Jimmy Olsen #137 (April, 1971)

Taken together, the first six issues of Jack Kirby’s run on Superman’s Pal, Jimmy Olsen — beginning with #133, and continuing on through #138 — comprise one long story, which, for purposes of discussion, can conveniently be broken down into three discrete parts, each two issues long.

In the first part (#133-134), Kirby hits the ground literally racing, introducing such new characters and concepts as the new Newsboy Legion, Inter-Gang, the Wild Area, the Outsiders, Habitat, the Zoomway, the Mountain of Judgment, and the Hairies — oh, and some fellow named Darkseid — without giving Jimmy, his pal the Man of Steel, or us readers, a chance to catch a breath.

Moving into the middle section (#135136), the writer-artist-editor slows things down a bit, as the headlong narrative comes to rest (at least temporarily) at the Project, a secret U.S. government initiative successfully experimenting with human cloning.  In these issues, the majority of scenes function in an expository mode — though that mode is significantly interrupted at one point by violent action, in the form of an attack from the Project’s rival operation, the Evil Factory.

Finally, in the third and final part, the pace ratchets up again, as the Evil Factory unleashes a second, more deadly assault on the Project — one which threatens virtually all of the characters and locales we’ve met in the series to date, including the entire city of Metropolis.  Read More

New Gods #2 (Apr.-May, 1971)

Jack Kirby’s cover for New Gods #2 may be considered of a piece with that of Forever People #2, out earlier the same month.  Like its fellow installment in Kirby’s ongoing Fourth World saga, it features a black-and-white photo collage background, a dominant foreground figure, a set of floating heads…

And a whole lot of copy.  Even the book’s title acquires a couple of extra words, so that a newcomer to the series might think they were picking up a copy of Orion of the New Gods, instead of the indicia-official The New Gods. It’s a busy cover, you might say.

That’s my sixty-three-year-old self talking, though.  Back in February, 1971,when I first saw this cover at the age of thirteen, I doubt that the slightest critical thought passed through my mind.  I might not even have done much more than give the cover a glance before buying the comic and bringing it home.  I was, after all, already so invested in Kirby’s new epic that all I wanted to do was to open up the book to the first page, and find out What Would Happen Next.  Read More

Forever People #2 (Apr.-May, 1971)

While I can’t claim to have strong, specific recollections of my thirteen-year-old self’s reactions to the cover of Forever People #2 the first time I saw it, sometime in February, 1971, I’m sure I must have found it at least somewhat startling.  Mainly because the five titular heroes — presumably the stars of the book — were relegated to a row of floating heads at the bottom (where they might not even have been visible on the spinner rack), while a brand-new character, Mantis — evidently the villain of the piece — took the front and center spot.  Even the Forever People’s ally/secret weapon/kind-of-alter-ego, the Infinity Man, was relegated to the background, completely overshadowed by this “evil power vampire!

Power vampire?  I definitely recall being struck by the use of that latter word in the cover copy.  This was likely just because I was interested in vampires, thanks to my enthusiasm for the daytime television serial Dark Shadows.  But it may have also resulted at least in part from my subconscious realization of how unusual it was to see that word on the cover of a comic book — at least one published by either of my two favorite companies, DC and Marvel.  Read More

Jimmy Olsen #136 (March, 1971)

In early 1971, when the subject of today’s post blog first showed up on spinner racks, Jack Kirby had been producing new comic books for DC Comics for almost half a year.  Not only had three issues of Kirby’s debut project, Jimmy Olsen, been released by this time, but so had the premiere issues of his three brand new titles — Forever People, New Gods, and Mister Miracle (the latter actually hitting stands on the very same day as Jimmy Olsen #136, January 14).  He was becoming established (or, more accurately re-established) at the publisher, in other words.  Perhaps that’s the main reason that this fourth Olsen outing, unlike the first three, didn’t feature Kirby’s name anywhere on the cover; after five months, DC may have figured they no longer needed to tell us readers that Kirby Was Here — by now, we must know that, surely.  Read More

Mister Miracle #1 (Mar.-Apr., 1971)

The first issue of Mister Miracle, written, drawn, and edited by Jack Kirby, was the sixth book to be released in the creator’s new “Fourth World” project for DC Comics.  (Or, if you prefer, the seventh, as both it and Jimmy Olsen #136 — which I’ll be blogging about next week — were published on the same date, January 14, 1971.  So, take your pick.)  The earliest chapters of Kirby’s epic, published in three consecutive issues of Jimmy Olsen (beginning with #133 in August, 1970), had introduced readers to Darkseid — a mysterious and sinister figure hailing from a world called Apokolips.  Next, the premiere issues of two new titles, Forever People and New Gods (both published in December), had revealed that Darkseid was no ordinary alien, but a god — the supreme leader of the “new gods” of Apokolips, who stood in eternal opposition to the more benign divinities of New Genesis.  Now, as the new year began, it was time for the fourth major piece of Kirby’s Fourth World to fall into place, and while my thirteen-year old self wasn’t sure what to expect from Mister Miracle, I was confident that we’d see a further expansion of the already compelling, cosmic-scale mythology Kirby had introduced in his first three titles.

I was therefore somewhat bemused, and even a bit disappointed, to find behind the Jack Kirby-Vince Colletta cover of Mister Miracle #1 a completely earthbound story, with nary an alien god in sight (so far as I could tell, anyway), and not even a single mention of Darkseid.  What in the heck was going on?  Read More

New Gods #1 (Feb.-Mar., 1971)

By the time DC Comics released New Gods #1 on December 22, 1970, we readers were beginning to get some sense of the scope of the conflict at the heart of the imaginative construct we would eventually come to call Jack Kirby’s Fourth World.

