Unknown Worlds of Science Fiction #1 (January, 1975)

In February of last year, we ran a post on the first issue of Worlds Unknown — a four-color anthology title from Marvel Comics devoted to the science fiction genre, with a special focus on adapting short stories and novels by well-known SF authors.  As we discussed at the time, this passion project of Marvel’s editor-in-chief, Roy Thomas, saw just six issues released in this format before it took a hard turn in a decidedly different direction (an adaptation of the fantasy film The Golden Voyage of Sinbad) for its final two issues, the last of which came out in April, 1974.

Given its poor performance in the marketplace, Thomas’ project could hardly be called a success; still, in October of the same year, it became clear that the editor hadn’t given up on the basic idea behind it, as that month saw the debut of a brand new entry in Marvel’s ever-growing, and ever more genre-diverse, line of black-and-white comics magazines:  Unknown Worlds of Science FictionRead More

Giant-Size Avengers #2 (November, 1974)

For the most part, the comics that came out as part of Marvel’s “Giant-Size” line in 1974 and 1975 featured stories that, while generally understood to be in continuity with those in the regular-size titles, didn’t directly lead into and/or out of those books.  Such had been the case with Giant-Size Avengers #1 (Aug., 1974), a standalone that was written by Marvel’s editor-in-chief (and former Avengers scribe) Roy Thomas, rather than by the man who’d been authoring the monthly adventures of Earth’s Mightiest Heroes since August, 1972, Steve Englehart.  But with the second issue of the Avengers’ new quarterly vehicle, Englehart was given the reins — and he decided to treat the book as an extra, if plus-sized, issue of the monthly title.

Of course, that didn’t mean that the contents of the “Giant-Size” version of the series shouldn’t be special.  And with Giant-Size Avengers #2, Englehart and his artistic collaborators definitely delivered on that idea, giving readers a twenty-nine page epic that stands to this day as one of the all-time Avengers classics — perhaps even, as writer Kurt Busiek (author of more than a few great Avengers yarns of his own) said in 2014, “the uncontested, anyone-who-says-otherwise-is-sadly-mistaken best single issue of AVENGERS”.  Read More

Savage Sword of Conan #2 (October, 1974)

In 1974, star comics artist Neal Adams had largely turned away from pencilling comic book stories.  But he did keep his hand in in the field in various ways, such as by turning out painted covers for Marvel Comics’ black-and-white magazine line on a fairly regular basis.  The second issue of Marvel’s new Savage Sword of Conan title is graced by one such; like most of the covers produced for the b&w line, by whichever artist, it doesn’t have a whole lot to do with the magazine’s specific contents.  But I’m sure I didn’t complain when I first picked this book up half a century ago, and I doubt many other readers did, either.

Turning past that cover to the issue’s double-page frontispiece/table of contents, we’re greeted by the first published professional work of a young artist who was as unknown in August, 1974 as Adams was famous:

  Read More

Doctor Strange #4 (October, 1974)

As we previously noted in our post about Doctor Strange #2 back in May, in June, 1974, Marvel Comics provided fans of the Master of the Mystic Arts’ normally bimonthly series with the release of an extra issue.  But Doctor Strange #3 didn’t feature the third chapter of the continuing story begun by scripter/co-plotter Steve Englehart and penciller/co-plotter Frank Brunner back in the premiere issue of their hero’s newly revived solo title; rather, behind a new cover by Brunner (and also wrapped within a new 1 1/2-page framing sequence by Englehart, Brunner, and inker Alan Weiss), the comic offered an edited presentation of an old story that had originally run in Strange Tales #126 (Nov., 1964) and #127 (Dec., 1964).  That tale by Stan Lee and Steve Ditko was indisputably a stone classic, and as a latecomer who’d only arrived at the Doc Strange party in 1969, my younger self was happy to have it; still, even I was impatient to see the continuation of the Sorcerer Supreme’s current quest to escape the Orb of Agamotto, and rescue his beloved Clea from the sinister but self-righteous Silver Dagger, by the time Doctor Strange #4 finally showed up in the spinner rack.  Read More

Giant-Size Master of Kung Fu #1 (September, 1974)

