Justice League of America #124 (November, 1975)

Fifty years ago this month, DC Comics brought us the second and concluding chapter of the 13th annual Justice League/Justice Society team-up event.  If you missed last month’s post about this story’s first half, or simply need to refresh your memory about what happened in it, you might want to go take a look at that post before digging into this one.  The rest of us, however, are just going to blow right past JLA #124’s cover by Ernie Chan and jump to the issue’s opening splash page, where we find the creative team of Cary Bates and Elliot S! Maggin (writers), Dick Dillin (penciller), and Frank McLaughlin (inker) picking up not long after the finale of the previous issue — which, if you’ll remember, ended with six members of the Justice Society of America having been rendered, well, deadRead More

Justice League of America #123 (October, 1975)

1975’s team-up between the Justice League of America and the Justice Society of America was the thirteenth such event since the annual tradition had begun in 1963.  Over the years, DC Comics fans had been privileged to vicariously visit such parallel worlds as Earth-One, Earth-Two, Earth-Three, Earth-X, and even the short-lived Earth-A.  But there was one particular Earth that had been established as existing in what would eventually be known as “the DC multiverse” that had yet to be glimpsed in any of the JLA-JSA summer shindigs… though readers of those comics could hardly claim to be unfamiliar with the place.  After all, they lived there.

Of course, I’m talking about Earth-Prime.  Read More

Adventure Comics #438 (Mar.-Apr., 1975)

The issue of Adventure Comics we’re going to be looking at today was the eighth in a row to feature the Spectre as its headliner, and as such, might well have been taken by a casual browser of the spinner racks in December, 1974 as simply offering more of the same.  Yet this issue departed from its immediate predecessors in at least a couple of respects, beginning with its title logo.  In response to recent commercial trends, as of the Spectre’s third outing (issue #433), DC Comics had started slapping the word “Weird” above “Adventure” on the venerable series’ covers.  That was an adjustment which made good sense as far as the Astral Avenger was concerned… but wasn’t quite as good a fit with the King of the Seven Seas, Aquaman, who began a run as Spec’s backup in issue #435Read More

Justice League of America #110 (Mar.-Apr., 1974)

From a creative standpoint, 1973 had been a very stable year for Justice League of America.  Everyone who’d been working on the book as the year began — writer Len Wein, penciller Dick Dillin, inker Dick Giordano, cover artist Nick Cardy, and (of course) editor Julius Schwartz — remained in place as 1973 neared its end.  From a business perspective, however, it was a rather different story.  After having been published on a nine-times-a-year schedule from 1965 to 1971, DC Comics’ premiere super-team title had dropped back to eight issues per year in 1972; and then, with the first issue of 1973, had its frequency reduced even further, to a bimonthly status.

And then, December, 1973 brought a change that was even bigger (in more ways than one), as JLA joined several other DC titles in transitioning to the “100 Page Super Spectacular” format — a giant-sized package that featured some three pages of reprints to every one of new art and story, at a cost of 50 cents — more than twice that of the “standard” format comic JLA had been prior to the change, which sold for 20 cents.  (With the following month, the price of the “Super Spectacular” format would go up to 60 cents, making these comics a full three times more expensive than DC’s standard size books… but of course we fans of the time didn’t know that yet.)  Read More

Justice League of America #109 (Jan.-Feb., 1974)

Nick Cardy’s cover for Justice League of America #109 is interesting in that it completely ignores the conflict that drives roughly 80% of the plot of this issue’s story.  Rather, it seeks to hook the prospective buyer by way of a tantalizing mystery — who is leaving the team?  It’s not a bad strategy, really, since even casual fans of the JLA would likely be curious to learn the answer.

The only real problem with hanging the cover’s whole pitch on this mystery is that the answer is given immediately, on the story’s very first page.  So if our hypothetical prospective buyer was only interested in that bit of information, and they so much as flipped past the cover while still standing at the spinner rack, they might well have opted to put the comic back rather than spend two dimes on it.  But, hey, see for yourself:  Read More

Justice League of America #108 (Nov.-Dec., 1973)

In August, 1973, the second half of the 11th annual team-up event between the Justice League of America and the Justice Society of America led off with a cover (by Nick Cardy) that clearly called back to a particular predecessor — namely, the cover that had graced the second half of the 5th such summertime event, way back in July, 1967.  And why not?  That Carmine Infantino-Murphy Anderson number is an all-time classic, which, aside from its own individual excellence, arguably established the motif of “two line-ups of superheroes charging each other” that has been a staple of super-team comic book covers ever since.

That said, it rankled me just a bit at the time — and, what the hell, I guess it still does — that to make the idea work in the context of JLA #108’s story by writer Len Wein and artists Dick Dillin and Dick Giordano, editor Julius Schwartz had to fudge the cover copy a bit.  After all, there aren’t just “two different Earths” represented among the eight costumed stalwarts heading towards blows whom we see on the cover above — there are three.  The JLA’s Earth-One, the JSA’s Earth-Two, and — as had been introduced to DC Comics’ readers just one issue before — Earth-X.  A world inhabited by yet another team of heroes, newly dubbed “the Freedom Fighters”, who had been published during the Golden Age of Comic Books by DC’s now-defunct rival, Quality Comics… and also a world where the Nazis had won World War II.  Read More

Justice League of America #107 (Sep.-Oct., 1973)

Back in June, 1973, there was very little chance that my fifteen-year-old self, upon seeing Justice League of America #107 in the spinner rack, would have passed on buying the book.  For one thing, I was following the series regularly during this era (although I’d somehow managed to miss the previous issue, #106); for another, I’d been partaking of the annual summer get-togethers between the JLA and their Earth-Two counterparts, the Justice Society of America since 1966’s iteration, and I wasn’t about to stop now.  (Indeed, I’d continue to follow the JLA-JSA team-ups even through periods when I was otherwise ignoring the JLA title, all the way up to the last one in 1985, when Crisis on Infinite Earths rang down the curtain on the tradition.)  Read More

Justice League of America #105 (April, 1973)

In September, 1965 — the month your humble blogger first started buying Justice League of America — DC Comics made an adjustment to the publication frequency of that title, adding a ninth issue — an all-reprint “80 pg. Giant” — to the eight-times-a-year schedule the book had been on since 1962.  My eight-year-old self didn’t manage to pick up the first of those giant-sized issues, which came out not only a couple of weeks before my own initial JLA purchase (issue #40), but also a mere four weeks after the first comic book I remember ever buying for myself — but I faithfully bought each one thereafter, at least for the next three years.  And why wouldn’t I?  For one penny more than it would cost you to buy two regular issues, you got three full-length Justice League adventures, by the same writer (Gardner Fox) and artist (Mike Sekowsky) who were producing the series’ current stories (up through issue #63, anyway).  Read More

Justice League of America #103 (December, 1972)

I may be misremembering, but I have a vague recollection of my fifteen-year-old self looking at this one at the spinner rack back in October, 1972 and thinking, “The Justice League standing around a grave site?  Again?”  After all, it had only been three issues since artist Nick Cardy had built his cover for JLA #100 around a similar idea.  On the other hand, it was October — the spooky season — and what could be spookier than an open grave?  Especially when said grave was being ominously loomed over by… hey, is that the Phantom Stranger?  In an issue of Justice League of America?  Forget about repetitive cover concepts; I couldn’t wait to buy this one and take it home.  Read More