Fantastic Four #112 (July, 1971)

You always remember your first.

(Your first Hulk vs. Thing slugfest, that is.  Why, what did you think I meant?)

Technically, I suppose FF #112’s “Battle of the Behemoths!”, crafted by the regular Fantastic Four creative team of scripter Stan Lee, penciller John Buscema, and inker Joe Sinnott, wasn’t really my first experience seeing these two Marvel Comics heavy hitters go at it.  Rather, that would have come several months earlier, courtesy of  Marvel’s Greatest Comics #29 (Dec., 1970), which reprinted the characters’ very first meeting from FF #12 (Mar., 1963); the problem there, however, was that that story (a production of Lee, Jack Kirby, and Dick Ayers) was actually a bit of a bust, at least as far as Thing-Hulk dust-ups went.  The two bruisers didn’t actually encounter each other until page 17 of a 23-page story, and in the three page fight scene that followed, ol’ Jade Jaws took on the entire Fantastic Four, not just Bashful Benjy Grimm.  While both big guys got in some licks, the scene ultimately wasn’t very satisfying as a one-on-one match.

Also contributing to making this story less than a slam-dunk for my thirteen-year-old self was its age — or, more accurately, what its age signified in terms of the development of the characters, both visually and personality-wise.  This was a decidedly different Hulk than the one I was familiar with — among other things, this guy spoke in the first person, and he wore purple trunks, rather than the tastefully torn trousers of the same hue that I was used to seeing him in — while this Thing was a lumpier and more belligerent fellow than the hero I was accustomed to, as well. 

I should note here that Kirby and Lee had followed up the Hulk’s first guest-shot in Fantastic Four with a second one, just thirteen months later, In issue #25 (Apr., 1964),  This time, the focus was firmly on “The Incredible Hulk versus the Thing!” — a clash of titans ballyhooed on the cover as “The Battle of the Century!”  It was in fact such a whopper of a battle that it spilled over into the next issue, #26, which also guest-starred the Avengers, making for Marvel’s biggest crossover to date.  Like FF #12, this classic two-parter had also been reprinted, in 1966’s FF Annual #4 — but as that comic had come out a full year before my younger self first dipped a tentative toe in the Marvel waters, it was as inaccessible to me as the issues in which the tale had originally appeared.  (UPDATE 4/28/21, 1:00 pm: In the thirteen hours since this post first went live, I’ve been clued in by several kind souls that I originally failed to mention another Hulk-Thing encounter that occurred between FF #26 and #112.  This one took place in Hulk #122 [Dec., 1969] — a comic that came out well after I’d become a regular Marvel reader, so I’m not quite sure how I could have missed and/or forgotten about it [though, obviously, I did].  The meeting here falls into the same general category as FF #12’s — i.e., towards the end of the issue, there’s a short battle between the Hulk and the whole team in which the two strong guys exchange a few licks.  Still, it deserved at least a brief note; so, mea culpa.)

In any event, the Thing-Hulk fight in FF #112 was the first one I’d experienced as a new story, at the same time as everyone else.  And it was probably the first for a lot of other late-arriving Marvelites as well, considering that the tussle in FF #25-26, published more than seven years earlier, had been the last time they’d met in a major one-on-one bout — which also meant that even old-time first-generation Marvel fans were probably more than ready to see the two heavyweights mix it up again.

A few of those well-primed fans — new and old alike — may even have jumped right in to issue #112 without having read the several issues of Fantastic Four immediately preceding it.  After all, the stark, simple, but still highly effective cover by Buscema and Frank Giacoia does proclaim “Hulk vs. Thing — Nuff Said!”, as though that really is all you need to know to enjoy the story.

And maybe it is, if all you care about is seeing the big green guy and the rocky orange dude punch each other a bunch of times,  But we like to think we serve a more discriminating breed of graphic narrative enthusiast here at “Attack of the 50 Year Old Comic Books” (though, admittedly,  you’d never be able to tell that by our name) — and so we’re going to take some time to recap the events leading up to the “Battle of the Behemoths!”

