Watcher

Astonishing Tales #31 (August, 1975)

Posted on by Alan Stewart

The last time we checked in with Marvel Comics’ cyborg antihero, Deathlok the Demolisher, it was September, 2024.  (Or, if you prefer, September, 1974).  That’s been a good long while in comics periodical publishing terms, even taking into account the bi-monthly publication schedule of Astonishing Tales back then; so you might figure we have a lot of catching up to do before digging in to the character’s “latest” adventure.  But, as it turns out, the eight-month gap between issues #27 and #31 of the Astonishing Tales brought just two new Deathlok stories rather than three, as issue #29 was a fill-in featuring an unplanned reprint of the first Guardians of the Galaxy story, which (as we discussed in last week’s Defenders #26 post) had originally appeared in Marvel Super-Heroes #18 back in 1968.  Read More

Captain Marvel #39 (July, 1975)

Posted on by Alan Stewart

When last the regular readers of this blog saw Captain Marvel, he’d just been defeated and taken prisoner by the Watcher — a formerly benign, self-declared non-interventionist, whose sudden heel turn after over a decade of Marvel Comics appearances seemed to come out of nowhere — who had then proceeded to hand him over to the mysterious, heretofore unseen enemies who’d been giving our hero trouble ever since the end of auteur Jim Starlin’s run on the series — the Lunatic Legion.

Our first glimpse of those baddies (see right) made them look pretty loony, indeed.  But, considering that storytellers Steve Englehart (co-plotter/scripter), Al Milgrom (co-plotter/penciller) and Klaus Janson (inker) were giving us a Captain Marvel’s-eye view of the LL, here — and also considering that Mar-Vell was, at the time, tripping balls on LSD (euphemistically referred to in the story as “Vitamin C”, so as not to draw the unwelcome attention of the Comics Code Authority) — one might reasonably doubt whether the image we saw here was entirely representative of objective reality.  Read More

Captain Marvel #37 (March, 1975)

Posted on by Alan Stewart

Cover art by Jim Starlin.

Cover art by Ron Wilson and Frank Giacoia.

Back in June, we took a look at Captain Marvel #34 — the last issue produced by auteur Jim Starlin, who would soon be moving on to “Warlock” in Strange Tales.  As you may recall, Starlin’s swan song ended on a cliffhanger, with Mar-Vell lying unconscious after having been exposed to a deadly nerve toxin.

On one level, this cliffhanger wouldn’t be fully resolved until 1982, when Starlin’s graphic novel, The Death of Captain Marvel, revealed that the hero had contracted cancer as a result of the nerve gas — a cancer which did indeed ultimately prove fatal.  But in 1974, Mar-Vell wasn’t going anywhere, and so it would be up to the creators who picked up the ongoing storyline in Captain Marvel #35 to get him out of the fix Starlin had left him in — even if it ultimately turned out to be only a temporary reprieve, seen in retrospect.  Read More

Doctor Strange #6 (February, 1975)

Posted on by Alan Stewart

As we discussed in this space two months ago, the fifth issue of the second volume of Doctor Strange marked the end of the very successful collaboration of Steve Englehart (co-plotter and scripter) and Frank Brunner (co-plotter and artist) on the feature… more or less.  That “more or less” refers to the fact that Brunner had one last contribution to make to the series before turning his full focus to the upcoming (and eagerly awaited) “Howard the Duck” strip — i.e., the lovely cover shown above, which the artist pencilled, inked, and colored, making for a memorable final bow.

Once we readers of November, 1975 turned past the cover to the opening splash page, however, it was clear that artistic change had indeed come to Doctor Strange — even if it wasn’t entirely a matter of “out with the old, in with the new…”  Read More

Avengers #118 (December, 1973)

Posted on by Alan Stewart

It’s September, and we’ve finally arrived at the climax of Marvel Comics’ pioneering crossover event of the summer of 1973, the Avengers/Defenders War.  Having realized at last that they share a common enemy, the superheroes of the two feuding teams have united to save the world.

So it’s fitting that, for the first time since the storyline began, the cover of this chapter gives us a group shot of multiple members from both teams — although artists Ron Wilson and John Romita have probably chosen wisely in not trying to cram all fourteen heroes, plus supervillains Dormammu and Loki, into a single shot.  Rather, they’ve opted to go with just nine, and it’s interesting to take note of who’s been included.  Unsurprisingly, every character starring in their own series — that’s Thor, Iron Man, Captain America, and Black Panther (in Jungle Action) from the Avengers, plus Sub-Mariner, Hulk, and Doctor Strange (in Marvel Premiere) from the Defenders — makes the cut.  But that still leaves two slots, and they’ve both gone to female characters — the Avengers’ Scarlet Witch and the Defenders’ Valkyrie — which serves to make the cover at least slightly less of a sausage fest.  Better luck next time, Silver Surfer, Vision, Hawkeye, Swordsman, and Mantis (the only shero who didn’t make the cover).

