Demon #7 (March, 1973)

Last summer, we took a look at the first two issues of The Demon — a series created by writer-artist-editor Jack Kirby as a response to DC Comics’ request for him to come up with something in the “horror hero” vein.  Although this new feature hadn’t originally been intended to replace Kirby’s beloved “Fourth World” titles on his production schedule — at least, that hadn’t been Kirby’s intent — following the cancellations of both Forever People and New Gods, and the mandated retooling of Mister Miracle, that’s effectively what happened, as both Demon and Kamandi, the Last Boy on Earth (another series dreamed up by Kirby at DC’s direction) had their publishing frequencies increased from bi-monthly to monthly status within their first three issues, so that by the beginning of 1973, they, along with the still bi-monthly Mister Miracle, effectively absorbed most if not all of the creator’s time and effort. 

Following the introductory two-parter that introduced Etrigan the Demon and his immortal human alter ego, Jason Blood, as well as relating his Arthurian-era origin and establishing his Gotham City-based supporting cast, Kirby offered readers a done-in-one story of the evil “Reincarnators”, who used occult methods to physically revert people to their past lives.  Next up was a two-issue tale that took Etrigan and Jason back to the European setting where much of the first two issues had taken place, Castle Branek; there, the Demon and his master, the wizard Merlin, faced the joint menace of a witch named Ugly Meg and her master (or so at least he supposed), the Iron Duke.  Finally, issue #6 found Jason followed back home to Gotham by “The Howler!” — a supernatural man-beast who plainly evoked (but didn’t fully commit to) the familiar trope of the werewolf.

Now, with issue #7, Kirby (with inker Mike Royer) was about to introduce a villain who’d prove to have more staying power than virtually any other character Kirby had or would create for this series, not counting the Demon himself — a character who’d also have the distinction of being one of the relatively few Kirby Kreations known to have been based (visually, at least) on a real human being of his acquaintance: Klarion, the Witchboy

If Kirby felt less invested in The Demon than he had in his “Fourth World” books, the artwork he was producing for the title showed little evidence of it.  The preceding double-page spread serves as a case in point, its sudden action and extreme forced perspective delivering all the in-your-face impact you could ask for from such a tableau.

So, who was the visual inspiration for Klarion?  Those of you out there who’ve been reading this blog for a while may recall how, back in Jimmy Olsen #144 (Dec., 1971), Kirby had introduced a group of Darkseid-serving musicians called the San Diego Five String Mob.  As we covered at that time, all the members of the group were based on young comics fans that Kirby knew in San Diego area; the specific model for the “sixth string”, Barri-boy, was a guy named Barry Alfonso.

While all six members of the Five String Mob would eventually become known in fannish circles for their organizational efforts in the early years of the San Diego Comic-Con (and several would also become known in their own right for their professional efforts in comics and/or related fields), “Barri-Boy” was, to the best of my knowledge, the only one of the bunch who ever made a return appearance within the pages of a comic book — albeit as a different character, this time.

As Alfonso explained to John Morrow in a 2005 interview for The Jack Kirby Collector #44:

…I’m not sure how it came about.  I will say this — in those days, when I was 13 or 14, my hair was growing longer and I didn’t wash it as often as I might have.  Consequently, it curled into little horns around my ears.  I think that — along with my skinny appearance — inspired Jack to create this little witchboy character with the horns at his temples.  I guess I knew Witchboy was going to appear in the Demon, but I don’t think I saw him until the issue came out.  I identified with Witchboy much more than with Barri-Boy; there did seem to be some of me in there.

(L to R) DC publisher Carmine Infantino, fan and “Klarion” model Barry Alfonso, and King Jack Kirby in 1973.

Such is the “secret” real-world origin of Klarion the Witchboy… and, as it happens, it’s considerably more origin than you’ll get from Kirby’s story, which doesn’t give us more than a hint or two as to who the fellow is and where he comes from.  But I really should let you all find that out for yourselves, shouldn’t I?

Karion calmly informs Jason’s pal Harry Matthews that Jason is, in fact, dying; but there’s no need to worry, as the Witchboy’s orange tabby cat, Teekl, “knows what to do! … He can sense the approach of death… and all things unseen…!”