Actually, we’ve covered quite a bit of this ground already, in our FF #108 post from back in December.  But in case you missed that one, or would simply appreciate a refresher (it has been four months) — as well as to allow us to close the gap between #110 and #112 (issue #111 not having been covered in that earlier post) — here’s a somewhat abridged account of What Has Gone Before:

In Fantastic Four #107, Reed (Mister Fantastic) Richards’ latest attempt to “cure” his best friend and teammate, Ben Grimm, of being the Thing appeared at first to be a great success.  Not only was Ben no longer forever cursed to be a creature made of orange rocks (or what looked like them, anyway), but he was even able to change from Ben to the Thing, and back again, at will — allowing him to retain his status on the superhero team.  Unfortunately, it soon became clear that Reed’s process had affected Ben psychologically as well as physically — making him more callous, cruel, and selfish.  The Thing’s demeanor, and behavior, grew steadily worse over the course of the next three issues, although he managed to keep his new, darker impulses in check for long enough to help the team successfully conclude the “Nega-Man” adventure, which ran through #110.  Immediately thereafter, however, Ben brutally broke up with his longtime girlfriend, the blind sculptress Alicia Masters, and then stormed out of the FF’s Baxter Building HQ, leaving Reed to ponder just how bad things might get if the Thing chose to return as an enemy.

As FF #111 begins, however, Ben doesn’t show much ambition towards becoming New York’s newest supervillain — at least not initially.  Rather, he seems content with wrecking a car or two, and then harassing some construction workers.  Things escalate somewhat when the police arrive, and then get exponentially worse when Johnny Storm, the Human Torch, tries to intervene.  The Thing lobs a lamppost at the Torch, who melts it, but then fails to notice when the remains almost strike a bystander.  Ben next tries throwing a truck at his estranged buddy, not caring that there’s a driver still inside; and while Johnny is able to save the man from death or injury, the latter is still quite understandably upset — as is everyone else on the scene:

The angry reaction of the ordinary people on the street to the mayhem being wreaked by their so-called “protectors” is one of the most interesting aspects of this storyline; perhaps not coincidentally, it’s also one of the most “Marvel” things about it (coming in right after the “superheroes fighting each other” trope).  But even though it complicates matters for our story’s protagonists, the public’s anger comes across (to me, anyway) as a realistic, even justifiable response to a dangerous and frightening situation.  Perhaps J. Jonah Jameson is overreacting somewhat in the scene above — we’re obviously meant to take “Robbie” Robertson’s side in the newspapermen’s dispute — but you can’t say the man doesn’t have a point.

Someone else who may be deemed to have a valid point is the the FF’s landlord — the owner of the Baxter Building, the skyscraper whose top floors which house their headquarters.  This is despite the fact that the landlord is obviously less concerned about anyone’s safety than he is about the possible decrease in the value of his property that may result from the public’s growing anger towards the FF — an anger which is currently being demonstrated by sign-wielding protestors who’ve gathered on the sidewalks outside.  (As is rather subtly shown in the two panels below, this burgeoning anti-FF sentiment cuts across the normal societal and ideological fault lines of the day.)

Reed manages to get rid of the landlord, at least for now, but in the meantime, Ben decides to kick things up a notch by attempting to rob a bank.  Again, the intervention of the Torch, as well as that of the police, is able to temporarily stymie the Thing, though they can’t prevent him from getting away.

And where is Sue (Invisible Girl) Richards through all of this?  Well, she’s decamped to Whisper Hill, along with her son Franklin and the child’s regular caretaker, the witch Agatha Harkness — for no good reason, really, save that Lee and co. seemed hell-bent on sidelining Sue at every opportunity during this era.

Finally, Reed comes up with a plan… sort-of…

So… Reed asks Johnny to try to contact Bruce Banner, a brilliant scientist with an unfortunate tendency to turn big, green, and mean, because he needs “help — in the lab.”  Fortunately (?), Bruce is not only in town, but also happens to be looking out a window just at the right time to see the Torch’s skywriting.  He promptly hops in a taxi to travel to the Baxter Building, but wouldn’t you know it, the cabbie’s route takes them right by the location where the Thing is presently running amok, which immediately causes Bruce to Hulk out.  Within a single page of story, the situation just got 1000% worse.

I’m going to go out on a limb, here, and say that Reed’s plan didn’t work out so well.

I’d also be inclined to say that editor-scripter Stan Lee’s plan — by which I mean his plan to use this storyline to set up an all-new, greatest-ever Hulk-Thing battle — didn’t work out so well, either; except that that would imply that he actually had a plan, a notion for which the story as published provides scant evidence.  Rather, issue #111 appears to have been mostly pencilled, and perhaps even mostly dialogued, before Lee got the brilliant idea to shoehorn the Hulk in at nearly the last minute.