Still, if you’re hankering for a big group shot featuring all the heroes from both teams, no exceptions, then have no worries; Marvel’s got you covered on the book’s opening splash page:  Read More

Thor #169 (October, 1969)

Posted on by Alan Stewart

At the conclusion of our discussion of Thor #166 three months ago, we left the God of Thunder about to face the judgement of his omnipotent All-Father, Odin, for his crime in succumbing to the affliction of Warrior Madness.  Thor had been driven to this state of irrational, uncontrollable fury following the abduction of his lady, Sif, by the artificially-created superhuman called Him (later to be known as Adam Warlock).  As things turned out, Sif was safely rescued, and Him, though soundly thrashed by the scion of Asgard, escaped without mortal injury.  Nevertheless, at the issue’s end Thor was called home to the Golden Realm to face the music; what he didn’t yet know, but we readers did, is that Odin had already determined that his punishment would be to go on a cosmic quest to find the world-devouring Galactus, learn the secret of his origin, and end his threat forevermore.  Read More

Thor #166 (July, 1969)

Posted on by Alan Stewart

There’s a case to be made that the God of Thunder’s adversary in the issue of his comic we’re discussing today — the being known at this point only as “Him”, though he’d later pick up the less confusing appellation “Adam Warlock” — was the last major character creation of artist/storyteller Jack Kirby during his most important and productive tenure at Marvel Comics.  As recalled by comics writer and historian — and longtime Kirby associate — Mark Evanier (and reported by numerous writers, including Mike Gartland in The Jack Kirby Collector #24), the story that Kirby plotted and drew for Fantastic Four #66 – 67 was a tale of well-intentioned scientists who create an ultimate human being, an entity who’s not only physically perfect but also possesses godlike powers, only to have this being, once it’s emerged from gestation within its cocoon, turn on them and destroy them, simply because they don’t meet his standards of perfection.  However, when it came time to script the story, Kirby’s collaborator (and editor), Stan Lee, jettisoned this theme — intended as Kirby’s ironic commentary on Ayn Rand’s Objectivist philosophy — possibly because it didn’t present a clear-cut “bad guy”.  In Lee’s version of the story — which was the one that saw print, of course — the scientists wanted to use their creation to dominate the world; “Him” realized this, and destroyed the would-be despots before taking his leave of humanity.  Already disgruntled with Lee (and with Marvel Comics, generally) over a number of matters — including the way that Lee had appropriated and reinterpreted an earlier Kirby creation for FF, the Silver Surfer —  Kirby may have seen this latest alteration of his creative vision to be, in Gartland’s words, “the last straw”.  From this time on, the theory goes, the “King” would refrain from bringing his full creative powers to bear on the work he did for Marvel, with the result that he would introduce few, if any, truly significant new characters in his last couple of years before jumping ship for DC Comics.  Read More

Silver Surfer #5 (April, 1969)

Posted on by Alan Stewart

My interest in Marvel Comics’ Silver Surfer series seems to have been somewhat sporadic in the first half-year or so of its original run.  As I’ve written in earlier posts, I bought the first issue in May, 1968, and though I liked that book a lot (at least, that’s how I remember things), I opted to pass on both the second and third issues (unless, of course, I never saw either of them on the stands, which is quite possible).  Issue #4, however, was most likely a no-brainer purchase decision for my eleven-year-old self, what with its absolutely iconic cover (by John and Sal Buscema) depicting the Surfer and the mighty Thor about to come to blows.  And considering how spectacularly that book delivered on its cover’s promise, my picking up the following issue when I saw it was probably a given, as well –even though its cover (by John Romita, according to the Grand Comics Database), while good, wasn’t quite in the same exalted class.  Read More

Silver Surfer #4 (February, 1969)

Posted on by Alan Stewart

The Mighty Thor has been my favorite Marvel Comics character for the better part of the last half-century.  The subject of today’s post is as responsible for that fact as much as is any other single comic book — even though it’s not “really” a Thor comic.

As I’ve recounted in previous posts, I first made the acquaintance of Marvel’s take on the Norse god of thunder in the summer of 1967, via Avengers #45 (which also happened to be my very first Marvel comic), in which he appeared in only the first few pages.  I didn’t encounter him again until almost a year later — this time in the pages of Avengers Annual #2, in which he played a somewhat more substantial role — but I didn’t get around to buying an issue of Thor itself until September, when the cover of #158 caught my eye.  That turned out to be a pretty good first issue to purchase, since it reprinted in full Thor’s origin story from Journey into Mystery #83, and its new-material framing sequence by Stan Lee and Jack Kirby also introduced me to a number of the settings and characters that had been brought into the series post-origin, such as Asgard, Odin, the Lady Sif, and so forth.  I enjoyed that comic book quite a bit, but for whatever reason, I didn’t pick up another issue of Thor for several months.  Read More

Avengers Annual #2 (September, 1968)

Posted on by Alan Stewart

Fifty years ago, the decision to spend twenty-five cents on the comic book that’s the subject of today’s post was pretty much a no-brainer for my eleven-year-old self.  I had already bought and read that month’s regular monthly issue of Avengers, which I had enjoyed a great deal — and while that issue’s main plotline was mostly resolved by the story’s last page, there were some tantalizing loose ends left hanging, that a caption in the last panel assured readers would be tied up in the title’s “1968 Special — now on sale!”

But even if that hadn’t been the case, I expect I would have snatched up Avengers Annual #2 simply based on its spectacular John Buscema – Frank Giacoia cover.  “The New Avengers vs. the Old Avengers!”  Two superhero teams for the price of one (even if it did look like a couple of the heroes were doing double duty on both teams).  How could I pass up a deal like that?  Read More