Mike Royer

Forever People #7 (Feb.-Mar., 1972)

Posted on by Alan Stewart

When we last saw the Forever People, they  — most of them, anyway — were in the process of disappearing.   In the climactic scenes of their sixth issue, their great enemy Darkseid had wielded the terrible power of the Omega Effect against the young gods from Supertown (as well as their new ally, Sonny Sumo), consigning them all to apparent oblivion — all, that is, save for the youngest of the group, Serifan, who was left to face the tender mercies of Glorious Godfrey’s Justifiers alone.

Now, writer-artist Jack Kirby (aided by inker Mike Royer) continues the story.  He opens issue #7’s chapter in a novel fashion, with a character — Highfather — who, while quite familiar to readers of FP‘s companion title New Gods, has only been spoken of in this series, never seen — until now:  Read More

Mister Miracle #6 (Jan.-Feb., 1972)

Posted on by Alan Stewart

The subject of today’s blog post is probably the best known issue of writer-artist-editor Jack Kirby’s DC Comics title Mister Miracle — or, if not that, at least the most referenced.  Its contents are mentioned in most comprehensive histories of American comic books, as well as in the majority of biographies not only of Kirby himself, but also of Stan Lee, Kirby’s primary collaborator at DC’s main rival, Marvel Comics.  Most of you out there reading this probably know the reason why; it’s all down to a certain character who, while he doesn’t actually appear on the comic’s cover by Kirby and inker Mike Royer, does have his debut heralded there: “Introducing.. Funky Flashman!  Villain or Hero — You Decide!”

And why was — why is — Funky Flashman such a big deal?  Because, as Jordan Raphael and Tom Spurgeon so aptly put it in their 2004 book, Stan Lee and the Rise and Fall of the American Comic Book, Funky represented Kirby’s “considered vivisection of his old creative partner.”

But, here’s the thing — back in November, 1971, my fourteen-year-old self didn’t get that.  At all.  Read More

New Gods #6 (Dec.-Jan., 1971)

Posted on by Alan Stewart

Over the six years that I’ve been producing this blog, I’ve found the fifty-year-old comic books I write about here — all of which I bought off the stands when they first came out — generally fall into one of three categories.  First, there are those comics that I liked, or even loved, when I originally read them, but which don’t hold up all that well today; though I can usually still find things to enjoy about these books, it’s by considering them either through the rosy lens of nostalgia, or at something of an ironic distance — sometimes both.  Second, there are those comics which, allowing for the inevitable changes in popular tastes and prevailing styles that have occurred over the last half-century, still hold up quite well indeed; such books continue to provide an entertainment experience that can be recommended to other readers with few if any reservations.

And then there’s the third, as well as the smallest, category: the comic books that I didn’t enjoy as much when I first bought and read them as I do today.  The comic books that I needed to grow into to fully appreciate.  Read More

Forever People #6 (Dec.-Jan., 1971)

Posted on by Alan Stewart

When we last left the Forever People, at the conclusion of their fourth issue back in June, our young heroes were in desperate straits.  Having been captured by Glorious Godfrey and his Justifiers in #3, they had then been handed over to the not-so-tender mercies of Desaad, who’d imprisoned them in his own private “kingdom of the damned” — essentially a torture camp, though presenting itself to the outside world as an innocent amusement park called “Happyland”.  The young gods’ sole hope seemed to lie with their living, sentient computer, Mother Box — and with the stranger into whose care Mother Box had teleported herself: a young man named Sonny Sumo.  Read More

New Gods #5 (Oct.-Nov., 1971)

Posted on by Alan Stewart

With this post, we’re taking a short break from Giant-Size Marvel Month to pay a brief visit to the DC Universe — more specifically, to that section of it known as Jack Kirby’s Fourth World.  When last we looked in on the New Gods, our hero Orion had assumed the earthly disguise of “O’Ryan” just in time for he and his ally, P.I. Dave Lincoln, to go into action against Inter-Gang — the human criminal organization allied with the forces of Apokolips — and their plan to take out Earthly communications technology for thousands of miles.  While the duo were able to thwart Inter-gang’s immediate plot with the secret aid — or at least the presence — of the mysterious Black Racer, the organization itself was hardly slowed down — as Orion would learn as early as the next issue.

In New Gods #4’s “O’Ryan Gang and the Deep Six”, the war between Apokolips and New Genesis enters a deadly new phase, as for the first time — or at least the first we readers have been privy to — a denizen of the latter god-world falls to enemy forces upon our own Earth.  Pulled from harbor waters by police officers, he is recognized by Orion:  Read More