If there’d been the least amount of foreshadowing earlier in the issue — if we’d had even a single panel of, say, Reed musing about some paper he’d once read by Bruce Banner that might provide a clue for helping Ben — Lee and Buscema might have gotten away with it.  As it is, the whole thing comes out of left field, and one can only wonder why Reed Richards, allegedly one of the smartest men in the world, didn’t try to contact some other “test-tube jockey” (to borrow Johnny’s phrase) before fixating on the highly unpredictable, and potentially extremely dangerous, Bruce Banner.  (Yes, according to concurrent issues of Avengers, Dr. Henry Pym is presently working in the Arctic, but surely there’s somebody else in the New York metro area who’s competent enough to give Mister Fantastic a little help in the lab.)

That’s how my present-day, 63-year-old self sees things, anyway.  Like so much else in these 50-year-old comic books, however, I’m pretty certain that the younger me took it all in stride.

In any case, we have at last arrived at the Main Event:

Before we jump right in to the bludgeoning, however, I’d like to take a moment to address a question that my thirteen-year-old self definitely did not expect this story to settle:  Who’s stronger, the Thing or the Hulk?

Because I already knew the answer to that question, and it was: the Hulk, of course.

I can’t tell you exactly how I knew this to be true in 1971; this was long before the days of Official Handbooks, Marvel Encyclopedias, or any of the other later resources that would attempt to clarify and codify such weighty matters.  Nevertheless, a consensus of sorts had emerged over the years between the fans who wrote in to Marvel’s letters columns and the staffers who replied to them, and that consensus had managed to worm its way into my consciousness: all else being equal, in a “fair fight” the Hulk was bound to win.

Still, knowing the outcome in advance didn’t mean it wouldn’t be fun to watch the two titans whale at each other for 20 pages.  And the extra wrinkle that Lee and Buscema had come up with for this latest iteration of the classic Marvel match-up — the element of Ben Grimm’s mental impairment, which made him simultaneously both as much of a menace as was the uncontrollable Hulk, and also an unfortunate victim of circumstance — provided further interest to the proceedings, and gave even those veteran fans who’d been around for FF #12, 25, and 26 something they hadn’t seen before.

So, yeah — I was stoked to be at ringside.

(Notice anything funny about those captions and word balloons?  If you’re wondering why Marvel was so stingy with the punctuation marks this month, you can find an explanation [of sorts] here.)

Back at the Baxter Building, Reed and Johnny have discovered just how badly the former’s plan has gone awry.  (“It’s my fault, Johnny”, Reed admits unnecessarily, as well as uselessly.)  Adding to their misery, J. Jonah Jameson has now taken his rant from the Daily Bugle‘s editorial section onto the television airwaves:

As before, Johnny can’t stand to stand idly by in a crisis, and flies off towards the scene of the battle to do… something.  This time, Reed stops the Torch cold — first dousing his flame with chemical.foam, then stretching an arm to haul him back in through the open window:

John Buscema may have been more successful than any other artist at following Jack Kirby on a Marvel Comics feature — something he accomplished by incorporating Kirby’s dynamics and sense of excitement into his own approach to storytelling, without attempting to ape the particulars of the King’s graphic style.  And, of course, here on Fantastic Four his efforts were enhanced by the polished inking of Joe Sinnott, whose work helped the series maintain a consistent visual identity for well over a decade.

As our story proceeds, the Hulk and Thing continue to go at it until those howitzers mentioned by the police officers back on page 2 finally show up.  Ol’ Greenskin’s been in this kind of situation before, however, and he opts to avoid the impending shelling by leaping to the rooftop of a nearby building, aware that the police won’t fire in that direction for fear of injuring civilians.  Ben decides to follow him — “I gotta finish ‘im off — so I don’t haveta worry about ‘im no more” — and though he doesn’t have his opponent’s ability to leap tall buildings at a single bound, he figures out another way:

Sue acts here as though she’s still unclear about Miss Harkness’ nature and abilities — which, after the events of issue #110, is fairly absurd.  Unfortunately, it’s also pretty much in line with how the Invisible Girl was regularly written back in the day.

Sue decides that it’s about time to return home to see if she can help.  Good call, but even in her snazzy little jet car, it’ll take her at least half an hour to reach the city — and by then it may be too late.

