Batman Family #1 (Sep.-Oct., 1975)

A couple of weeks ago, I noted that when I picked up Detective Comics #450 in the late spring of 1975, it had been well over a year since I’d bought an issue of that title.  As it happens, I could have said the same thing about most of DC Comics’ other Bat-books of the time.  The last issue of Batman itself that I’d purchased had been #255, which had come out at the end of 1973, and I hadn’t been paying any attention at all to World’s Finest (which of course was technically Superman’s book at least as much as it was Batman’s) since well before that.  Granted, I was a somewhat more frequent consumer of Brave and the Bold, where every new issue arrived possessing the baseline advantage of Jim Aparo’s reliably fine artwork, then might pick up additional interest based on who the Masked Manhunter’s co-star happened to be this time around.  Still, you get the basic idea; while I continued to like the character of Batman just fine, DC’s “Batman family” of comic-book titles was mostly leaving my younger self cold.  Read More

Avengers #134 (April, 1975)

While it may say “Avengers #134 (April, 1975)” on the title line above — and, yes, that is that very issue’s cover (pencilled by Gil Kane, inked by Joe Sinnott, and probably touched up by John Romita) that’s displayed right above that — we’ll actually be beginning this post by looking at the preceding issue, Avengers #133 (whose cover by Kane, Dave Cockrum, and Frank Giacoia is shown at left).  That’s because the last time we checked in with Earth’s Mightiest Heroes was in November’s post about Giant-Size Avengers #3, which, as you may remember, ended right in the middle of the extended storyline that today is generally known as the “Celestial Madonna Saga”.  And while covering more than one comic in a single blog post is hardly anything new around these parts, your humble blogger feels moved to point out that, even more than with most continued stories of this era, this one happens to be so information-dense, particularly at this juncture, that a brief synopsis could never, ever cut it.  Read More

Giant-Size Avengers #3 (February, 1975)

Last month we took a look at Avengers #131, which ended with Earth’s Mightiest Heroes being transported against their wills to the realm of Limbo, where they were set to face off against a Legion of the Unliving assembled by their long-time foe, Kang the Conqueror.  This month, we’ll be discussing the “two-part triple-length triumph” which that comic’s final page promised as a follow-up… a story which, following a pattern that had been set the last time that an issue of the quarterly Giant-Size Avengers rolled around, doesn’t actually begin in the book whose Gil Kane-Frank Giacoia cover graces the top of this post; but, rather, in the one whose cover by Ron Wilson and Giacoia is shown at right: the latest (as of fifty years ago) issue of our assembled heroes’ regular monthly title, Avengers #132 (Feb., 1975).  Read More

Captain America #182 (February, 1975)

The cover of Captain America #182 — drawn by Ron Wilson and Frank Giacoia (with probable touch-ups by John Romita) — offered few, if any, hints of major surprises to be found within its pages.  Here’s Steve Rogers in his new heroic identity of Nomad, continuing his ongoing battle against the Serpent Squad, with a symbolic (and huge) representation of his former (and, of course, much better-known) costumed alter ego looming in the background.  Pretty much what anyone who’d been following this title for the past several months would expect.

But upon turning to the issue’s opening splash page, we readers of November, 1974, learned that changes had indeed come to Captain America…  Read More

The Brave and the Bold #112 (Apr.-May, 1974)

By my reckoning, DC Comics’ The Brave and the Bold was one of the first comic book titles I ever spent my own money on (for the record, it was preceded only by Superman, Detective Comics, Green Lantern, Justice League of America, Flash, and Lois Lane).  I bought my first issue, #64, in December, 1965 — drawn in, no doubt, by its irresistible Gil Kane cover — and BatB soon became one of my most consistent regular purchases as a nascent comics fan.  No, I didn’t buy every single issue, but that was true of virtually every other title as well (the sole exception in those early days being Justice League of America, to which I quickly subscribed).  The ongoing appeal of the book, of course, was that you were always guaranteed at least two superheroes for the price of one (sometimes, as with issue #65’s team-up between the Flash and the Doom Patrol, you got even more).  That wasn’t quite as good a deal as JLA, which might give you as many as ten costumed crusaders cavorting in the same story… but it was still pretty sweet.  Read More

Justice League of America #102 (October, 1972)

Fifty years ago, this issue brought the conclusion of the tenth annual Justice League-Justice Society summer team-up extravaganza — a special event which also served to commemorate the League’s reaching its 100th issue milestone.  Making the occasion even more memorable, this JLA-JSA get-together was the first to take up three whole issues; it also featured the unexpected return, after twenty-seven years, of yet another DC Comics superhero team: the Seven Soldiers of Victory.

