Grim Ghost #1 (January, 1975)

In November, 1974, your humble blogger was pretty much a “just Marvel and DC, please” kind of guy where color comic books were concerned.  But, naturally, that didn’t mean I was unaware of the wares of other companies.  How could I have been?  All of the spinner racks I can recall from the first decade or so of my comics buying didn’t sort the new books by publisher (or by any other system, for that matter).  So if you wanted to make sure you got a look at every new DC or Marvel book out in any given week, you generally got at least a cursory glance at every new Archie, Charlton, Fawcett, Gold Key, and Harvey, as well.

And if a brand-new publisher showed up?  You noticed — especially if one of their books sported a cover by Neal Adams, like Atlas/Seaboard’s Ironjaw #1 did.    Read More

Savage Sword of Conan #2 (October, 1974)

In 1974, star comics artist Neal Adams had largely turned away from pencilling comic book stories.  But he did keep his hand in in the field in various ways, such as by turning out painted covers for Marvel Comics’ black-and-white magazine line on a fairly regular basis.  The second issue of Marvel’s new Savage Sword of Conan title is graced by one such; like most of the covers produced for the b&w line, by whichever artist, it doesn’t have a whole lot to do with the magazine’s specific contents.  But I’m sure I didn’t complain when I first picked this book up half a century ago, and I doubt many other readers did, either.

Turning past that cover to the issue’s double-page frontispiece/table of contents, we’re greeted by the first published professional work of a young artist who was as unknown in August, 1974 as Adams was famous:  Read More

Dracula Lives #1 (May, 1973)

In February, 1973, Marvel Comics published 42 individual comic books — a 75% percent increase in production from the previous year, when the second month of 1972 had seen the company release a mere 24 new issues.  And notwithstanding such a prodigious expansion in production, the company (which had recently surpassed arch-rival DC Comics in sales numbers for the first time ever) wasn’t nearly done.  But Marvel’s next major phase of growth — which in fact began in that very month of February, 1973 — was to be in a different area than the full-color comics line in which it had made its mark.  Read More

Thor #200 (June, 1972)

Cover to Journey into Mystery #1 (Jun., 1952). Art by Russ Heath.

Cover to Journey into Mystery #83 (Aug., 1962). Art by Jack Kirby and Joe Sinnott.

As milestone issues of long-running comic-book series go, Thor #200 is a fairly odd duck, for a number of reasons.  The first, of course, is that it’s not really the 200th issue of “Thor at all; rather, it’s the two-hundredth sequential release of a periodical publication that began its existence in 1952 as Journey into Mystery, an anthology title which had nary a thing to do with the Norse God of Thunder until the Marvel version of that mythological figure made his debut in its 83rd issue, ten years into the book’s run.

Since the title of the publication wasn’t changed from Journey into Mystery to Thor until issue #126, there hadn’t ever been a Thor #100.  (To the best of my knowledge, there hasn’t been one in later years, either, despite multiple relaunches of the series over the last few decades; and given Marvel’s current publishing model, which simultaneously incorporates both successive restarts and “legacy” numbering, there probably never will be.)  The actual 100th issue of “Thor” as a continuing feature had been #182 — and though that was a pretty good issue, featuring a battle with Dr. Doom as well as marking the beginning of John Buscema’s multi-year tenure as the series’ new regular artist, it hadn’t taken any special note of the occasion.  By the time issue #200 rolled around, however, Marvel had made the 100th issues of Fantastic Four and Amazing Spider-Man causes for celebration — and they were about to do the same with Avengers #100, which would arrive on stands one week after Thor #200 (it’ll also arrive on this blog one week from today, just in case you were wondering).  With 200 being such a nice round number, it would have been surprising if Marvel hadn’t chosen to commemorate Thor‘s issue numbering reaching it, as arbitrary as the milestone was in some ways.

But all of that represents just one way that Thor #200 was somewhat off-model as commemorative issues go.  Another was that the main story was a retread of a tale originally presented in 1966 (right around the time Journey into Mystery became Thor, coincidentally enough).  And yet another was that that story was a fill-in — or, at least, it read like one.  Read More