Weird Worlds #8 (Nov.-Dec., 1973)

Fifty-one years after the fact, it seems at least possible that the DC Comics title Weird Worlds might never have come into existence at all, had that publisher kept up its “Bigger and Better” experiment — i.e., a standard comic-book format of 48 pages, which sold for 25 cents — for a while longer than it did.  After all, the earliest DC issues of Tarzan and Korak had seemed to have ample space not only for the adventures of author Edgar Rice Burroughs’ famous jungle hero and his somewhat less well-known son, but also for backup features based on what were arguably even less familiar ERB properties, such as “John Carter of Mars”, “Carson of Venus”, and “Pellucidar”.

But with the shift back to 32-page comics as DC’ standard size (“Now Only 20¢”), Tarzan and Korak could no longer accommodate all of those backups — let alone add any of the other properties that DC had access to via their Burroughs license.  And so, while “Carson of Venus” continued to appear in Korak (and a new feature, “Beyond the Farthest Star”, took up residence in the back pages of Tarzan), John Carter and David Innes (the protagonist of “Pellucidar”) each found a new home in a brand new title: Weird Worlds, the first issue of which arrived on stands in June, 1972.  Read More

Sword of Sorcery #4 (Sep.-Oct., 1973)

Last December, we looked at the first issue of Sword of Sorcery — DC Comics’ new (as of December, 1972, that is) bi-monthly series featuring author Fritz Leiber’s fantasy fiction duo, Fafhrd and the Gray Mouser.  The debut of the two roguish heroes in their own title came five months after their introduction to DC readers in Wonder Woman #202, courtesy of writer Samuel R. Delany, artist Dick Giordano, and editor Denny O’Neil — the latter of whom, not so coincidentally, would be not only editing DC’s new sword-and-sorcery title (the company’s first ongoing effort in that genre), but scripting it, as well.  SoS #1’s art, meantime, was contributed by a young penciller named Howard Chaykin, with inks by the mysterious “Crusty Bunkers” (whom, as we’d soon learn, consisted of various talents working out of the Continuity Associates studio run by Neal Adams and Giordano.)  Read More

Conan the Barbarian #8 (August, 1971)

Conan the Barbarian #8 was the third consecutive issue of the Marvel Comics series that I bought, and the fourth overall.  But it was the first one that had the map.

By “the map“, I am of course referring to this work of imaginative cartography, familiar to virtually everyone who read Marvel’s Conan comics even occasionally back in the day:

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