Poor Harry doesn’t really know what to think; but he ultimately opts for the simplest solution, which is that this weird kid has simply pulled a prank on him…

The bemused Jason apologetically informs Klarion that he hasn’t had time to shop lately, and thus doesn’t have any food to offer either the boy or his cat.  Not to worry, the mysterious youth assures his “uncle” — and confidently proceeds into the kitchen to open the door to a fully loaded fridge.  As Jason and Harry look on dumbfounded, Klarion begins to prepare lunch for Teekl and himself.  But then…

Jason tells Klarion that he and Teekl are welcome to stay at his place for now… though they’ll have to manage on their own for a few hours, as he and Harry are going out.  “Oh, that’s all right, Uncle!” says the Witchboy.  “Stay as late as you like…!  If I need you… I’ll know where to reach you!”  “How about that!” Harry growls in response.  “We didn’t even give him the address!”

The skeptical Sid Courtney (who self-identifies as “the stock market whiz kid”) figures that Jason’s in on the joke as well.  But then, Sid suddenly begins to tremble, as his eyes stare glassily off into space.  “Something’s got hold of me – !  Something I – I can’t see!  I… !”

Whatever has gripped Sid releases him after he’s drenched himself with the punch.  Unsurprisingly, he thinks that Jason must have hypnotized him somehow…

Both Harry Matthews and Jason’s other best bud, Randu Singh, have been aware of his dual nature since the series’ third issue… which means that of his regular supporting cast, only Jason’s date, Glenda Mark, remains out of the loop.  That may seem unfair, or even sexist; but in Jason’s (and Kirby’s) defense, he hasn’t known her nearly as long as he has the two men.

After scorching his foe with flame, Etrigan polishes it off with an overload of electrical current from the wires of a power plant the harpy’s flight fortunately takes them over… still, that doesn’t mean the Demon’s trials are done…

What is the “Beyond Country”?  Where does it lie?  What is the nature of its people, and why do they dress like 17th century New England Puritans (besides the obvious visual association with the Salem witch trials, that is)?  If Kirby knows the answers to those questions, he’s not interested in letting us readers in on them — at least, not in this issue.

The ending of “A Witchboy!!” feels a little rushed to me — personally, I’d have preferred it if Kirby had spent a bit less time on the party scene, and more on the climactic sequence featuring the Elders — which may be one reason why Etrigan’s final disposition of Klarion, who up to this point has been depicted with a degree of sympathy (or at least ambivalence) comes as a bit of a surprise.  On the other hand, that stuff on the next to last page about Klarion expecting the Demon to serve him until such time as he can conquer the Elders was pretty ominous, so it’s not like we can say Etrigan acted capriciously.  Even so, it’s easy to feel at least a little sorry for Klarion (not to mention Teekl), and to hope that we see them again one of these days.

That day would in fact come just seven months later, as Demon #14 brought both boy and cat back for a return engagement that continued into the next issue.*  Somewhat disappointingly, the characters displayed considerably less nuance this time around, as Klarion, seeking vengeance for Etrigan’s having banished him at the end of #7, behaved in an unambiguously hostile manner towards Jason Blood and his alter ego.  (He didn’t even affect to call Jason “Uncle” anymore.)  While the Witchboy’s scheme to replace Jason/Etrigan with an even more fiendish doppelganger made for an entertaining enough yarn, one can’t help but wonder whether Kirby — aware, perhaps, of the title’s pending demise (the issue that followed this two-parter, #16, would be the last of the run) — was just marking time until the end, bringing back one of the few antagonists he hadn’t killed off outright, and then having him play a traditionally villainous role.

Klarion’s next appearance came some years after not just the cancellation of The Demon, but of Kirby’s overall departure from DC as well, as writer Gerry Conway used the Witchboy as the villain of a three-part Wonder Woman serial (also guest-starring Etrigan, naturally) that ran from issue #280 (Jun., 1981) to #282 (Aug., 1981).  And that was that for Klarion and Teekl… at least in their pre-Crisis on Infintite Earths incarnations, as when they next turned up, it was in 1991, in the third issue of a revived, post-Crisis Demon series.  This version of Klarion, as imagined by writer Alan Grant and artist Val Semeiks, seemed to be some four or five years younger than his predecessor, and had a penchant for wearing short pants, besides — a look that, in retrospect, made him come across like some kind of Dark Richie Rich.  (Let’s call him the Poor Little Witch Boy.)  The basics of this depiction would continue into the next millennium, as Klarion got his broadest exposure to date (at least in comic books**) as the primary instigator of DC’s 2000 line-wide crossover event “Sins of Youth”, a spinoff of writer Peter David and artist Todd Nauck’s Young Justice series.

