Marvel Premiere #9 (July, 1973)

For artist Frank Brunner and Marvel Comics’ Doctor Strange, the third time around would prove to be the proverbial charm.

As we’ve covered in previous posts, Brunner first brush with the Dr. Strange feature came with Marvel Premiere #4, for which he supplied finishes to pencilled art (mostly just layouts) by Barry Windsor-Smith.  He returned four months later with Marvel Premiere #6, where his complete pencils were inked by Sal Buscema.  But unhappy with writer Gardner Fox’s scripts, as well as with the overall H.P. Lovecraft-by-way-of-Robert E. Howard “cosmic horror” direction of the series (a direction we should note had been inaugurated by plotter-editor Roy Thomas in issue #4, and then continued by Fox), the young artist left again after only a single issue.  Read More

House of Secrets #109 (July, 1973)

Back in July, 2020, I wrote a post about the 188th issue of DC Comics’ House of Mystery, an issue notable for featuring one of the very first comic-book stories drawn by the Filipino-born artist Tony DeZuñiga to be published in the United States.   As we discussed in that post, DeZuñiga‘s advent at DC in 1970 would ultimately prove highly auspicious — not only for his own individual career, but also for the direction of the whole field of American comics over the next decade or so.  Read More

Dracula Lives #2 (July, 1973)

As was noted in last Saturday’s blog post, the date of April 17, 1973 saw Marvel Comics release not just one, but two different periodical issues devoted to the exploits of the world’s most famous vampire.  But while the color-comics format Tomb of Dracula #10, featuring the debut of Blade, is probably much better known to contemporary comics fans, I’m pretty sure that, back in the day, my fifteen-year-old self was at least as jazzed by the arrival of its black-and-white companion publication, Dracula Lives #2… and probably more so.  Read More

Tomb of Dracula #10 (July, 1973)

Back in April, 1973, I don’t expect anyone who saw and appreciated artists Gil Kane and Tom Palmer’s fine cover for the tenth issue of Marvel Comics’ Tomb of Dracula anticipated how historically significant this image — the first sight ever provided the general public of a new character named Blade — would eventually become; probably not even that character’s creator, writer Marv Wolfman.  In retrospect, it seems more than fitting that the figure of Blade dominates Kane’s composition, taking up more space than (and pulling focus from) the comic’s titular star; after all, the wooden-knife-wielding vampire hunter would ultimately come to overshadow the very series that gave him four-color life, at least in terms of mass public awareness… and the financial rewards reaped by Marvel.  Read More

Amazing Spider-Man #122 (July, 1973)

Like its immediate predecessor, the 122nd issue of Amazing Spider-Man leads off with a cover by John Romita, which, if not quite as iconic as that of #121, is still an exceptionally arresting image.  Not to mention one which, back in April, 1973, would likely have shocked the hell out of any semi-regular reader of the web-slinger’s series who had somehow managed to miss not only that most monumental of issues, but also any fannish discussion of same over the several weeks since its release on March 13th.

If there were any such readers fifty years ago, and if they hoped for some sort of recap to bring them up to speed on the details of how so something so unthinkable as the murder of Spider-Man’s beloved Gwen Stacy had come to pass, they were pretty much out of luck — because the creative team behind both the previous episode and this one — i.e., scripter Gerry Conway, penciller Gil Kane, foreground inker John Romita (who may have also contributed to the plot) and background inker Tony Mortellaro — weren’t about to break their storyline’s headlong momentum with any more exposition than was minimally required, let alone any flashbacks:  Read More

Tales of the Zombie #1 (July, 1973)

Return with me now, if you will, to that long-ago era when the word “zombie” was virtually never paired with the word “apocalypse”… a time when one didn’t worry about having one’s brain (or other bodily parts) eaten by ravenous specimens of the walking dead because, well, those guys didn’t seem to eat much of anything, as far as one could tell from the stories about them… and when the animating agent that could make corpses clamber out of their graves and shamble about (no running or swarming in those days) was almost always associated with the magical traditions of voodoo (or, more properly, what passed for authentic voodoo in popular entertainment media), rather than derived from an imaginary contagion or some other “scientific” cause.  Read More