Warlock #11 (February, 1976)

As regular readers of this blog may recall from our post on Warlock #10 back in September, that issue ended on a relatively quiet note, with the titular hero grimly preparing to enter his personal timestream for the express purpose of ending his own life — and, thereby, preventing his evil future self, the Magus, from ever coming into existence at all.  Or at least that was what should happen, according to the theory espoused by Adam Warlock’s unexpected new ally, Thanos the Mad Titan — and it’s not like there were any better options for saving the universe on the table, so what was a onetime messiah to do?

But while the beginning of our latest object of discussion, Warlock #11, seems to be taking place a mere moment after the ending of issue #10, it’s clear from auteur Jim Starlin’s opening splash that things are no longer the least bit quiet, and probably won’t be again for some time:  Read More

Warlock #10 (December, 1975)

Fifty years and two months ago, the ninth issue of Warlock ended with a shocking revelation — Thanos, the Mad Titan, who’d been missing and presumed dead since the climax of Captain Marvel #33 (Jul., 1974), was alive — and had shown up to offer Adam Warlock his personal assistance in the latter’s battle against his evil future self, the Magus.  Could it be true?  Going by the cover of Warlock #10, which boldly promised us readers of September, 1975 “Thanos versus the Magus”, both in its blurb copy and in its spectacular illustration by Jim Starlin and Alan Weiss, it sure seemed like the return of the villain of Starlin’s last great cosmic epic was indeed back, and ready to throw down with the villain of Starlin’s current great cosmic epic.  But, of course, if we wanted to know for sure, we were going to have to turn past the cover and dig into the comic’s contents, beginning with its opening splash page…  Read More

Warlock #9 (October, 1975)

The banner that’s emblazoned above the title logo on the cover of Warlock #9 — “Pulse-Pounding PREMIERE Issue” — can fairly be called misleading, if not outright dishonest.  After all, “premiere” means “first” (in this context, anyway), and the issue of a periodical that numerically follows its eighth can hardly be its first, now can it?  In fact, this isn’t even the premiere issue of the “Warlock” feature’s revival, which would of course have been Strange Tales #178, published back in November, 1974.  But I suppose we can forgive Marvel Comics for wanting to trumpet the return of Adam Warlock in “his own senses-shattering mag” (to quote from the cover’s other blurb) with language a little less clunky that “Pulse-Pounding Fifth Issue of Relaunch” or even “Pulse-Pounding First Issue Under This Title Since 1973”.  It was a special occasion, after all. Read More

Strange Tales #181 (August, 1975)

When we last left Adam Warlock at the end of Strange Tales #180, he’d just been driven into unconsciousness by his guilt over his Soul Gem’s stealing the soul of Kray-Tor — the judge who’d been presiding over our hero’s show trial prior to his breaking loose and fighting back.  But, as we learned in the story’s closing panels, the woman behind Adam’s ordeal — the Matriarch of the Universal Church of Truth — had actually planned the whole thing as a way to safely subdue Warlock without hurting him, so that she could subject him to being brainwashed by her underlings in a facility she called “the Pit”.  Read More

Strange Tales #180 (June, 1975)

Fifty years ago this month, the third installment of Marvel Comics’ revived “Warlock” feature arrived sporting yet another cover pencilled and inked by Jim Starlin, as well as a 19-page story pencilled, inked, colored, and written by… Jim Starlin.

Characteristically, the auteur didn’t let his multifaceted role in the comic’s production stop him from having a little fun with the credits on its opening splash page, even at the risk of confusing any newcomers:  Read More

Strange Tales #179 (April, 1975)

Last November, we took a look at Strange Tales #178, featuring the premiere installment of Marvel Comics’ revived “Warlock” feature, now written and drawn by Jim Starlin.  In the first episode of a new multi-part storyline, the one-time savior of Counter-Earth learned for the first time of the galactic-level threat represented by the Universal Church of Truth — a militant religious organization determined to bring the entire universe under its tyrannical control, led by an entity called the Magus; an entity who, somehow, was the very same being as Adam Warlock himself.

But while I’m sure we’re all eager to proceed with this issue’s continuation of Starlin’s saga, your humble blogger feels he would be remiss not to first encourage you all to take a closer look at the book’s cover — more specifically, at the upper right-hand corner of said cover, where we would normally expect to see the Comics Code Authority’s seal of approval on the contents of this comic book — because in this particular case, approval has evidently been granted by the Cosmic Code Authority.  Read More

Strange Tales #178 (February, 1975)

Back in June, we took a look at Captain Marvel #34, which was the last issue drawn and plotted by Jim Starlin.  As we discussed in that post, Starlin abruptly quit the series after delivering only one chapter of his first post-“Thanos War” storyline, unhappy with Marvel Comics’ seeming unwillingness, or inability, to give him a single consistent inker on the bi-monthly title.

Per remarks the creator has made in interviews over the years, his leaving Captain Marvel amounted to his leaving Marvel, period, at least for a little while.  As he explained in 1998 for an interview published in Comic Book Artist #2Read More

Hulk #178 (August, 1974)

As regular readers of this blog may recall, I was never a regular buyer of The Incredible Hulk, back in the day.  While I always enjoyed the character when he appeared as a guest star, or in a team setting à la the Defenders, for whatever reason his Jekyll & Hyde-cum-Frankenstein premise never had much appeal to me as the basis for a lead character.  Or maybe I simply preferred my superheroes to have a little more going on upstairs.  In any case, after dipping my toe in the water one time back in 1969, I had since refrained from picking up Hulk except on those occasions when it crossed over with another series I was currently buying, or when it tied up leftover plotlines from a canceled series I had been buyingRead More

Avengers #118 (December, 1973)

It’s September, and we’ve finally arrived at the climax of Marvel Comics’ pioneering crossover event of the summer of 1973, the Avengers/Defenders War.  Having realized at last that they share a common enemy, the superheroes of the two feuding teams have united to save the world.

So it’s fitting that, for the first time since the storyline began, the cover of this chapter gives us a group shot of multiple members from both teams — although artists Ron Wilson and John Romita have probably chosen wisely in not trying to cram all fourteen heroes, plus supervillains Dormammu and Loki, into a single shot.  Rather, they’ve opted to go with just nine, and it’s interesting to take note of who’s been included.  Unsurprisingly, every character starring in their own series — that’s Thor, Iron Man, Captain America, and Black Panther (in Jungle Action) from the Avengers, plus Sub-Mariner, Hulk, and Doctor Strange (in Marvel Premiere) from the Defenders — makes the cut.  But that still leaves two slots, and they’ve both gone to female characters — the Avengers’ Scarlet Witch and the Defenders’ Valkyrie — which serves to make the cover at least slightly less of a sausage fest.  Better luck next time, Silver Surfer, Vision, Hawkeye, Swordsman, and Mantis (the only shero who didn’t make the cover).

Still, if you’re hankering for a big group shot featuring all the heroes from both teams, no exceptions, then have no worries; Marvel’s got you covered on the book’s opening splash page:  Read More