It seems rather uncharacteristic of Alicia Masters, who’s usually portrayed as level-headed and self-reliant, to behave this recklessly — she’s distraught, of course, but still…

Rather than wait for an elevator, Ben rip off the doors of the shaft and slides down the cables.  But as soon as he emerges from the building onto the now Hulk-shattered street…

As the battle continues, Alicia — who’s finding her way by consistently moving in the opposite direction from the fleeing crowd — grows ever closer to the scene, until…

And so it ends — Marvel’s third Hulk vs. Thing battle.  How does it stack up against all the others, before or since?  I’m probably not the best person to try to answer that question, to be honest; because, while I’ve read a number of these stories over the decades, I know there are several I’ve missed.  All I can really tell you is that this one is my favorite.  Not the best, mind you — the story has too many flaws to even be in the running for that distinction — but my favorite, nonetheless.  Why?  Because I read it when I was thirteen years old; and also because, well… it was my first.  And that’s all I have to say about that.

Wait, what?  You want to know what happens to Ben after the last page?  Well, why didn’t you say so.

FF #113 picks up in the immediate “awful aftermath” of #112, naturally, as things get even worse for our heroes…

Reed attempts to escape from the police, but he’s so distraught that he only manages to contort himself into a ball, and then go “bouncing aimlessly — in panic“, as one of the cops puts it, before smashing into a wall and stunning himself.

Luckily, Sue has made it back at last, arriving just in time to rescue Reed with her force field,  With the NYPD now held at bay, Reed and Johnny quickly load Ben’s inert form into the jet car.  “To the lab, Sue — at attack speed“, Mister Fantastic commands.  “Ben’s life depends on it”.  Ah, so that’s why he was so frantic before; Ben’s not actually dead… yet.

Taking Alicia along with them, the FF zoom back to the Baxter Building…

While Reed works desperately against the clock, the Torch, in his typical hot-headed fashion, allows himself to be distracted by the angry protestors still milling about outside.  He sends a “harmless” smoke attack their way before Reed and Sue convince him to knock it off; the electricity is still off at the Baxter Building, and they need his flame to power Reed’s equipment:

Not only has Reed managed to resuscitate the Thing — there’s more, even better news:

And that, at last, is that.  Not only have Lee and Buscema wrapped up this latest variation on the familiar “Reed attempts to cure Ben, fails” storyline — they’ve also put that whole plot element to bed, for good.  Obviously, since Ben has now decided that he’s just fine with being the Thing, Reed can relax, and it’s happy endings all around.

At least, that’s how I interpreted this development as a young reader, back in April, 1971 — as a permanent change in the FF’s status quo.  Of course, as most of you reading this will already be aware, that turned out not to be true.  But for more on how this particular episode fits into the whole, nearly six-decades-long history of Ben Grimm’s quest for “normalcy”, I invite you to check out my Fantastic Four #78 post of a few years back.

Still and all, even if we haven’t seen the last of Reed Richards’ attempt to de-Thingify his best buddy Ben, we’ve definitely come to the end of this particular attempt.  Of course, there are still some loose ends left to tie up.  Not only is most of New York City still mad at the FF, the team is also still wanted by local law enforcement.  And then there’s that mysterious light in the sky everyone was so excited about back on page 6.

But the resolutions to these matters will have to wait for the next major FF storyline, which, in the classic Marvel fashion, begins right here in issue #113 — first overlapping with the finale of the previous adventure, and then taking center stage for the remaining 9 1/2 pages, as well as the next three issues to come.  So, while I hate to leave you in suspense, I’m afraid that’s what I’m gonna have to do.  We definitely will be diving into this multi-parter, but probably not until around the time it winds up, in issue #116.

Until August, then, I’ll leave you to ponder this (hopefully) intriguing question: Who in the holy heck is the Over-Mind?


  1. frodo628 · April 28, 2021

    Ah, the eternal schoolyard question…who’s stronger? The Thing or The Hulk? The Hulk or Thor? The Hulk or…Wolverine? Didn’t matter to me, because I knew Superman was stronger than all of them, but still, they were fun issues to read. I always thought that this concept of “the madder Hulk gets, the stronger Hulk gets” was the real secret to the character’s power, and as Bruce says in the first Avengers film, “I’m always angry,” seems to be as good a mantra for the character as any.

    The Hulk may have obviously been stronger, but I always liked The Thing better. I liked his friends and family, the Fantastic Four, and I greatly preferred their adventures to those of old Greenskin. Still, the problem with any battle between two adversary’s much better known for their brawn than their brains, is that such a fight rarely does anything to move the story along and as a result, either winds up being the point of the whole issue or winds up being a largely, albeit dynamically rendered, waste of time. Yes, having this particular story play against the backdrop of NYC’s increasing disillusionment with super-heroes was effective, but other than Stan having the idea at this particular time creatively, what inspired this disillusionment? Was there some big event in the Marvel universe that decimated half of New York or are we just supposed to believe that finally, after years of being put in harms’ way as the battleground for so many super-powered antagonists, NYC had just finally had enough?