Information had been delivered on a steady, if limited basis since the release of Kirby’s first new comic for DC, Jimmy Olsen #133, back in August.  There we’d been introduced to Inter-Gang, a shadowy criminal organization whose insidious reach extended even into the everyday workplace of the DC Universe’s premiere superhero and his closest friends.  In the following issue, published in October, we’d learned that Inter-Gang reported to someone called Darkseid; and in November’s JO #135, we’d discovered that this craggy-faced figure was also the boss of a couple of aliens, hailing from a world named Apokolips, who managed an Evil Factory where they conducted sinister experiments with human DNA — with the clear implication that Darkseid shared their extraterrestrial origin.  Finally, in Forever People #1, published December 1st, we’d met a group of strangely garbed — and gifted — young folks from someplace called Supertown, who arrived on Earth by a bizarre means of transport called a Boom Tube.  One of their number had been kidnapped by none other than Darkseid, who had come to our world in search of an  “ultimate weapon” called the Anti-Life Equation — and it seemed clear that while Darkseid himself might not be from Supertown, he and these Forever People were nevertheless connected in some way. Read More

Forever People #1 (Feb.-Mar., 1971)

In December, 1970 — a little over three months after the appearance of Jack Kirby’s first new comic book work for DC, in Superman’s Pal, Jimmy Olsen #133 — the first of the creator’s three brand-new titles for the publisher finally had its debut, with Forever People #1. The comic’s cover, pencilled by Kirby and inked by Frank Giacoia, was a powerful (if somewhat busy) invitation to check out the story within — a story which, via its inclusion of Superman, was clearly set smack-dab in the middle of the DC universe every bit as much as Jimmy Olsen was.

But DC could have put the book out with nothing on the cover but the title, and it would have sold just as readily to my thirteen-year-old self.  Because after three wildly imaginative, breathlessly paced issues of Jimmy Olsen, I couldn’t wait to see what “King” Kirby would give us next.  Read More

Detective Comics #407 (January, 1971)

Seven months ago, I blogged about a number of comics that I wish I’d bought back in April, 1970, the only month in the last 55 years in which I didn’t acquire a single new comic book.  (At least not until April, 2020, when COVID-19’s temporary shutdown of the comics industry took the matter out of my, and everyone else’s, hands for a while.)  Regular readers of this blog with good memories may recall that among those “comics that got away” was the 400th issue of Detective Comics.

That, of course, was the issue that featured the first appearance of Man-Bat — an important new adversary (and sometime ally) of Batman — created by artist Neal Adams.  Unless, of course it was actually editor Julius Schwartz who came up with the character.  In any event, it wasn’t writer Frank Robbins.  Probably not, anyway.  Read More

Jimmy Olsen #135 (January, 1971)

The month of November, 1970 brought comics readers the third installment of writer-artist Jack Kirby’s run on Superman’s Pal, Jimmy Olsen — a book which also happened to be the third installment of the massive, multi-title, interconnected epic that we’d eventually come to know as Jack Kirby’s Fourth World, though few if any of us who were reading the comics as they came out fifty years ago had more than the vaguest inkling of that fact.

But it hardly mattered, because Kirby was giving us so much to thrill to and wonder at in each issue of Jimmy Olsen on its own, with no need for reference to any larger narrative.  The “King” had come roaring out of the gate with his very first issue, #133, which set Jimmy and his new best friends, the Newsboy Legion, on a mission into the mysterious Wild Area, where they immediately got mixed up with a community of motorcyclists called the Outsiders, who made their home in a “tree city” called Habitat.  The next issue, #134, found Jimmy and company taking their super-vehicle, the Whiz Wagon, out onto a subterranean drag strip called the Zoomway, joining the Outsiders in a quest for the Mountain of Judgement — which turned out to be an enormous, high-tech mobile home, the headquarters of yet another hidden society, the Hairies.  In the issue’s climax, a bomb that had been surreptitiously placed in the Whiz Wagon was discovered and — with the help of Superman, who’d followed Jimmy and his colleagues to the Wild Area — dealt with just in time to prevent the Mountain of Judgement and its inhabitants from being blown to bits.  The issue ended with Jimmy’s new boss, Morgan Edge — the man who’d built the Whiz Wagon for the Newsboys in the first place, and then sent them and Jimmy into the Wild Area — reporting in to his own, secret boss: a forbidding-looking fellow named Darkseid.

Quite a lot to take in for just two issues, wouldn’t you say?  Read More

Thor #184 (January, 1971)

When my thirteen-year-old self picked up Thor #184 in November, 1970, I hadn’t read a single issue of the title in over a year.  The last issue I’d bought, Thor #169, had featured the conclusion of Stan Lee and Kirby’s long-running (and, apparently, extensively reworked) Galactus storyline; it also led directly into Thor’s confrontation with the Thermal Man, the culmination of a subplot that had woven through the last couple of issues.  Apparently, I wasn’t interested enough in seeing the God of Thunder and yet another of Kirby’s super-powerful but personality-free robots (of whom the King gave us a few too many in the late ’60s) whomp on each other for twenty pages, and so I passed on #170.  Then, a month later, I opted to pass on #171 as well; and then on #172, and then #173…  Read More