At the conclusion of our discussion of Thor #166 three months ago, we left the God of Thunder about to face the judgement of his omnipotent All-Father, Odin, for his crime in succumbing to the affliction of Warrior Madness. Thor had been driven to this state of irrational, uncontrollable fury following the abduction of his lady, Sif, by the artificially-created superhuman called Him (later to be known as Adam Warlock). As things turned out, Sif was safely rescued, and Him, though soundly thrashed by the scion of Asgard, escaped without mortal injury. Nevertheless, at the issue’s end Thor was called home to the Golden Realm to face the music; what he didn’t yet know, but we readers did, is that Odin had already determined that his punishment would be to go on a cosmic quest to find the world-devouring Galactus, learn the secret of his origin, and end his threat forevermore. Read More
There’s a case to be made that the God of Thunder’s adversary in the issue of his comic we’re discussing today — the being known at this point only as “Him”, though he’d later pick up the less confusing appellation “Adam Warlock” — was the last major character creation of artist/storyteller Jack Kirby during his most important and productive tenure at Marvel Comics. As recalled by comics writer and historian — and longtime Kirby associate — Mark Evanier (and reported by numerous writers, including Mike Gartland in The Jack Kirby Collector #24), the story that Kirby plotted and drew for Fantastic Four #66 – 67 was a tale of well-intentioned scientists who create an ultimate human being, an entity who’s not only physically perfect but also possesses godlike powers, only to have this being, once it’s emerged from gestation within its cocoon, turn on them and destroy them, simply because they don’t meet his standards of perfection. However, when it came time to script the story, Kirby’s collaborator (and editor), Stan Lee, jettisoned this theme — intended as Kirby’s ironic commentary on Ayn Rand’s Objectivist philosophy — possibly because it didn’t present a clear-cut “bad guy”. In Lee’s version of the story — which was the one that saw print, of course — the scientists wanted to use their creation to dominate the world; “Him” realized this, and destroyed the would-be despots before taking his leave of humanity. Already disgruntled with Lee (and with Marvel Comics, generally) over a number of matters — including the way that Lee had appropriated and reinterpreted an earlier Kirby creation for FF, the Silver Surfer — Kirby may have seen this latest alteration of his creative vision to be, in Gartland’s words, “the last straw”. From this time on, the theory goes, the “King” would refrain from bringing his full creative powers to bear on the work he did for Marvel, with the result that he would introduce few, if any, truly significant new characters in his last couple of years before jumping ship for DC Comics. Read More
The subject of today’s post, in addition to being another fine installment in writer Roy Thomas and artist John Buscema’s original run on The Avengers, also happens to have been my first real encounter (outside of a couple of cameos) with Marvel Comics’ Master of the Mystic Arts, Doctor Strange — or, at least, I think it was.
The problem here is that I know that, once upon a time, I owned a copy of Marvel Collectors’ Item Classics #19 — a terrific, double-sized reprint book that not only included a classic early Doctor Strange tale (from Strange Tales #128), but also an equally-classic Fantastic Four story (from the 27th issue of that team’s title) that guest-starred the good Doctor. A double dose of Doc, if you will. And since that book would have been on sale in November, 1968, it would necessarily have been my first Strange-featuring comic — if I’d bought it new off the stands, that is. Which I have no truly compelling reason to believe I didn’t.
Still — and allowing for how vague many of my comics-buying memories are after half a century’s passage — I somehow don’t believe that was the case. When I reread both these books now, Avengers #61 simply feels like it was my first Dr. Strange comic, and MCIC #19 … doesn’t. So I’ve decided, for the purposes of this blog, that I probably came into possession of my copy of the reprint book some time later, probably via trade with (or sale by) a friend. If I’m wrong — well, we’ll never know, right? (Besides which, nobody but me likely cares all that much.)
