Thor #193 (November, 1971)

While any specific memory of the occasion has been lost to time after half a century, I feel pretty sure I was at least mildly startled when I dropped in at my neighborhood Tote-Sum in the first week of August, 1971, and discovered that all the new Marvel comics — including the latest issues of three series I was buying regularly, Daredevil, Iron Man, and Thor — were now 25 cents (up from 15), and 48 pages, not counting covers (up from 32).

I wasn’t completely surprised, of course.  After all, DC Comics had raised their prices and page counts by the exact same amounts two months earlier, and it only made sense that Marvel would eventually follow suit.  (The only other comics industry price hike I’d experienced personally — the move from 12 cents to 15 cents back in 1969 — had been effected by both DC and Marvel more or less simultaneously.)  What was more, several Marvel titles, such as Conan the Barbarian, had already made the jump to the new format/price point back in July — a move that Marvel had at least hinted could be a harbinger of things to come via a comment on that month’s Bullpen Bulletins page.  (“As for what the future holds in store for the rest of our magniloquent mags — well, keep lookin’ forward, pilgrim, ’cause that’s where the future’s coming from!”)  But a hint’s not the same thing as a promise, and just because one expects something to happen eventually, doesn’t mean one won’t still be surprised when said thing happens right now.  So, I’d say that at least some mild startlement was in order for my fourteen-year-old self, as well as for most of my comics-buying peers.  Read More

Thor #188 (May, 1971)

Back in November of last year, we took a look at Thor #184 — the premiere installment in the first multi-issue, large scale epic that editor-scripter Stan Lee had attempted in the title since losing his longtime collaborator Jack Kirby to DC Comics.  Hyping the comic in the Nov., 1970 Bullpen Bulletins, Marvel went so far as to compare it to the debut of the Inhumans in Lee and Kirby’s Fantastic Four, some five years previously.  And upon my thirteen-year-old self’s actually reading it, it really did feel like Lee and his collaborators, penciller John Buscema and inker Joe Sinnott, had pulled out all the stops for this one.

This opening chapter of what would prove to be a five-issue story arc introduced us readers — as well as the mighty Thor, himself — to the menace of the World Beyond: a mysterious realm somewhere out past the farthest reaches of space, which was, somehow, devouring our universe from the edges in.  Associated with this menace was a word — perhaps a name — of unknown significance: “Infinity”.  We and Thor also met an intriguing new character, appropriately dubbed the Silent One, who had recently shown up in Asgard unannounced; All-Father Odin had since decided to let him hang around, sensing that he was in some way the key to the mystery.   Read More