    Regardless, my major problem with the story is how it ends. Ben sees Alicia in trouble and gets distracted. Ben gets hit by the Hulk (not a particularly devastating-looking hit either, by the way) and is presumably killed. That much we see (more or less), but then Hulk’s triumph and transformation back into Banner is tossed off like so much narrative chaff and Banner is given no responsibility for the mayhem, only the Thing, and by extension, the FF, who weren’t even there. In fact, poor Sue wasn’t even in the city, just sitting around Agatha’s house in her uniform, waiting for John Byrne to come along ten years later and finally give her something to do. We know Stan is a much better plotter than this, so I’m wondering if he was trying to do too much in those days or if he just figured that if the fight was good enough and big enough, no one would care. Lazy. Writing, but I get it. Hulk wasn’t the star of this book, so let’s just get him out of the way as soon as possible.

    Anyway, this Thing/Hulk dust-up was fun, as all such dust-ups were and I guess that’s all that matters. It’s not my favorite (not sure I remember any of them well enough to pick a fave), but hey…it’s wasn’t my first.

    Liked by 4 people

    • Alan Stewart · April 28, 2021

      “Was there some big event in the Marvel universe that decimated half of New York or are we just supposed to believe that finally, after years of being put in harms’ way as the battleground for so many super-powered antagonists, NYC had just finally had enough?”

      Pretty much the latter, although there’d been similar episodes of the fickle NYC citizenry turning against their heroes in Marvel comics before this. And J. Jonah Jameson’s tirades against the costumed adventurer set were an ongoing thing, though of course primarily focused on Spider-Man.

      Liked by 3 people

  2. frednotfaith2 · April 29, 2021

    Although I got a couple of the issues that led up to this — #’106 & 107, I pretty much missed most of the next 20 issues before I started collecting much more regularly, so I entirely missed this one when it was new. My initial thought when I finally got it much later was how closely the cover resembled that of Sub-Mariner #8, also drawn by John Buscema and featuring Ben & Namor going at it against a black background. No idea if that was intentional or entirely coincidental. Story-wise, well, there are plenty of goofy elements that were pretty par for the course for most of Lee’s stories in the ’70s, such as Bruce Banner just happening to be in NYC when the story in another needs him to be, even if he’s bounding around as the Hulk in a southwestern desert in his own mag. Actually made me think of She-Hulk #1, which I got and read long before I read this story and in once again, Bruce Banner just happens to be in town and interacts with his never before referenced cousin in ways that prove very momentous to her. The last act involvement of Banner in #111 just seemed very silly given that given what we know about Banner & the Hulk, at this point he didn’t typically hang out anywhere in NYC, not quite yet being a regularly guest at Dr. Strange’s Sanctum Sanctorum in Greenwich Village and there was no explanation as to why Banner just happened to be in a NYC hotel room. There really should have been more build up to that to explain both why Banner happened to be the expert Reed needed and why Banner just happened to be in NYC at the time.
    Anyhow, the first Thing & Hulk slugfest I came across was in Marvel Feature #11, drawn by Jim Starlin! That was a lot of fun to read, a rather humorous romp. A few years later I got a Marvel Treasury Edition that reprinted FF #25 & 26, which was a hoot. even if Kirby’s art under Chic Stone’s inks struck me as a very crude rush job, perhaps due to Kirby having to draw so many team books in that era – not just the FF, but the Avengers, X-Men and even Sgt. Fury and His Howling Commandos. Not sure if he was back on Thor yet. There were at least a few more bouts between Ben and Jade Jaws in the ’70s, including the boxing match in one of the Giant-Size issues, and the Thomas & Perez take in which the FF took out the Hulk but then Ben freed and teamed up with the Hulk against the rest of the FF and then wound up losing his powers due to being so close to him for so long!

    Liked by 3 people

  3. sportinggeek157875814 · April 30, 2021

    Stan makes a slight goof in his #113 pg.2 editor’s note. He says Hulk-Thing battle was FF #24 & 25 when it was of course #25-26.

