Based on this note from editor Murray Boltinoff that appeared on the issue’s letters page, Brave and the Bold #93’s “Red Water Crimson Death” by Denny O’Neil (writer) and Neal Adams (artist) had been in the works for a while:
“…one of the most distinguished and inspired examples of comic mag art”? That’s some pretty high praise from Mr. Boltinoff. But my thirteen-year-old self wouldn’t have argued with him back in 1970; and it still sounds just about right to sixty-three-year-old me, here and now in 2020.
In any event, regardless of how and why the production of this story might have been delayed, its ultimate release could hardly have been more opportunely timed — October 27, just four days before Halloween. What better time for Batman to dare enter the House of Mystery? Read More
Ah, here we are again, pondering the eternal question: Who’s faster, Superman or the Flash? Let’s see if I can recall where we’ve already been, and how we got where we are “now”, in October, 1970…
Oh, yeah, I remember. Way back in the June of 1967, when your humble blogger had not yet reached the tender age of ten years, his DC superhero-besotted self thrilled to the first ever race between the Man of Steel and the Scarlet Speedster, as chronicled by the team of Jim Shooter, Curt Swan, and George Klein in Superman #199. Thrilled, that is, up until the story’s last page, when the Flash was robbed — robbed, I say! — of his rightful victory, when the race ended in a tie. (Why was I rooting for the Flash? Essentially, because super-speed was his one and only thing, while Superman had a dozen other super-abilities he could be “best” at.) Shooter’s story might have framed this as a necessary move by the heroes to thwart two gambling syndicates that were illegally betting on the race — but my younger self knew a rip-off when he saw one: Read More
Green Lantern #81, the sixth issue of writer Denny O’Neil and artist Neal Adams’ classic “Green Lantern/Green Arrow” run, represented a couple of “firsts” for the series. For one, the superheroine Black Canary, who’d previously appeared in issues #78 and #79, was cover-billed as a guest-star for the first time. For another, this was the first installment that overtly heralded the major social issue dramatized within the book’s pages with a cover blurb, i.e., the “Population Explosion!”
Along with these firsts, however, issue #81 almost had the added distinction of being the last issue drawn by Neal Adams. As the artist would later tell interviewer Arlen Schumer (in Comic Book Marketplace #40 [Oct., 1996]), “I thought we started to run out of ideas when we ran the overpopulation story… Politically, I had a problem with the book.” Read More
In August, 1970, when DC Comics released Jimmy Olsen #133 — the first new comic book produced for the publisher by Jack Kirby to make it to print — they marked the occasion with a “Kirby Is Here!” banner headline (a consummation of the “Kirby Is Coming!” promotional campaign they’d been running the last couple of months), topping a cover drawn (mostly) by Kirby himself.
Two months later, when the publisher brought out their second Kirby comic, they continued to use his name as a selling point, with the cover’s banner headline now proclaiming “A King-Size Kirby Blockbuster!” (“King-Sized” was in fact not an entirely accurate description, since both the physical comic itself and the featured story within were of standard length; perhaps DC was trying to evoke the “King” nickname that Kirby had acquired at his former employer, Marvel Comics.) But the cover illustration itself wasn’t by Kirby, this time; rather, it was the work of Neal Adams. Read More
According to the Mike’s Amazing World of Comics web site, Robert Kanigher scripted 2,707 comic book stories in his five-decade career, the vast majority of them for DC Comics. But despite the fact that I’ve been reading DC comics myself for over five decades — three of which overlap with those during which Kanigher was working — I’ve never really felt like I had a handle on the guy. Read More
By August, 1970, I’d been buying and reading comic books for a full five years. Somehow, however, in all that time, I hadn’t yet sampled an issue of Jimmy Olsen.
I’m not really sure why that was. My very first comic book had been an issue of Superman, after all, and I’d picked up a couple of Lois Lanes pretty early on, as well. And I don’t recall having anything particularly against the red-headed cub reporter (in comics, anyway — I think I always considered the version played by Jack Larson on the live-action TV show to be kind of a doofus). Indeed, as best as I can remember, I actually kind of enjoyed Jimbo’s appearances in World’s Finest, where he basically functioned as the Robin to Superman’s Batman, as well as having his own team-up thing going with the genuine Boy Wonder on the side (the Olsen-Robin team even had their own secret HQ, the Eyrie). Read More
As regular readers of this blog know, I went through a brief period at age 12, lasting roughly from the fall of 1969 through the spring of 1970, when, for one reason or another, I became disaffected with comic books. By June, 1970, my interest in them was again on the increase, but I wasn’t quite all the way back yet; and one unfortunate consequence of this was that I failed to buy Justice League of America #82 off the stands when it was released that month. Why was missing this one comic such a big deal? Simply because it featured the first chapter of that year’s two-part team-up between the Justice League of America and their counterparts on “Earth-Two”, the Justice Society of America — an annual summertime tradition at DC Comics ever since 1963, and one in which I’d faithfully participated ever since 1966. That mean that not only had I been buying and enjoying these mini-epics for most of the time I’d been reading comics, but for a significant chunk of my life, period. Four years is a pretty substantial period of time when you’re only twelve years old, after all. Read More
Justice League of America was my first favorite comic book. As I’ve written about here before, it was the first series I subscribed to through the mail (my first USPS-delivered issue being #44, in 1966), and even after my sub ran out, I managed to score every new issue when it hit the spinner racks — up until issue #69, that is, which I either missed or intentionally passed on (the former seems a bit more likely, but who knows). A couple of months later, I missed (or skipped) #72 as well; and then, after #74, I apparently more-or-less dropped the book. In any case, I didn’t buy another issue of JLA until the one I’m writing about today, which arrived on stands in January, 1970. By this time, as regular readers of the blog know, I had entered a period in which comic books in general held less appeal for me, and I was buying hardly anything at all. So what could have grabbed me about Justice League of America #79 so much that I felt compelled to pick the book up? Read More
If you’re a regular reader, you may recall that at the conclusion of last month’s post concerning Avengers #69, your humble blogger unburdened himself of a shameful, half-century-old secret — namely, that upon his first encounter with the brand-new supervillain group the Squadron Sinister way back in August, 1969, he had not the faintest clue that they were intended as parodies of the Justice League of America — who were, of course, the Avengers’ counterparts over at Marvel Comics’ Distinguished Competition, not to mention a team that he’d been reading about regularly for almost four years.
Imagine my gratified surprise when, subsequent to that post going up, I heard from a number of fellow old fans that they, too, had failed to get writer Roy Thomas’ joke back in the day. I’m honestly not sure whether that means that my twelve-year-old self wasn’t all that dumb after all, or simply that a lot of us were that dumb, but either way, I’ll take it as a win. Read More
The second half of 1969’s iteration of DC Comics’ annual summer event teaming the Justice League of America with their Golden Age predecessors, the Justice Society of America, sported a cover that was — for this particular twelve-year-old’s money — considerably more exciting than the previous issue‘s. That cover had featured a row of JSAers looking on passively while some nameless kid ripped up a lamppost; this one, pencilled and inked by Neal Adams, heralded the first meeting between the Superman of Earth-One (the one currently appearing in multiple DC titles every month) and the Superman of Earth-Two (the one who’d ushered in the whole Golden Age of Comics in the first place in 1938’s Action Comics #1) — and from the looks of things, it was going to be a, shall we say, rather contentious meeting. That I would buy this comic book was never in question; but I have a hard time imagining anyone who was even a casual reader of DC superhero comics seeing this book in the spinner rack in July, 1969, and not picking it up. Read More