please be advised that in order to do so properly, I’m first going to need to fill you in on the key events of the storyline’s chapters from Vampirella #19 and #20, so that what transpires in issue #21’s “Slitherers of the Sand!” will land, dramatically speaking, in the way its creators intended. Also, as it turns out, this issue doesn’t really fully resolve the Dracula arc either, so we’re also going to be taking a quick look at some later appearances of the Count in Eerie and Vampirella, just so we can say we’ve wrapped things up properly.
Oh, and of course we’ll also be covering the other three stories published in Vampirella #21 — the ones that don’t have anything to do with the lead feature or with Dracula. After all, I wouldn’t want to shortchange you on that material, would I? Read More
As regular readers of this blog may recall, I first encountered Warren Publishing’s Vampirella in the summer of 1971, courtesy of the series’ 1972 Annual — a collection of reprinted material from Vampi’s first two years by the likes of Neal Adams, Ernie Colón, and Wally Wood, with the exception of a single new story, “The Origin of Vampirella”. I enjoyed it, but for reasons I can no longer recall, my younger self nevertheless waited until March, 1972 before deigning to pick up a regular issue of the title. Still, I evidently liked what I found within the pages of Vampirella #17, since I came back three months later for more.
On the other hand, it’s entirely possible that I would have picked up issue #18 even if I’d been indifferent to, or even actively disliked, the contents of #17 — since #18’s gorgeous cover by the Barcelonan painter Enrich Torres promised an appearance by Dracula. And in 1972, I was into any and all things having to do with Transylvania’s most famous fictional (?) denizen. Read More
As I related on this blog back at the top of the month, in the summer of 1971 my young teenage self finally dared to dip a toe into the waters of the (allegedly) more mature comic book content represented by the black-and-white output of Warren Publishing. But as daunted as I might have been by the prospect of encountering more gore and violence than my tender sensibilities were at that time accustomed to within the pages of Warren’s Eerie or Creepy, I’m certain that I experienced even greater trepidation regarding my decision as to whether or not I should purchase the magazine that’s the primary topic of today’s post. Because, in addition to the same more generous amounts of violence and gore offered by its fellow Warren publications, Vampirella also appeared to promise a more substantial serving of sex. Read More
Once upon a time, in the mid-to-late Sixties through the early Seventies, there was a television show called Dark Shadows…
It was a thirty-minute show that came on five days a week, late enough in the afternoon that most kids could catch it if they came straight home after school. It was a daytime serial — a “soap opera”, in common parlance — but one that built its stories not around adulterers, secret children, and long-lost evil twins, but rather vampires, witches, ghosts, Frankensteinian monsters, warlocks, werewolves, zombies, and even more things that go bump in the night. Read More