David’s take, which played Li’l Klarion basically for laughs, remained in place until 2005, at which time writer Grant Morrison introduced a new version of the Witchboy as part of their multi-title, multi-month Seven Soldiers project, in which seven different heroes — Klarion among them — starring in seven different four-issue miniseries, fought (and ultimately prevailed) against a common threat without ever actually all coming together as a team, even in the second of the two issues of Seven Soldiers of Victory that bookended the event.  Working with artist Frazer Irving, Morrison went back to the roots of the character as originally depicted in Demon #7, restoring him to his original teenager-hood. (Morrison and Irving did make one major adjustment to Kirby’s design, giving Klarion as well as the other natives of “Limbo Town” blue skin — an innovation which has persisted in later depictions.)  Morrison also built on the hints provided by Kirby to develop a full, conceptually rich origin and background for Klarion and his people, even fleshing out the two throwaway “monsters of the month” Kirby had created for that first Witchboy story, the “draaga” and the “horigal”.

Morrison’s Klarion went on to make a few more appearances before he, like the rest of the DC Universe, was overwritten by the publisher’s Flashpoint event of 2011 — although like most denizens of that Universe, he’d eventually be back, albeit in yet another iteration.  By the time the “New 52” version of Klarion turned up in 2014, however, your humble blogger had largely tuned out of the whole DC line; therefore, I’ll have to refer you to a 2015 blog post by my friend Ben Herman for more details about this Klarion’s short-lived (six issues) series, as written by Ann Nocenti and drawn by Trevor McCarthy and others.  I will note that, based on Ben’s overview, this seems to have been a completely new take on the Witchboy, not sharing any continuity with earlier versions, and barely related to them even at the conceptual level; of course, that’s pretty much par for the course with most things “New 52″… and despite my oft-stated general antipathy to that whole initiative, it doesn’t necessarily mean that Klarion was a bad comic book.

In any event, since the cancellation of Klarion our favorite Witchboy has continued to pop up fairly frequently, indeed, he seems to have been busier than ever, and (if the Fandom DC Database is to be believed) has even become something of a joiner, with the Night Force, the Elite, Suicide Squad Black, and Injustice League Dark all having been added to the “Membership” section of his resume in the last few years.  Of course, with all the continuity “adjustments” DC has made during the same time, it’s anyone’s guess as to how much history the Klarion who recently appeared in Batman vs. Robin #2 (published three months ago, as of this writing) has in common with any of the iterations of the character we’ve discussed in this post up to this point — but maybe that doesn’t matter.  As always, your humble blogger recommends that you let your own headcanon be your guide.

Meanwhile, Klarion also seems to be doing all right for himself in ancillary media, following up his 1998 television debut in The New Batman Adventures with appearances in other animated fare, including Justice League Action and Young Justice — the latter of which, judging by Google, may boast the most popular version of the Witchboy going these days.  At this point, a live action interpretation seems all but inevitable.

All in all, it’s been a pretty good showing for a character who probably would never have come into existence if something about a particular young San Diego comic book fan hadn’t sparked the imagination of the King of Comics — not once, but twice — fifty and more years ago.


*If you happen to take a close look at the cover of Demon #15, and you suspect that some of the words in Klarion’s word balloon have somehow gone missing — well, you’re right.  Luckily, a copy of Kirby’s original pencils exists, so we can see what the Witchboy was supposed to be saying.




**I could be wrong, but I feel pretty certain that the television viewership of the New Batman Adventures episode “The Demon Within” (original airdate May 9, 1998), in which Klarion appeared, far exceeded the total readership of every comic book he’d appeared in up to that point.  And probably since.