But even if Avengers #61 wasn’t the first comic book I ever read that featured Dr. Strange, it was certainly the first non-reprint book to include the hero that I ever picked up. Without it, I might well not have taken to the character as much (and almost certainly not as quickly) as I did; for, immediately following my reading this issue, I became a regular purchaser of the Doctor Strange series — and I’d remain a faithful reader of the title for years to come, sticking around through its rather frequent cancellations and revivals, with its star ultimately becoming my second favorite Marvel character (right after Thor).
Which is pretty much just what Roy Thomas and his colleagues at Marvel hoped would happen, when they decided to guest-star Doctor Strange in Avengers back in late 1968. Read More
The subject of today’s post was the second issue of Thor that I ever bought, and that’s probably not entirely by happenstance. Purchased three months after my first foray into the Son of Odin’s solo adventures, #161 was the first issue to come out after Silver Surfer #4 — and as readers of my most recent post know, that particular comic book — an Asgardian extravaganza which featured the titular hero in battle against the Thunder God — did at least as much as Thor #158 had to foster my growing interest in the immortal Avenger and his comic book series.
Although the mythological aspects of Thor held rather more appeal for me than either the hero’s battles against Earthbound super-villains or his outer space adventures (not that I ever disliked any of that stuff, mind you), I don’t think I was fazed by the obviously science-fictional orientation of issue #161’s cover. In fact, I was probably interested in seeing the world-devouring Galactus in a new story, having only read about him thus far in Silver Surfer #1, where he’d appeared only in flashback. On the other hand, I didn’t know anything at all about Ego, the Living Planet, but I suspect my eleven-year-old self thought he looked pretty interesting on that striking Jack Kirby – Vince Colletta cover. Of course, neither of those cosmic titans were actually named on the cover, and I might not have recognized Galactus just from his profile; but since I’d read the issue descriptions in both this and the last month’s Marvel Bullpen Bulletins, I knew who Thor was going to be meeting, and presumably fighting, here. Read More
The Mighty Thor has been my favorite Marvel Comics character for the better part of the last half-century. The subject of today’s post is as responsible for that fact as much as is any other single comic book — even though it’s not “really” a Thor comic.
As I’ve recounted in previous posts, I first made the acquaintance of Marvel’s take on the Norse god of thunder in the summer of 1967, via Avengers #45 (which also happened to be my very first Marvel comic), in which he appeared in only the first few pages. I didn’t encounter him again until almost a year later — this time in the pages of Avengers Annual #2, in which he played a somewhat more substantial role — but I didn’t get around to buying an issue of Thor itself until September, when the cover of #158 caught my eye. That turned out to be a pretty good first issue to purchase, since it reprinted in full Thor’s origin story from Journey into Mystery #83, and its new-material framing sequence by Stan Lee and Jack Kirby also introduced me to a number of the settings and characters that had been brought into the series post-origin, such as Asgard, Odin, the Lady Sif, and so forth. I enjoyed that comic book quite a bit, but for whatever reason, I didn’t pick up another issue of Thor for several months. Read More
By the time September, 1968 rolled around, I’d been interested in Thor for a while. I’d been intrigued by the couple of appearances he’d made in in Avengers issues I’d bought, and I was fascinated by the idea that this Marvel Comics superhero was apparently the same guy as the Thunder God from the Norse myths I’d studied in school (even if the Marvel version was blonde and clean-shaven, rather than red-haired and bearded, like in the myths). I have a distinct memory of gazing at a copy of Thor #152 sitting in the spinner rack at the Short-Stop, and wondering not only who the big ugly bruiser Thor was fighting with was, but all those other strangely garbed characters in the background, as well. But in February of ’68, when that book came out , I was still feeling my way as a new Marvel reader, and wasn’t quite ready to take the plunge. I was feeling a lot more comfortable with Marvel by September, though. And, in fact, I might have sampled Thor even earlier, if I hadn’t been able to tell from the Mighty Marvel Checklist’s monthly issue descriptions that the series was then in the midst of an ongoing storyline, featuring the Mangog, that lasted through the summer. Read More