Doctor Strange #2 (August, 1974)

Behind a very nice (if somewhat misleading — we’ll get to why a bit later) cover pencilled, inked, and colored by Frank Brunner, the second issue of the newly revived Doctor Strange title picks up where the first one left off.  In other words, Earth’s Sorcerer Supreme is still dead.

Oh, all right.  Nearly dead.  Having been stabbed in the back with a silver dagger wielded by a brand-new villain named, um, Silver Dagger, our mortally wounded hero has postponed his otherwise inevitable demise by entering the Orb of Agamotto.  Unable to return the way he came, he’s presently on a journey to the center of the Orb, in hopes of finding an exit from its mystical confines before his body and soul succumb to its native unreality; of course, even if he succeeds, he’s still got the whole “mortally wounded” thing to deal with.  Yes, it’s quite the sticky wicket.  Read More

Captain America #173 (May, 1974)

In February, 1974, the X-Men hadn’t appeared in a new story in their own title in over four years — but while gone, they were hardly forgotten.  (Actually, they weren’t even gone, since their book had been resurrected as a reprint title by Marvel’s then-publisher, Martin Goodman, eight months after he’d cancelled the series with issue #66.  But you know what I mean.)  That’s because a number of people working for Marvel just plain liked the characters, regardless of their allegedly limited commercial viability; and, as writer Steve Englehart puts it in his 2009 preface to Marvel Masterworks — The X-Men, Vol. 8, “the Marvel Universe was a coherent entity, so the X-Men continued to exist in it even if they had no comic to call their own.”  Read More

Defenders #11 (December, 1973)

The primary subject of today’s post, Defenders #11, is the official conclusion of Marvel’s Avengers/Defenders War crossover event of summer, 1973 — though you’d be hard-pressed to find any evidence of that fact on the book’s otherwise very fine Sal Buscema cover.

Still, as the opening splash page clearly tells us, this is indeed “The 12th and final chapter of the greatest super-epic ever told!”  And surely writer Steve Englehart must know whereof he speaks.  Mustn’t he?  Read More

Avengers #118 (December, 1973)

It’s September, and we’ve finally arrived at the climax of Marvel Comics’ pioneering crossover event of the summer of 1973, the Avengers/Defenders War.  Having realized at last that they share a common enemy, the superheroes of the two feuding teams have united to save the world.

So it’s fitting that, for the first time since the storyline began, the cover of this chapter gives us a group shot of multiple members from both teams — although artists Ron Wilson and John Romita have probably chosen wisely in not trying to cram all fourteen heroes, plus supervillains Dormammu and Loki, into a single shot.  Rather, they’ve opted to go with just nine, and it’s interesting to take note of who’s been included.  Unsurprisingly, every character starring in their own series — that’s Thor, Iron Man, Captain America, and Black Panther (in Jungle Action) from the Avengers, plus Sub-Mariner, Hulk, and Doctor Strange (in Marvel Premiere) from the Defenders — makes the cut.  But that still leaves two slots, and they’ve both gone to female characters — the Avengers’ Scarlet Witch and the Defenders’ Valkyrie — which serves to make the cover at least slightly less of a sausage fest.  Better luck next time, Silver Surfer, Vision, Hawkeye, Swordsman, and Mantis (the only shero who didn’t make the cover).

Still, if you’re hankering for a big group shot featuring all the heroes from both teams, no exceptions, then have no worries; Marvel’s got you covered on the book’s opening splash page:  Read More

Captain America #164 (August, 1973)

Fifty years ago, John Romita’s cover for the topic of today’s blog post promised a certain degree of novelty; not only did it nod to the then-hot horror genre via presenting the superheroic Falcon as a werewolf, but it also heralded the debut of a new supervillain — and a Black female one at that.  (Nightshade may not have been the first such character to appear in American comics, but her particular race-gender combo made her stand out in this era, nevertheless… actually, as far as your humble blogger can tell, it still does.)

But we readers of May, 1973 couldn’t guess the full scope of the novelty awaiting us until we turned to this issue’s first page:  Read More

Amazing Spider-Man #121 (June, 1973)

The subject of today’s blog post is generally considered to be one of the most important issues in the sixty-plus-year history of Marvel Comics’ best-known hero, Spider-Man.  Many fans would call it one of the most significant single comic books ever published by Marvel, period.  Some (though not, I must confess, your humble blogger) would even go so far as to call this issue the precise dividing point between the Silver Age of Comics and the Bronze.

But you almost didn’t get a chance to read about Amazing Spider-Man #121 on its fiftieth anniversary — not in this venue, anyway.  Why?  Because your humble blogger’s then fifteen-year-old self almost didn’t purchase the book when it first arrived on stands, back in March of 1973.  And why was that?  Because I’d stopped buying Amazing Spider-Man two months earlier.  Read More

Avengers #97 (March, 1972)

I’m not sure exactly what my fourteen-year-old self was expecting to see on the cover of Avengers #97 when it first turned up in the spinner rack, back in December, 1971; nevertheless, I’m pretty confident that Gil Kane and Bill Everett’s illustration highlighting Captain America, the original Human Torch, and the Sub-Mariner — plus four other guys I didn’t recognize — wasn’t anywhere near it.  I mean, it was a great image, but aside from Cap, none of those characters were Avengers.  And “Rick Jones Conquers the Universe!”?  OK, that last bit wasn’t so unexpected — it had been pretty clear from the latter scenes of the preceding issue that Rick was going to play an important role in the conclusion of the Kree-Skrull War.  But still — where the heck were the Avengers?   Or the Kree or the Skrulls, for that matter? Read More

Avengers #95 (January, 1972)

In October, 1971, Avengers #95 brought us what might be the most unusual installment yet in the ongoing epic of the Kree-Skrull War.  From one perspective, concerned primarily with the progress of the war and the Avengers’ role in it, it could quite reasonably be deemed the least consequential chapter in the entire saga.  From a different point of view, however — namely, that of the Inhumans — it might be the most significant of all.

That’s because Roy Thomas and Neal Adams took advantage of the opportunity Avengers offered not only to wrap up the story they’d begun telling in their most recent previous collaboration — the “Inhumans” strip in Amazing Adventures — but also to deepen the Inhumans’ mythos; especially that part of it wrapped up in the personal histories of the two royal brothers, Black Bolt and Maximus, whose animus had been the driver of most of the narratives Marvel Comics had produced concerning that hidden race ever since Stan Lee and Jack Kirby introduced them back in 1965. Read More

Captain America #144 (December, 1971)

In September, 1971, I bought my first issue of Captain America in almost two years; today, fifty years later, I’m not sure how to account for my long abstinence from the adventures of the Star-Spangled Avenger, especially considering that I was buying every other superhero title Marvel Comics was putting out at that time.  (Well, almost every other title.  Hulk remained a tough sell for your humble blogger, except for those occasions when his series crossed over with other books I followed, like Avengers.)  Read More