    Liked by 3 people

  4. Stu Fischer · May 1, 2021

    Well, for the second post in a week I have very little to add other than that I largely agree with you and frodo628. Between the embarrasing plotting in this issue and the recent Thor arc you wrote about, I wonder if Stan was already mentally checking out to his soon-to-be publisher job. Either that or perhaps Jack Kirby advocates really have something there regarding Kirby’s contributions to the scripting during their collaboration.

    Although it is now May, I didn’t read your comments on FF#113 as I am going to read that issue a little later this month on Marvel Unlimited as part of my personal 50 year retrospective. After that, I’ll read your take on the issue.

    Liked by 3 people

  5. Pingback: Fantastic Four #116 (November, 1971) | Attack of the 50 Year Old Comic Books
  6. Looking at this as an adult in the present day, with the benefit of knowing about the various creative behind-the-scenes processes at work at Marvel in the late 1960s and early 1970s, it’s obvious that a tangible something was lost on the Fantastic Four when Jack Kirby, the primary force behind the plotting of the series for much of its existence, departed both the book and Marvel Comics.

    Stan Lee was a great “idea man,” a great scripter / dialoguer, a great editor and a brilliant publicist, but it’s clear that as the 1960s progressed he had very much come to rely on Kirby and Steve Ditko, to do the lion’s share of plotting out the stories. Fortunately for Lee on Amazing Spider-Man, John Romita seems to have been both well-qualified and genuinely interested in assuming the role of co-plotter, and the series continued to flourish.

    Lee was apparently not so blessed with John Buscema on Fantastic Four and Thor, though. Buscema made it clear on a number of occasions that he saw superhero comic books merely as a job, and one that apparently held little to no personal appeal to him. So I can imagine he must have balked at being asked by Lee to do the heavy lifting in not just penciling but also plotting those two series. From your various retrospectives on this blog, it’s apparent that Lee, with Kirby now out the door, was really flailing about in the early 1970s on both FF and Thor, struggling to come up with interesting, cohesive plots.

    Of course, I don’t know how much of this would have registered it I had been a kid in 1971. As you yourself observe, young readers back then probably picked up this stretch of FF issues and were enthralled by a exciting battle between the Thing and the Hulk.

    I suppose you could postulate that Kirby & Lee’s FF and Thor could be understood & appreciated on multiple levels, with teenagers and adults getting different experiences out of them then kids, but once Kirby left the material Lee was now almost solely responsible for was much more geared towards younger readers alone. So it’s a good thing that Roy Thomas was already onboard, and there were creators such as Steve Englehart and Jim Starlin waiting in the wings, since all of them were very interested in pushing the boundaries of the stories & characters at Marvel.

    Liked by 3 people

  7. frednotfaith2 · October 3, 2021

    What I find interesting in Lee’s last couple of years on the FF, post Kirby, was the increasing tension he was building up within the team. I have no idea if that was entirely his idea or if Buscema had anything to do with it, but even aside from the latest episode of Ben goes bad, Reed & Sue’s relationship was becoming ever more combative, and Johnny was positively seething over Crystal’s absence. The super-heroics in both the FF & Thor now strike me as efforts to be Kirbyesque in epic scope while usually trying to not be too obvious about it. As drawn by big John B at the top of his game, it looked great, but it somehow lacked the heart and pathos of Kirby at his best. Gerry Conway was not one of my favorite writers of the ’70s, but I think he did bring some much needed fresh ideas to Thor & Spider-Man when he took over those titles from Lee, as did Roy when he took over the FF, even if neither strayed too far from Stan’s style. Admittedly, some of Conway’s ideas were rather goofy even for comics, such as having Aunt May inheriting an island with a nuclear reactor and Doc Ock nearly marrying her in order to thereby initiate the process to get it into his own name (I strongly suspect that legally, under New York law even in 1973, marrying her would not have automatically made him a co-owner of everything that she owned).

    Liked by 2 people

  8. Pat Conolly · December 2, 2021

    You know, reading page 5, why CAN’T the Thing use his powerful leg muscles to jump high, like the Hulk or the original Superman.

    Liked by 1 person

  9. Melvin · 15 Days Ago

    Hello. Well what can I say, being a Huge fan of the Classic Hulk vs. Thing Battles, I must say you fellas do a Great job & give such a Wonderful insight, Synopsis on their respective issues, storylines especially on my personal favorite, FF # 112 ! You guys are well, pretty ‘Fantastic’ & ‘Incredible’ ! “Nuff Said” !

    Liked by 1 person

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