Rich Buckler

Astonishing Tales #34 (March, 1976)

Posted on by Alan Stewart

As regular readers of this blog might recall, we ended our October post about Astonishing Tales #33 with the observation that with that issue, Marvel Comics seemed to have finally found a solid creative team for “Deathlok the Demolisher”, with the feature’s primary creator, plotter, and artist Rich Buckler now supported by Bill Mantlo as scripter and Klaus Janson as inker and colorist.  Meanwhile, Buckler’s frequently meandering plotline seemed to have found some new forward momentum as well.  Was it possible that this series — which, to be sure, had still generally been entertaining in (mostly) bi-monthly doses, where one might simply enjoy the gritty atmosphere and violent action without being overly concerned with the incoherence of the overall story arc — was finally on the verge of realizing its considerable potential?  Read More

X-Men #97 (February, 1976)

Posted on by Alan Stewart

Re-reading the early issues of the revived, “All-New, All-Different” X-Men title for the first time in decades, your humble blogger has found himself struck not only by how quickly writer Chris Claremont — still a relative neophyte in 1975 — made the book his own, but also by how enduring many of the concepts and characters he introduced in the first half-dozen or so of the stories he wrote on his lonesome (the first two issues under his byline, #94 and #95, had of course been plotted by his predecessor, Len Wein) have ultimately proven to be.  Half a century on, it’s hard to imagine what the X-books — or maybe even the Marvel Universe, period — would look like, had neither Moira MacTaggert nor the Shi’ar (to name two of the most prominent examples), ever existed.  Read More

Astonishing Tales #33 (January, 1976)

Posted on by Alan Stewart

Back in May of this year, we took a look at Astonishing Tales #31, which featured Deathlok the Demolisher… although only for its first ten pages.  As regular readers of this blog may recall, the ongoing series plotted and (mostly) drawn by Deathlok’s primary creator, Rich Buckler, had in the spring of 1975 recently been having scheduling problems, leading Marvel Comics to make the bi-monthly title full reprint for one issue (#29), bring in additional pencilling help for the next (#30), and then, having only enough new content to fill half of the last (#31), pad out the rest of that book with yet another reprint.  Still, we found cause for cautious optimism in what Deathlok material we did get in AT #31, per the coming-on-board of new (hopefully to become regular) inker Klaus Janson, as well as some welcome progression in the feature’s meandering plotlines.

How well-founded was our optimism?  Well, let’s start with the fact that this post, which is mostly about issue #33, is appearing in October… meaning that, fifty years ago, it took Marvel five months to bring out two issues of this book, rather than the expected four.  Not exactly what you’d call a good sign.  Read More

Man-Thing #22 (October, 1975)

Posted on by Alan Stewart

When we last checked in with the Man-Thing back in March, at the end of his 18th issue, it was for the finale of the three-part “Mad Viking” trilogy — one of the most intense and memorable storylines to have yet appeared in the feature, perhaps matched only by “The Kid’s Night Out!” (which had in fact been published concurrently with it, in the Man-Thing’s quarterly Giant-Size vehicle).  As you may recall, Man-Thing #18 concluded with Manny, his human friend Richard Rory, and a distressed teenager named Carol Selby abandoning the small Florida town of Citrusville in the wake of a book burning incident at the town’s high school in which people as well as pages had perished.  That downbeat ending presaged a significant change in direction for the series — one which writer Steve Gerber and artist Jim Mooney would manage to explore in depth for only three issues before having to abruptly wrap up everything as best they could in the title’s terminal release, Man-Thing #22. Read More

Thor #240 (October, 1975)

