
The Brave and the Bold #82 (Feb.-March, 1969)
December, 1968, saw the publication of the fourth issue of Neal Adams and Bob Haney’s run on Brave and the Bold — a partnership that had begun with the duo’s “The Track of the Hook” some six months earlier, and which was gradually evolving the image of Batman towards a darker, more mysterious vision, one closer to how he’d originally been concerned by Bob Kane and Bill Finger thirty years before. That vision was slowly becoming established as the proper take on the Caped Crusader in the minds of comics pros as well as fans (though there was as yet little evidence of its influence in the other series in which Batman regularly appeared). And while this emerging new direction for Batman was inarguably driven almost entirely by the artistic efforts of Adams, Haney’s scripts — more grounded and serious than most of his earlier work with the character in BatB, which he’d produced during the TV show-inspired “camp” era — were consistent with the visual tone set by Adams’ drawings, and usually managed to carry their share of the weight in the ongoing enterprise of re-imagining DC Comics’ Darknight Detective. That was true even in the context of a story like “The Sleepwalker from the Sea!”, which brought one of the publisher’s more fanciful heroes into the increasingly gritty urban milieu of Gotham City. Read More