As the year 1972 began, Jack Kirby had only two issues left to go in his Jimmy Olsen run. According to Mark Evanier (one of Kirby’s two assistants at the time), the writer-artist-editor hadn’t been enjoying the assignment all that much, and it’s probably safe to assume that he wasn’t sorry to see the end of it. Nevertheless, before making his exit from the “Superman family” of DC Comics titles, Kirby would take the opportunity to deliver on an implicit promise regarding the Man of Steel which he’d made his readers at the end of Forever People #1, published a little over a year previously… Read More
In November, 1971, the lead story in Mister Miracle #6 had concluded with the titular hero resolving to return to the planet Apokolips — from which he’d escaped just prior to the beginning of his series, only to be regularly menaced by its forces on Earth ever since — to win his freedom “their way!! — in trial by combat!!” Two months later, Jack Kirby’s cover for Mister Miracle #7 indicated that he would indeed be making such a journey within its pages — and also that the “Super Escape Artist” would, not unexpectedly, encounter more than a bit of trouble before achieving his goal. (Not that we readers of January, 1972 would have wanted it any other way, of course.) Read More
How do you follow up the Kree-Skrull War?
That was the question facing Marvel Comics in general, and Avengers writer/de facto editor Roy Thomas in particular, fifty years ago. In terms of its length and scope, the aforementioned nine-issue storyline had been all but unprecedented at the publisher. Not to mention the fact that the epic’s back half had (mostly) been visualized by perhaps the hottest artist in American comics at the time, Neal Adams.
So what do you do for an encore? Well, if you’re Thomas, you segue right into a three-parter which, even if it can’t beat the KSW for length, at least gives it a run for its money in terms of scale — and which wraps things up with a very special 100th issue featuring every single Marvel character who’s ever been an Avenger, however briefly. And as your collaborator on this trilogy, you bring back an artist who, since his first brief Avengers stint in 1969, has evolved from a raw but promising young talent to, well, another of the hottest artists in American comics, Barry Windsor-Smith. Read More