Posted on by Alan Stewart

As I’ve mentioned numerous times before on this blog, Thor was my favorite Marvel superhero back in the 1970s.  (Just for the record, he still is.)  That didn’t mean that Thor was my favorite Marvel superhero comic book for most of that decade, however — at least, not so far as the new issues coming out then were concerned.  The reason for that disparity stems from the fact that, while my enthusiasm for the Son of Odin might have originally been inspired by a general affinity for myth and legend (and for modern heroic fantasy fiction derived from them), it was based at least as much on my admiration for the work that Stan Lee and Jack Kirby had done on the feature in the mid-to-late 1960s.  Thor/Journey into Mystery was the one major Marvel title I endeavored to acquire a complete run of back in my collecting heyday (I eventually made it back as far as JiM #96, if you’re curious).  So I had those Lee-Kirby classics — which I was picking up sporadically, just a few at a time — to compare the current issues to.  And despite regularly featuring a high quality of artwork (usually by John Buscema, working with a variety of mostly sympathetic inkers), the new stories (which for most of the first half of the 1970s were written by Gerry Conway) just didn’t measure up in my eyes… neither to those great old Thor/JiM comics, nor to the best of what Marvel was offering elsewhere in the superhero genre in those days.  Read More

Demon-Hunter #1 (September, 1975)

Posted on by Alan Stewart

Last November, in our post about Grim Ghost #1, we discussed the origins and early days of Atlas/Seaboard — the comic-book company launched in 1974 by the founder and previous owner of Marvel Comics, Martin Goodman, and his son Charles (aka “Chip”).  In this post, we’ll be covering the upstart publisher’s decline and fall, as well as taking a close look at one of Atlas/Seaboard’s very last releases — a comic which, ironically, was not only one of the company’s better efforts, but also one of the very few to have any sort of afterlife following its abrupt demise. Read More

Astonishing Tales #31 (August, 1975)

Posted on by Alan Stewart

The last time we checked in with Marvel Comics’ cyborg antihero, Deathlok the Demolisher, it was September, 2024.  (Or, if you prefer, September, 1974).  That’s been a good long while in comics periodical publishing terms, even taking into account the bi-monthly publication schedule of Astonishing Tales back then; so you might figure we have a lot of catching up to do before digging in to the character’s “latest” adventure.  But, as it turns out, the eight-month gap between issues #27 and #31 of the Astonishing Tales brought just two new Deathlok stories rather than three, as issue #29 was a fill-in featuring an unplanned reprint of the first Guardians of the Galaxy story, which (as we discussed in last week’s Defenders #26 post) had originally appeared in Marvel Super-Heroes #18 back in 1968.  Read More

Astonishing Tales #27 (December, 1974)

Posted on by Alan Stewart

Back in May, we covered Astonishing Tales #25, featuring the premiere outing (and origin story) of Deathlok the Demolisher.  Our main topic of discussion today is the third Deathlok story — but since this particular feature went in for serialized storytelling in a big way (not to mention doing more than a fair amount of jumping around in time, especially in the earliest episodes), we’ll first need to spend a bit of time and space recapping the major events of Astonishing Tales #26 (whose cover by primary creator Rich Buckler is shown at right) before moving on to the main event.

As discussed at some length in the aforementioned AT #25 post, later decades would find the question of just how much Buckler contributed to the creation of the Deathlok character, as well as to his earliest adventures, versus what the series’ first scripter, Doug Moench, brought to the enterprise, to be a matter of considerable contention; with that in mind, your humble blogger invites you to peruse the credits on the following splash page, where we find Buckler credited for “art/concept/plot”, while Moench gets a double nod for “script/plot”.  This is in contrast to AT #25, where we were told Buckler had “conceived, plotted, & drawn” the work, while Moench had only “scripted” it. Read More

Thor #228 (October, 1974)

Posted on by Alan Stewart

The primary subject of today’s blog post is the advent of artist Rich Buckler as the regular artist on Marvel Comics’ Thor (and despite the post’s title, we’ll be spending at least as much time on issue #227 — Buckler’s actual debut on the series — as we will on #228).  But as it’s been a while since we last checked in on the God of Thunder (at least in his own book), it’s probably advisable that we take a few moments here at the top to orient ourselves to the current lay of the land in Thor, in terms both of its ongoing storyline and of its creative team.  Read More