Or maybe that should be most of the Seven Soldiers of Victory, since one of the key mysteries of the storyline concerns a lonely grave standing on a Himalayan peak, with a stone marker inscribed to an “Unknown Soldier of Victory”.  As of the conclusion of JLA #101, small teams of Justice League and Justice Society members have retrieved four out of seven of the time-lost Soldiers (or Law’s Legionnaires, as they’re also called) — the Crimson Avenger, the Shining Knight, Green Arrow, and Stripesy — with three more left to go.  So who’s buried in the Unknown Soldier’s grave?  Is it Vigilante?  The Star-Spangled Kid?  Speedy?

The answer, as many of you reading this already know, is:  none of the above.  Which is, and simultaneously is not, a cheat.  But we’ll get to that soon enough — just as we’ll get to the solution to the separate mystery posed by Nick Cardy’s superb cover (his best yet for the title, in the opinion of your humble blogger) — who else among our heroes is doomed to die?  Read More

Justice League of America #101 (September, 1972)

The fifty-year old comic book that’s the subject of today’s post features the middle chapter of the three-month-long celebration of Justice League of America‘s reaching its hundredth-issue milestone, as well as of the tenth annual summer event co-starring the JLA’s predecessors from the Golden Age of Comics, the Justice Society.  Your humble blogger is as eager as the rest of you to jump back into the story by writer Len Wein, penciller Dick Dillin, and inker Joe Giella — but before we do, let’s take a good, close look at the cover by Nick Cardy.

Like all of the other JLA covers of this era, it features a left-hand column of League members’ floating heads (this particular issue also includes a right-hand column of JSA heads as an added bonus).  But unlike virtually any other such cover, there are only three full-time active members of the League included in this group of five — the presently non-powered Diana Prince being on a leave of absence, while Metamorpho is only a “reserve member”.  That meager number is the max number of “official” JLAers appearing in the story as well. Read More

Justice League of America #100 (August, 1972)

In the spring of 1972, Len Wein had been writing comics professionally for almost four years.  The career trajectory of the 23-year-old fan-turned-pro had thus far taken him from writing scripts for DC titles like The Adventures of Jerry Lewis, House of Secrets, and Hot Wheels, to similar work at other publishers including Marvel, Skywald, and Gold Key (Star Trek being among his gigs at the latter outfit), and then back to DC, where he’d been scripting Phantom Stranger for about a year, among other assignments.  But his experience with the publisher’s best-known super-heroes had largely been limited to a single issue of Teen Titans, one Batman story in Detective (both co-written with his friend Marv Wolfman), and, more recently, a smattering of tales in Superman, Flash, World’s Finest, and Adventure.  So you can imagine his surprise (and excitement, and trepidation) when, out of the blue, editor Julius Schwartz asked him if he’d like to write Justice League of America on a regular basis:  Read More

Justice League of America #97 (March, 1972)

During the nearly yearlong period (June, 1971 through April, 1972) that DC Comics published most of their books in a giant-sized, 25-cent format, Justice League of America presented a particular sort of challenge for its editor, Julius Schwartz.  The problem arose from the fact that the new, larger format called for a certain amount of reprint material — generally, 13 to 15 pages’ worth — to fill out each issue.  And whereas for Schwartz’s other books, such as Batman, Flash, Green Lantern, and Superman, there was a ready archive of suitable old stories featuring the titular stars, the same wasn’t true for JLA, which from the beginning had been devoted to issue-length tales of more than 20 pages.  Such stories weren’t going to work as backups in the new format without being either cut in half or severely abridged, neither of which options seems to have appealed to the veteran editor.  Read More

Lois Lane #118 (January, 1972)

With this post, we continue our coverage of Lois Lane‘s forays into Jack Kirby’s Fourth World, courtesy of editor E. Nelson Bridwell, scripter Robert Kanigher, penciller Werner Roth, (primary) inker Vince Colletta, and uncredited Superman/Clark Kent head-finisher Murphy Anderson.  As you may recall, the intermittent usage of Kirby’s concepts and characters in the title had begun in #111, then resumed in #115 before continuing into #116Read More