It’s one of those questions that comic book fans have argued about for ages — like who’s stronger, the Hulk or Thor? (Did someone just say “the Thing”? Please.) Essentially unanswerable — or, rather, the answer is “whichever one of them the creators at the comic book company that owns them has decided is the faster/stronger/better dressed in the context of the story you’re currently reading.”
Actually, I think the more interesting question — a question for which one fan’s answer is as valid as any other’s, and can’t be overruled by the characters’ corporate owners — is, who should be faster, Superman or the Flash? Read More
From June, 1966 through May, 1967, DC Comics published nine issues of Justice League of America, all of which capitalized on the enormous popularity of the Batman television show by prominently featuring the Caped Crusader on their covers. Upon its publication on June 13, 1967, Justice League of America #55 clearly marked the end of that year-long run of exploitative, Batman-dominated covers.
Um, sort of. OK, not really. Because this issue’s Mike Sekowsky-Murphy Anderson cover, featuring the debut of “a grown-up Robin” whose costume was an amalgam of the duds traditionally worn by both the Boy Wonder and his august mentor, was obviously trading on Batmania as much as any other JLA cover that editor Julius Schwartz had seen through production in the last twelve months. Read More
Recalling my early comics-reading years, I can’t think of another comic book that I looked forward to with as much breathless anticipation, simply based on the house ads, as I did Batman #194. And I can’t think of another comic book that I considered as huge of a letdown once I finally got hold of it and read it, as I did Batman #194.
It was the cover that grabbed me in those ads, of course. That amazing Carmine Infantino-Murphy Anderson cover, with its impeccably rendered figures of Batman and Blockbuster, its dynamic action, and, most of all, its imaginative (and, for the time, daring) incorporation of the book’s title within the illustration. My nine-year-old self had never seen anything like it. Read More
Like Wonder Woman, the Atom was one of the last of the Justice League of America members with their own book whose solo adventures I decided to give a try. I’m not sure exactly what took me so long to get around to gambling twelve cents on the Mighty Mite — his book was another Julius Schwartz-edited book, after all, regularly featuring the art of Gil Kane, whose work I’d been enjoying on Green Lantern since the fall of 1965. My best guess is that I simply hadn’t been that impressed with the Atom in most of the JLA adventures I’d read featuring him. Let’s face it — in a team featuring heavy hitters like Superman and Green Lantern, it could be difficult for even the cleverest comic book storytellers, such as JLA scripter Gardner Fox and his editor Schwartz, to find ways for a six-inch hero to shine — and, with the notable exception of 1966’s Justice League-Justice Society two–part team-up story, in which the Atom played a decisive role in helping to save both Earth-One and Earth-Two, the Tiny Titan tended to fade (or perhaps shrink) into the background. Read More