  1. frednotfaith2 · January 21

    Can’t say I was familiar with Klarion prior to reading this entry, Alan, but fascinating nevertheless. In that photo, Barry Alfonso somewhat resembles my own 15 year old self (which I became in 1977). When I let my hair grow out, it likewise got rather wild and kinky, with an array of weird curls and actually bushed out a bit, causing some people to think I’d purposely had it afroed. I was also very slender and had a similarly narrow face. My nearest in age brother, younger by 10 months, had straighter hair and was huskier, which were among the reasons even people who knew both of us in high school didn’t realize we were brothers (we also had very different personalities and didn’t hang out together all that often outside of our home). I also even had a cat, a Siamese named Koko, although neither of us engaged in witchcraft or antagonized any demons!

    Liked by 2 people

  2. frasersherman · January 21

    For me, this was the last really good issue of the Demon. It was also the best. Klarion had, for want of a better word, star power — between the look and the off-putting but not outright hostile manner, he’s instantly memorable and the story is solid. Until the hand-wave ending — oh yes, I have some of Merlin’s magic, so I can just make him disappear, convenient isn’t it?
    As the series progressed, Kirby relied increasingly on Jason Blood having the philosopher’s stone to perform similar instant magic resolutions. That annoyed me.

    Liked by 2 people

  3. DontheArtistformerlyknownasfrodo628 · January 21

    While I know I read the Demon comic (though not regularly) when it was being produced, and probably saw the Witchboy here or there other places as well, my first real memory of him is in animated form, probably on Batman TAS. The supernatural always makes such a great foil for Batman, especially since he is usually so adamant in his refusal that it exists, even when he’s slapped in the face with it time and time again.

    Who is the Judge, where is he from and why is he after Witchboy? Kirby’s opening dialogue for the character seems to indicate that he’s the bane of all practioners of witchcraft and what have you, but later in the story he seems to be a fairly faithful adherent to the Dark Arts himself. Is the Judge actually from the time of the Salem Witch Trials or was he on the way to a Thanksgiving Day pageant when Witchboy attacked? Where does his magic come from and what is the “Beyond Country?” Alas, Kirby never said and we’ll probably never know what he was thinking at the time, beyond “Damn DC is gonna let the Fourth World books go, so now I gotta spend my last years working on this crap! What was Stan’s phone number again?” What a shame that at the time he had no idea how ALL his creations would one day come to be loved and appreciated.

    I agree with you, Alan, that the end of the story seems rushed. It would have been fun to see Klarion try to control Etrigan for a bit longer and to learn a bit more of what his over-all plans were. While we might not LIKE the Judge and his cronies, it’s entirely possible they had a perfectly acceptable reason for wanting to take Klarion out of circulation and were trying to do good in the worst possible way. There’s actually enough here for a two part story, this issue being part one and part two being the reveal of whatever Witchboy was up to and perhaps Etrigan fighting off his control and possibly teaming up with the Judge to stop him.

    Thanks for the run-down, Alan. We may never know the answer to these questions, but it’s fun to try and figure out what the King might have done, if he’d had time.

    Liked by 2 people

    • frasersherman · January 21

      When I read this back in the day I thought the Judge, despite his name, was the enforcer for Klarion’s mystical home — judge but also jury and executioner. I still think that explains enough to make sense.

      Liked by 2 people

  4. Michael Pantazelos · January 21

    Hi, I follow your site, are u focusing on lesser known comics?

    Liked by 1 person

    • Alan Stewart · January 21

      Not necessarily — I mainly just write about the comics I still care the most about, fifty years after I first read them. Some of them are better known than others. 😉

      Liked by 1 person

  5. Michael · January 22

    Funny, I’ve been (very) slowly reading the massive oral history of Comic Con, See You at San Diego, and Alfonso and others tell the story of his being the inspiration for Klarion. It’s a good book so far but like I said it’s massive and, frankly, could’ve used a stronger editor because there’s an awful lot of meandering that didn’t need to see print. Still, you might enjoy it, if you haven’t already checked it out. Great post by the way. I love Etrigan, always have. Such a unique character in the DC Universe, and Kirby’s initial run was a lot of fun.

    Liked by 1 person

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