When last we left the non-costumed, non-codenamed, but nonetheless quite formidable supervillain T.O. Morrow — at the conclusion of the first half of 1968’s Justice League of America-Justice Society of America summer team-up extravaganza — he’d just managed to kill all the current members of Earth-Two’s JSA (some of them for the second time that issue), and was preparing to head back to his home world of Earth-One to similarly wipe out the JLA — secure in the knowledge provided by his future-predicting computer that the only way he could be stopped was if the Red Tornado intervened; and since the Red Tornado was 1) his own android creation, and 2) also dead, he was sitting in clover, as the saying goes. Read More
Back in 1967, when DC Comics’ newly-promoted Art Director, Carmine Infantino, discovered Neal Adams toiling away in a production room on one of the company’s “third-string” (Infantino’s words) titles — The Adventures of Jerry Lewis, perhaps — and determined that the young artist’s talents could and should be put to better use, one of the first better uses he put them to was to produce covers for DC’s “Superman family” books. These comics had been under the editorship of Mort Weisinger for a long, long time — decades, in some cases — and their covers all had a particular “look”, typified by the style of artist Curt Swan. The advent of Adams’ more dynamic style represented a sea-change for the Superman books, and, by extension — given the Man of Steel’s flagship status — the rest of DC’s line, as well. Read More
When I picked up this issue of Brave and the Bold fifty years ago (give or take a couple of weeks), Batman’s co-star in the book, Plastic Man, had been around for over twenty-six years — almost as long as the Caped Crusader himself. But he’d only been a DC Comics hero for a little over one year — which is about as long as my ten-year-old self had been aware of him. Read More
I’ve written before on this blog about the fact that as much as I loved the Justice League of America as a young reader — their series was the first comic book I actively collected — it took me some time to get around to sampling all of the team members’ solo titles. While I bought comics starring Superman, Batman, Flash, Green Lantern, and Hawkman all within the first six months or so of my picking up the comic book habit, it took me another whole year, and then some, to give the last three JLA headliners’ books a shot. Then, as I’ve related in earlier posts this year, I finally got around to buying an issue of Wonder Woman in May, 1967, and an issue of Atom in June. That left only one to go — Aquaman.
Unlike with Wonder Woman and the Atom, however, where I’m not sure what exactly motivated me finally to take the plunge and pick up an issue of their series, I have little doubt what ultimately sold me on the King of the Seven Seas. It was television. Read More
The eastern world, it is exploding
Violence flarin’, bullets loadin’
You’re old enough to kill, but not for votin’
You don’t believe in war, but what’s that gun you’re totin’?
— P. F. Sloan, “Eve of Destruction”, 1964
Fighting soldiers from the sky
Fearless men who jump and die
Men who mean just what they say
The brave men of the Green Beret
— Staff Sgt. Barry Sadler and Robin Moore, “The Ballad of the Green Berets”, 1966
By October, 1966, United States military forces had been operating in Vietnam for over a decade, though mostly in an advisory role for much of that time. Beginning in 1961, however, President John F. Kennedy had greatly increased the number of American troops stationed in the region; and his successor, Lyndon B. Johnson, had used the authority of the Gulf of Tonkin Resolution, passed in August, 1964, to escalate the U.S.’s military role in the conflict between North and South Vietnam. The deployment of 3,500 Marines in March, 1965, effectively began the American ground war there. By December of that year, the number of U.S. troops had been increased to 200,000. Read More
DC Comics actually published two issues of Justice League of America in September, 1966: the subject of this post, issue #49, which was released on September 13, according to the Library of Congress Copyright Office’s filing records (accessed, per usual, via the amazing web site Mike’s Amazing World); and issue #48, released a little less than two weeks earlier, on September 1. That might seem odd, considering that JLA was only being published nine times a year at this point, but the extra November-dated issue was actually a reprint collection — an “80-Page Giant” featuring three of the premier super-team’s earliest adventures. Read More
Comic book superheroes don’t get married very often. The conventional wisdom is that tying the knot not only puts an end to any dramatic tension in a hero’s current romance, but that it also severely limits the storylines that writers and artists can explore with that hero in the future. The pull of this idea among modern comics creators is so strong that even superheroes who’ve been married for as long as 15 years (Superman), or 20 (Spider-Man), can find themselves suddenly single — not through anything so mundane as legal divorce, of course, but rather by way of such plot machinations as having the Devil alter the characters’ history (Spider-Man), or rebooting a whole universe (Superman). Read More
Justice League of America #44 was the first comic book I ever got through the mail. It came in a brown paper wrapper. And it was folded in two, lengthwise.
Which, of course, would significantly lessen its future value as a collectible, but my eight-year-old self hardly cared about that. After all, I was the kid who cut the logo off the cover of Superman #181 and cut up a story page in The Brave and the Bold #64 for the subscription coupon on the back — said subscription coupon being the very reason why I was now receiving my first issue of JLA through the mail, just a few months after I’d mailed the coupon in, accompanied by a single dollar bill. (One dollar for 10 issues! I saved a whole 2 cents per comic book.) Read More
Guest appearances and crossovers are par for the course in the superhero comics of today, but it wasn’t always that way, at least not at DC Comics. In 1966 you had DC’s big guns teaming up every month (more or less) in Justice League of America, and Superman and Batman appearing together regularly in World’s Finest. And The Brave and the Bold had by now evolved into a book featuring a constantly revolving lineup of (usually) two headliners (although Batman would soon lock down one of the co-starring slots as an ongoing gig). But to have, say, Aquaman turn up in an issue of Wonder Woman? That sort of thing didn’t happen very often. Read More
Today’s 50 year old comic book ranks as one of the most personally significant that I ever bought, for several reasons.
The first, and most obvious, is that it introduced me to a number of superheroes I hadn’t encountered before. I had known about Superman (and maybe Batman) before I bought my first comic, of course, and in my first month of comics buying I had picked up books featuring those two heroes (and possibly one starring Green Lantern), but this book was packed with colorful, memorable new characters. The Flash! The Atom! Hawkman! Aquaman! Green Arrow! J’onn J’onzz, the Martian Manhunter! Wonder Woman! (Waitaminnit — who let a girl in the clubhouse?) And not just heroes, but villains as well, with cameo appearances by the Penguin, Captain Cold, Mirror Master, and — the Shark! (OK, maybe not all the characters were A-listers.)
But just as important, if not more so, was the impact that the story had on the development of my personal moral philosophy. Seriously. Read More