In 1969, Alex Toth had been a professional comic book artist for over two decades; but prior to the summer of that year, I’d never seen his work. That’s because I didn’t start buying comics until the summer of 1965, and the work that Toth was producing at that time only appeared in Warren Publishing’s black-and-white horror comics and in DC Comics’ romance titles, both of which were beyond my ken (though for different reasons) as an eight-year-old lad. And then, approximately one year after my own initiation into comic books, Toth left the industry (though, thankfully, only temporarily) to go work in TV animation. Read More
In his Introduction to the 2008 Marvel Masterworks volume reprinting this issue, scripter Roy Thomas compliments his artistic collaborator Sal Buscema for the “dramatic yet difficult cover”, noting that “it’s always hard to have a bunch of little guys fighting one big guy — and Goliath’s in-between size just complicated things further.” That’s undoubtedly true; but my recent re-reading of Thomas’ words in preparation for writing this post reminded me of another cover that met the very same challenge, with at least a couple of the same characters — namely, Sal’s big brother John’s cover for Avengers #45, which came out almost exactly two years prior to Avengers #69, and which also just so happens to have been not only my first Avengers comic, but my first Marvel comic, period. There’s no good reason why any of that should be particularly significant to anyone except me, I realize; but I hope you’ll pardon my momentary self-indulgence in deciding to highlight it here anyway. Read More
By the late summer of 1969, Marvel Comics had been slowly but steadily increasing the number of black characters in its titles for some time. Having already introduced the first black costumed superhero, the Black Panther, to the world in 1966, Marvel had gone on to develop such non-costumed, supporting cast-type African-American characters as newspaper editor Joe “Robbie” Robertson and his family (in Amazing Spider-Man); while Gabe Jones, who’d been appearing as one of Sgt. Nick Fury’s Howling Commandos in that World War II army unit’s series since 1963, was gaining greater visibility in the present-day Marvel Universe as one of Fury’s agents of S.H.I.E.L.D.. June, 1969, had brought the debut of Marvel’s first African-American hero, the Falcon (the Panther, of course, was African, but not American) — and with August came the first appearance of yet another black costumed character, the Prowler. This character, however, would be introduced as the world not as a superhero — but as a super-villain. Read More
The last issue of Daredevil discussed in this blog, #55, ended with the Man Without Fear’s decisive triumph over Starr Saxon, the sinister technologist who’d discovered his secret identity as attorney Matt Murdock back in #51. While Daredevil’s strategy against Saxon had centered on the rather drastic expedient of staging Matt’s violent demise in an aerial explosion, his ultimate victory actually came about when, while tussling with our hero high over the streets of Manhattan, Saxon slipped and fell to his (apparent) death. With the man who had known Daredevil’s secret no longer among the living, that specific problem was obviously now solved; but, considering that DD was still left with no civilian identity, and that all of his friends and loved ones still thought he was dead, you’d probably be surprised to find the guy, at the beginning of issue #56, swinging through New York’s concrete canyons singing a happy tune.
On second thought, if you were familiar with late-Sixties Marvel comics — maybe you wouldn’t be. Read More
At the conclusion of our discussion of Thor #166 three months ago, we left the God of Thunder about to face the judgement of his omnipotent All-Father, Odin, for his crime in succumbing to the affliction of Warrior Madness. Thor had been driven to this state of irrational, uncontrollable fury following the abduction of his lady, Sif, by the artificially-created superhuman called Him (later to be known as Adam Warlock). As things turned out, Sif was safely rescued, and Him, though soundly thrashed by the scion of Asgard, escaped without mortal injury. Nevertheless, at the issue’s end Thor was called home to the Golden Realm to face the music; what he didn’t yet know, but we readers did, is that Odin had already determined that his punishment would be to go on a cosmic quest to find the world-devouring Galactus, learn the secret of his origin, and end his threat forevermore. Read More