While this blog has briefly touched on the matter of Marvel’s 1974-75 line of “Giant-Size” comics in a few previous discussions, this is the first time we’ve devoted a post to a book in that fairly short-lived format.  So, I hope you all won’t mind if we take a little time here at the top of the page, before we flip past Giant-Size Master of Kung Fu #1’s Ron Wilson-Mike Esposito cover to take a look at this issue’s specific contents, to get into a little background on the introduction and early days of the “Giant-Size” format in general.  It’s an interesting story (at least in my opinion) that seems to indicate a certain degree of disorder in the Marvel offices around this time — disorder which might rise to the level of full-on chaos, but then again might not, depending on your point of view.  Read More

Savage Sword of Conan #1 (August, 1974)

In June, 1974, the Hyborian Age was clearly in full flower at Marvel Comics.  Along with the latest installment of the publisher’s successful ongoing Conan the Barbarian series (issue #42, for the record), the month also brought the fans of Robert E. Howard’s famous sword-and-sorcery hero the first issue of a brand-new quarterly companion title, Giant-Size Conan.  This new series got off to a spectacular start, featuring the first chapter of a multi-part adaptation of Howard’s one and only Conan novel, “The Hour of the Dragon”, as written by Roy Thomas and drawn by Gil Kane and Tom Sutton.

And that wasn’t even the biggest news in Conan comics this month; rather, that distinction went to the main topic of today’s blog post, The Savage Sword of Conan #1 — the first issue of a brand-new black-and-white bi-monthly magazine devoted to the barbarian adventurer and his fellow Howardian heroes.  It was, in some ways, Conan’s third coming as far as the b&w comics market went, following as it did both the initial release of Savage Tales in January, 1971, and the subsequent relaunch of that title with its long-delayed second issue in June, 1973.  It was also the biggest black-and-white comic Marvel had yet published — a square-bound number that weighed in at 80 pages (as compared to the then standard 64), and cost a whole buck (as compared to Marvel’s other b&w offerings’ going price of 75 cents).  Read More

Savage Tales #4 (May, 1974)

As we previously discussed in our post about Savage Tales #3 last October, back in the fall of 1973 it seemed that Marvel’s one-and-only sword-and-sorcery-centric black-and-white comics magazine was about to be cancelled — for the second time.  The first incarnation of Savage Tales had seen but one issue published in January, 1971 before Marvel’s then-publisher Martin Goodman pulled the plug; then, the second iteration, launched in June, 1972 following Goodman’s departure from the company he’d founded, had come under the scrutiny of an auditor for the conglomerate (Cadence Industries) that now owned Marvel.  According to a rather downbeat editorial by Roy Thomas that ran in ST #3, a go-ahead for producing further issues wouldn’t be given until sales numbers had been received for the relaunch; and if you read between the lines, the signs didn’t seem very encouraging. Read More

The Brave and the Bold #112 (Apr.-May, 1974)

By my reckoning, DC Comics’ The Brave and the Bold was one of the first comic book titles I ever spent my own money on (for the record, it was preceded only by Superman, Detective Comics, Green Lantern, Justice League of America, Flash, and Lois Lane).  I bought my first issue, #64, in December, 1965 — drawn in, no doubt, by its irresistible Gil Kane cover — and BatB soon became one of my most consistent regular purchases as a nascent comics fan.  No, I didn’t buy every single issue, but that was true of virtually every other title as well (the sole exception in those early days being Justice League of America, to which I quickly subscribed).  The ongoing appeal of the book, of course, was that you were always guaranteed at least two superheroes for the price of one (sometimes, as with issue #65’s team-up between the Flash and the Doom Patrol, you got even more).  That wasn’t quite as good a deal as JLA, which might give you as many as ten costumed crusaders cavorting in the same story… but it was still pretty sweet.  Read More

Conan the Barbarian #37 (April, 1974)

At the time the topic of today’s blog post was originally published, January, 1974, new interior comic book art by Neal Adams wasn’t yet as rare as hen’s teeth — not quite.  Still, it was a good bit rarer than it had been just a year or so earlier, and thus it was a treat to see a second full-length story illustrated by the star artist come out just one month after the last one, which had appeared in DC Comics’ Batman #255.  (For the record, there was another story by Adams that came out in December, 1973, as well — a 10-page “Green Lantern” back-up in Flash #226, which my younger self managed to miss.)  Adding to the fun was the fact that Adams did all the art in the issue, pencilling and inking the issue’s cover as well as the whole 19-page story within.  (Or, at least, that’s what the credits said; per the Grand Comics Database, Joe Rubinstein assisted Adams in the inking of backgrounds.)  Read More