As discussed on this blog back in January, Teen Titans #32 ended with two of our young heroes, Kid Flash and Mal, trapped in a bizarre alternate reality following their inadvertently causing the death of a young caveman during a time-trip to the Stone Age. Having been coerced by this quasi-medieval world’s version of their adult mentor Mr. Jupiter — here a wizard called Jupiterius — into being tested to prove themselves worthy of his assistance, the final page of the story found Kid Flash attempting to match or best “Trueshot” — this world’s Speedy — in an archery contest: Read More
Back in December, I wrote about the departure of Dick Giordano from his position as an editor at DC Comics. Giordano’s last day on staff at the publisher appears to have been November 4, 1970 — but, since the processes involved in producing periodical comic books don’t stop (or start) on a dime, the fruits of his stewardship would continue to appear in the titles he’d supervised for another few months, even after he was no longer the editor of record. The same principle had of course applied at the beginning of his tenure at DC; and thus, just as Giordano’s first issue of Teen Titans (#15, May-Jun., 1968) had featured a story almost certainly procured by his predecessor, George Kashdan, the first issue edited by his successor, Murray Boltinoff, would present a tale that had actually been written and drawn under Giordano’s direction.
Well, mostly written and drawn under Giordano’s direction. While the story in Teen Titans #32 is solely credited to writer Steve Skeates and artist Nick Cardy, its actual provenance is… rather more complicated. Read More
In the summer of 1970, when I was finding my way back into the regular habit of comic-book buying after almost giving the whole thing up a few months earlier, I seem to have been inclined to give just about any and every title a shot. At least, that’s my best guess as to why I picked up this issue of Teen Titans — a title I’d only ever read once before, and that over two years previously.
If I had to come up with a more specific reason, however, it would have been the cover — which, in addition to being a typically fine effort by the series’ long-time semi-regular artist, Nick Cardy (pretty much at the peak of his powers in this era), promised that the issue’s story would feature an extra couple of superheroes in addition to the usual gang of Justice Leaguers’ junior partners I was used to; namely, the Hawk and the Dove. Read More
After reviewing my comics buying and reading habits of a half-century ago for close to three years now, I’ve just about concluded that the younger me of those days wasn’t all that interested in teenage superheroes. Oh, I didn’t have any problem with, say, Robin, when he was appearing with Batman. The same would apply in the case of Kid Flash with Flash, or Aqualad with Aquaman. Teenage sidekicks were OK as supporting players, so long as there was a grown-up hero at the top of the bill. But I appear not to have had much interest in checking out the three junior partners named above, or their colleague Wonder Girl, when they were having adventures without any adult mentors around — not, that is, until the issue of Teen Titans that is the subject of today’s post. Read More
Fans of the Flash who’ve only been reading about him in comics for say, the last quarter century or so — not to mention fans who primarily know him from the current CW network TV series — may find this a difficult notion to grasp; but, back in his Silver Age heyday, Barry Allen did not regularly share his adventures with other costumed speedsters. While it’s true that my own first issue of The Flash, bought and read in the September of 1965, featured an appearance by Barry’s teenage protégé Wally West — aka Kid Flash — as of summer, 1967, I hadn’t seen the two together again since. And while I was familiar with Barry’s Golden Age predecessor as the Flash, Jay Garrick, I’d only actually seen him in action in a vintage 1947 adventure that had been reprinted in Flash #160. — I’d yet to see him team up with “my” Flash, or even with his fellow Justice Society of America members in one of the annual Justice League – Justice Society team-up extravaganzas..
All of which is intended to convey to you, dear reader, that when this comic book came out in July, 1967 — with its terrific cover (penciled by Carmine Infantino, inked by Murphy Anderson, and strikingly lettered by the great Ira Schnapp) promising not one, not two, but three Flashes in one story together — it was a big honking deal for my ten-year-old self. Read More
Comic book superheroes don’t get married very often. The conventional wisdom is that tying the knot not only puts an end to any dramatic tension in a hero’s current romance, but that it also severely limits the storylines that writers and artists can explore with that hero in the future. The pull of this idea among modern comics creators is so strong that even superheroes who’ve been married for as long as 15 years (Superman), or 20 (Spider-Man), can find themselves suddenly single — not through anything so mundane as legal divorce, of course, but rather by way of such plot machinations as having the Devil alter the characters’ history (Spider-Man), or rebooting a whole universe (Superman). Read More
Once upon a time, in the long-distant, antediluvian past, comic books were a lot like movies, or television shows. You caught them when they first came out (or on), or you were out of luck. Eventually, as we all know, the advent of consumer videotape technology changed everything for TV and film. Similarly, the gradual development of the comics collectors’ market ultimately made it economically feasible to reprint old, ephemeral newsprint periodicals in brand new, designed-to-last, real-book editions, and then to keep them in print for, if not ever, then a lot longer than a month or two. These days, in fact, you can even download a digital copy of a fifty-year-old comic book for less than the cost of a new one. (What a world we live in. You kids today, you just don’t know.) Read More
My very first issue of The Flash sported a very dramatic cover, featuring a “Wanted” poster bearing the faces of both the Scarlet Speedster and his secret identity, police scientist Barry Allen. When I first picked the book out of the spinner rack, however, I didn’t get the idea at all.
I’d already encountered the Flash in Justice League of America #40 (at least I think I had — it and Flash #156 have the same cover date, and the Grand Comics Database doesn’t provide actual dates of publication for either, unfortunately). He never appeared as Barry Allen in that issue, however, and I had no idea what the word “alias” meant. So, I thought the two guys on the poster were two different people. But whoever this “Barry Allen” might be, he was obviously in big trouble with the pretty young woman clutching a tear-soaked handkerchief, just as the Flash had self-evidently earned the ire of his (previously unknown to me) teenage sidekick, Kid Flash.
Of course, I didn’t get very far into the issue before my misapprehension was corrected. Read More